IMDb RATING
6.1/10
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A goblin is sent to Earth to behead students and turn their bodies into demons.A goblin is sent to Earth to behead students and turn their bodies into demons.A goblin is sent to Earth to behead students and turn their bodies into demons.
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This has the stiff direction and sterile feeling typical of many Japanese films, pretty deadly for a horror movie, especially one that's intended to have a number of wacky and wild moments. The story is extremely confusing, missing even token explanations for many things; it's like it expects us to be familiar with the story from its original source. When it's not boring, it's extremely bewildering. Some of the special effects aren't bad for what was a low budget, but they tend to be derivative of other (and better) horror and science fiction movies. See how many such references to other movies you can spot, if you should decide to see this movie despite what I've said.
After opening an ancient tomb discovered beneath their school, teacher Takashi Yabe (Naoto Takenaka) and pretty student Tsukishima (Megumi Ueno) fall victim to the goblins trapped within. With the help of archaeologist Hieda Reijirou (Kenji Sawada), Takashi's son Masao attempts to prevent the goblins from escaping into our world.
Tetsuo, The Iron Man, Shin'ya Tsukamoto's nightmarish cyberpunk cult hit, found its audience with the art-house/obscure horror intelligentsia; I can't imagine the same crowd going quite so gaga for Hiruko the Goblin, which takes a far less visionary approach, borrowing much of it its visual stylings from Sam Raimi's The Evil Dead and John Carpenter's The Thing.
The film's plot is just as incomprehensible as Tetsuo's—I hadn't a clue what was happening for much of the time—but Tsukamoto eschews the surreal for a far more basic, splat-stick style, with plenty of gushing blood, crazy creatures, and chaotic, over-the-top acting. It might not make much sense half the time, but with decapitated heads sprouting legs, a crazy archaeologist armed with homemade goblin-hunting gizmos, and a young hero who develops burns on his back that resemble the goblins' victims, it's hard not to enjoy on the most basic of levels.
Tetsuo, The Iron Man, Shin'ya Tsukamoto's nightmarish cyberpunk cult hit, found its audience with the art-house/obscure horror intelligentsia; I can't imagine the same crowd going quite so gaga for Hiruko the Goblin, which takes a far less visionary approach, borrowing much of it its visual stylings from Sam Raimi's The Evil Dead and John Carpenter's The Thing.
The film's plot is just as incomprehensible as Tetsuo's—I hadn't a clue what was happening for much of the time—but Tsukamoto eschews the surreal for a far more basic, splat-stick style, with plenty of gushing blood, crazy creatures, and chaotic, over-the-top acting. It might not make much sense half the time, but with decapitated heads sprouting legs, a crazy archaeologist armed with homemade goblin-hunting gizmos, and a young hero who develops burns on his back that resemble the goblins' victims, it's hard not to enjoy on the most basic of levels.
I found a copy of this film without the benefit of English subtitling, but was able to figure out the story... vaguely, anyway. I have been a fan of this director's work for many years, particularly the excellent TOKYO FIST, so I was very happy to find this obscure little film.
It seemed at first to be much more mainstream than the rest of Tsukamoto's films, but it did have its share of bizzare scenes... It is essentially a cross between EVIL DEAD II, THE THING, and THE CHURCH... but in Japanese. Mainly enjoyable, and a must for anyone interested in this guy's work. It is very strange indeed...
It seemed at first to be much more mainstream than the rest of Tsukamoto's films, but it did have its share of bizzare scenes... It is essentially a cross between EVIL DEAD II, THE THING, and THE CHURCH... but in Japanese. Mainly enjoyable, and a must for anyone interested in this guy's work. It is very strange indeed...
Unlike every other Tsukamoto film I've been able to hunt down (the two TETSUOs, GEMINI, and ROD BOY,) this film seems to be nothing more than a silly popcorn film. Nothing wrong with that, certainly, although it does raise some interesting questions about Tsukamoto's style as a director. The sped up POV running towards a character thing he did in both TETSUOs, for example, looks like an EVIL DEAD rip off here, despite the device having a completely different effect in the Tetsuo films.
This feels less like a Tsukamoto work than anything else he's done, even the slowly paced art film GEMINI. Beyond that, it's basically a straight horror flick: characters find themselves in a bad situation, and spend the entire film's running time trying to get out of it and/or fix it. The elements aren't original by any stretch of the imagination (there's even a crusty, crazy old man who knows more than he's telling,) but Tsukamoto's handling of them still feels new. When someone is attacked by a goblin, the victim flashes to a peaceful, serene, but nonetheless threatening dreamworld, which (as we discover) more often than not leads to suicide.
Much, much fluffier than anything else the man's done, and curious for his fans, although the uninitiated will just see a straight horror flick, albeit one better done than most. Fun stuff.
This feels less like a Tsukamoto work than anything else he's done, even the slowly paced art film GEMINI. Beyond that, it's basically a straight horror flick: characters find themselves in a bad situation, and spend the entire film's running time trying to get out of it and/or fix it. The elements aren't original by any stretch of the imagination (there's even a crusty, crazy old man who knows more than he's telling,) but Tsukamoto's handling of them still feels new. When someone is attacked by a goblin, the victim flashes to a peaceful, serene, but nonetheless threatening dreamworld, which (as we discover) more often than not leads to suicide.
Much, much fluffier than anything else the man's done, and curious for his fans, although the uninitiated will just see a straight horror flick, albeit one better done than most. Fun stuff.
Mix a typical creature movie with Tsukamoto madness and add cheesy characters and you have Hiruko the Goblin.
Don't watch this movie expecting anything serious like Tetsuo or Tokyo Fist. This Tsukamoto movie was an offbeat comedy with some strange horror effects. The soundtrack seemed as though it doesn't fit with parts of the movie either, and the characters needed more development.
However, the craziness was still there, and Tsukamoto's camera angles, lighting, and color were all there. I'm glad I have this DVD in my collection since I am a big Tsukamoto Shinya fan.
I give it 6.5/10
Don't watch this movie expecting anything serious like Tetsuo or Tokyo Fist. This Tsukamoto movie was an offbeat comedy with some strange horror effects. The soundtrack seemed as though it doesn't fit with parts of the movie either, and the characters needed more development.
However, the craziness was still there, and Tsukamoto's camera angles, lighting, and color were all there. I'm glad I have this DVD in my collection since I am a big Tsukamoto Shinya fan.
I give it 6.5/10
Did you know
- TriviaAs of 2024 it is the only feature length film directed by Shinya Tsukamoto in which he did not serve as his own Director of Photography/Cinematographer.
- ConnectionsReferenced in Video Buck: Las carátulas más mierdosas #8 (2020)
- How long is Hiruko the Goblin?Powered by Alexa
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- Yokai Hunter: Hiruko
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