Hiruko the Goblin

HIRUKO: THE GOBLIN (1990) Surprisingly fluffy supernatural adventure film from the director of the TETSUO movies, Shinya Tsukamoto, perhaps done to prove he could apply a mainstream touch to lighter material. As such, it's still got his trademark bodily aberrations and spurting blood. An archaeologist uncovers an burial mound he believes to be some sort of an appeasement to ancient gods, but he and a student are killed by the critters within.

Meanwhile, his colleague (Kenji Sawada), now conveniently a goblin hunter, teams with the man's son to seal off the tomb under the mound before more deaths are caused by the free-roaming goblin, which looks like a human head with spider legs and hypnotizes its victims into a state of tranquil bliss that makes it much easier for them to saw off their own heads. Speedy fun, played with just enough tongue in cheek. Based on a book by Daijirao Moroboshi. I watched the R2 British edition of this. I give it an 8.

Mix a typical creature movie with Tsukamoto madness and add cheesy characters and you have Hiruko the Goblin.

Don't watch this movie expecting anything serious like Tetsuo or Tokyo Fist. This Tsukamoto movie was an offbeat comedy with some strange horror effects. The soundtrack seemed as though it doesn't fit with parts of the movie either, and the characters needed more development.

However, the craziness was still there, and Tsukamoto's camera angles, lighting, and color were all there. I'm glad I have this DVD in my collection since I am a big Tsukamoto Shinya fan.

I give it 6.5/10

I found a copy of this film without the benefit of English subtitling, but was able to figure out the story... vaguely, anyway. I have been a fan of this director's work for many years, particularly the excellent TOKYO FIST, so I was very happy to find this obscure little film.

It seemed at first to be much more mainstream than the rest of Tsukamoto's films, but it did have its share of bizzare scenes... It is essentially a cross between EVIL DEAD II, THE THING, and THE CHURCH... but in Japanese. Mainly enjoyable, and a must for anyone interested in this guy's work. It is very strange indeed...

I saw an article titled "Insane Horror Movies You Have To See" and I liked almost all the movies on the list (MANDY, POSSESSION, HOUSE, NIGHTBREED, SOCIETY, etc.) but this film and TITANE were the only two I hadn't seen. I'd heard of TITANE since it won the Palme d'Or, but I'd never heard of this early 90s Japanese horror film. Don't associate this one with the late 90s J-Horror batch of films (RINGU, JU-ON, DARK WATER, etc.). This film shares a spirit much closer to Sam Raimi's EVIL DEAD, mixing outlandish creatures, wild camera movements, and a general level of craziness that gets wilder and wilder as the film goes along. For the first hour or so, the film is a pretty transitional Asian horror film, featuring an evil spirit (a goblin) that's killing students at a private high school, but once a severed head with spider legs begins terrorizing students at around the 45-minute mark, that's when the film starts getting really good, building to a climax that to SOOOOO bonkers, I awarded the film another star. I was laughing out loud it was so outrageous! For fans of 70s and 80s Japanese horror films along the lines of 1977's HOUSE (not the William Katt film), seek this one out!

After opening an ancient tomb discovered beneath their school, teacher Takashi Yabe (Naoto Takenaka) and pretty student Tsukishima (Megumi Ueno) fall victim to the goblins trapped within. With the help of archaeologist Hieda Reijirou (Kenji Sawada), Takashi's son Masao attempts to prevent the goblins from escaping into our world.

Tetsuo, The Iron Man, Shin'ya Tsukamoto's nightmarish cyberpunk cult hit, found its audience with the art-house/obscure horror intelligentsia; I can't imagine the same crowd going quite so gaga for Hiruko the Goblin, which takes a far less visionary approach, borrowing much of it its visual stylings from Sam Raimi's The Evil Dead and John Carpenter's The Thing.

The film's plot is just as incomprehensible as Tetsuo's—I hadn't a clue what was happening for much of the time—but Tsukamoto eschews the surreal for a far more basic, splat-stick style, with plenty of gushing blood, crazy creatures, and chaotic, over-the-top acting. It might not make much sense half the time, but with decapitated heads sprouting legs, a crazy archaeologist armed with homemade goblin-hunting gizmos, and a young hero who develops burns on his back that resemble the goblins' victims, it's hard not to enjoy on the most basic of levels.