Anima Mundi

Anima Mundi doesn't quite do for the animal world what Koyaanisqatsi did for the human world, but that's okay. I still thought it was a good watch, and maybe an even better listen, thanks to Philip Glass doing the score, just as he did for Godfrey Reggio's Qatsi movies.

It feels like Anima Mundi is giving animals a chance to judge humans, and what they're doing to their environment, maybe? That's something I get from all the close-ups. I felt a bit judged, as a viewer. But it's also just interesting that you get almost no close-ups when humans are Reggio's subjects, but then you get them for what feels like half the film here.

There's some slow-motion, of course, but I don't think any time-lapse photography. Still, there are a handful of striking images, and it's all put together interestingly. Sounds great, looks good, but maybe it falls a little short of being entirely great. I could've happily watched this for longer, so maybe it's just this being under 30 minutes that holds it back from feeling a little grander, more sweeping, and ultimately moving.

It's quite sad that this video is out of print. I purchased a copy when it came out because it has music by Phillip Glass and he is one of my favorite composers. I wanted to purchase a copy for a friend, but found it impossible to do. This movie presents the most flawless marriage of music and video. The photography is impeccable, detailing scenes in nature you won't believe, and won't find anywhere else -- of note are the jellyfish (?) that look to be the size of redwoods. I have watched this video numerous times; I put it on sometimes while reading to relax. If you like "Baraka," another great film, it will be in your interest to try and find it. If I ever do, I will come back on here and post where I was able to get it. By the way, you'll notice in the user rating that no one has ever rated it lower than 6, quite impressive! Sadly, it will probably never make IMDB's top 250 because of the few total number of votes. If it was on the list, it would be #1!!!

It is a wonderful immersion in a very lively nature. The music and the images are complementary to each other. The quality of the images is impressive. You will see animals and environments from any corner of the world and will be impressed by the diversity of them.

There is a wonderful moment at the beginning of this film where the screen is filled with the image of a large cat's eyes staring directly at us (the one from the front of the video box), accompanied by dark, moody chords played by the brass section. It looks away for a second, and then the music swells ominously as it looks at us again. Although I am not particularly "into" the music of Phillip Glass, I must say that Reggio and Glass have produced a really beautiful little film here. My particular favorite is the eerie, other-worldly underwater sequence, featuring black stingrays floating far above us, sea lions swimming as we would imagine mermaids would, inky-black jellyfish, and a swim through a forest of enormous seaweed dancing and undulating gracefully. Glass's music for this sequence is particularly haunting and beautiful -- and if you've ever seen the film "The Truman Show," you've heard this music before. It accompanies a scene where Truman is talking to his best friend, trying to make sense of his life, and the music nicely underscores his sense of unease, sadness and doubt (I believe it was written for "Anima Mundi" first).

Despite a comment here about "Anima Mundi" being out of print, I did just manage to buy the DVD at a local store here in Chicago, and that edition, at least, seems to be available on-line at Amazon and elsewhere. It lasts just 30 minutes, but it's 30 really outstanding minutes, well worth seeing. The DVD gives a noticeable improvement in clarity and color stability (particularly bright reds) over the now out-of-print laserdisc edition. Get it while you can.

This short is nothing short of mesmerizing! Reggio outdoes his "Koyaanisqatsi" and "Powaqqatsi" in this tribute to the wonders of the animal kingdom. The camera lingers, treks, enfolds and personifies these creatures in startlingly intimate detail, all the while accompanied by (yet another) haunting score by Philip Glass -- pieces of which were also put to excellent use in Weir's "The Truman Show." This one is a must-see in projected form.