G.B.H.

Putting aside Robert Lindsay's much deserved BAFTA for his portrayal of sleazy politician Michael Murray, this show is worth watching because Alan Bleasdale's script is simply phenomenal. Even when the plot actually on occasion does move where you think it will -- you'll still be surprised, amazed, amused, angered. In short, this must be something like the Elizabethan audiences felt when they first watched Hamlet. The script is densely layered, mounting complexities upon issues upon personalities. And for all that, one doesn't have to be a genius to understand it and be moved through a number of emotions and reactions before finally being hung out to dry. It's brilliant.

This is Alan Bleasdale at his very best - 'GBH' ranks up there with other outstanding drama series such as 'The Singing Detective' and 'Edge of Darkness'. While GBH is a drama it's not all deadly serious - as with real life, 'lighter' situations develop naturally from circumstances that are anything but, yet the situations are so natural, the script so flawless and the performances and the direction so perfect that everything flows together beautifully.

GBH is a very analytical and well observed view of politics, power, and how it affects the people involved.

It's first class - I wish that more TV drama was as good as this!

During CoVid-19 lockdown I have re-watched GBH for first time since it was shown in 1991. I had forgotten just how good it is but also realised how relevant it still is today. So many references to things happening now, or one step away! On a personal note my mother appears as an extra in the series, so a double pleasure.

It seemed fairly obvious to me, coming from Merseyside, that Michael Murray was loosely based on Derek Hatton. I was just a daft teen during his régime, but this enlightened me. The acting is excellent, although Lindsay Duncan is a wee bit wooden. The two main actors, Michael Palin and Robert Lindsay couldn't have been better cast. A grim and gritty portrayal of the dirty extremist side of zealots in politics. Not a faction to be applauded. Lots of wonderful dark comedy - nothing slapstick; intelligent writing instead. Alan Bleasdale is the Master of Grim Northern humour. Nobody can best him. A show I only turned on because I love Palin, but so glad I watched it right through. A word of warning: concentrate. There are unexpected twists & turns, and I had to rewind to let it sink in. Superb!

GBH is a remarkable miniseries: superbly written, directed and acted. The characterisations are especially outstanding, with some of the most genuinely nasty bad guys I've ever seen; though many of the main characters are multi-faceted, and evolve before your eyes as the series unfolds.

In part it's a story about how The Left can be manipulated by the Far Right; in other ways it is a character study, particularly of Palin's character - even if occasionally the comedy sits just a little uneasily with the drama. Given the series' intensity though, it's faintly amazing that they were able to get with some scenes at all.

I do have a few criticisms of GBH. At times it can be painfully slow, with some scenes which are stretched out for minutes, to no real purpose. Also, the eccentric, obnoxious hotel owner is obviously inspired by Basil Fawlty, and his antics get just a little distracting.

I would give GBH about 8.5, but to quote a record review I remember reading (actually it was of an Elvis Costello album, and Costello provides background music to the series), "by the standards of mortal craftsmanship, this is a wondrous thing indeed."