The Two Jakes - Piège pour un privé

This sounded pretty good... Nicholson is mostly fun to watch, and I enjoyed Chinatown immensely(Towne returning to write this sequel was a treat, as well). I enjoyed it for a while, but not too far past the half-way point, I realized that it had run out of steam... the film kept rolling, but it no longer kept the viewers' attention. Jack Nicholson is no director, and it shows... while he is a skilled actor, he should stay in front of the camera instead of trying his hand behind it. The cinematography is close, but doesn't quite make it to being good... we have shots that linger, and wasted opportunities aplenty. Polanski's loose, involving camera is sorely missed here. The pacing is also off... the film ends up seeming heavy as a result. The writing is quite good. The acting varies, but is mostly on the positive end. The tone isn't entirely sure what it wants to be, but does create some great "noir" moments. Jake's monologues are occasionally spot-on. The mystery varied some... parts of it, I had figured out before the lead, whereas others only became clear to me just as they were revealed. This is a hit and miss scenario... and unfortunately, it misses more than it hits. This is worth watching as a continuation of Chinatown for those that want more of the plot, and can compromise with the drop in style and finesse of the film-making values. I recommend this to big fans of Jack Nicholson and those interested in seeing what occurred after the events of Chinatown. 6/10

"The Two Jakes" is the sequel to "Chinatown", a film that really did not need another chapter. However, with that said this is an above average film that works most of the time. Jack Nicholson returns and is sucked into another web of deception and corruption. He is hired by Harvey Keitel to follow his two-timing wife (a very sexy Madeleine Stowe). Just like before, the more Nicholson learns about his case, the stranger and more complicated it becomes. Everything will lead to fireworks which involves a housing development and oil-drilling in the Los Angeles area. Like "Chinatown", "The Two Jakes" is multi-layered and somewhat confusing at times. It will likely take multiple viewings to get the full effect of this film if you are unable to get it on the first try. Robert Towne's screenplay is smart, but Nicholson's direction lacks the creativity and overall brilliance of Roman Polanski's. Meg Tilly is adequate in the film. Ruben Blades and Richard Farnsworth both do good work, but overall nothing in this film can match what was accomplished 16 years earlier with its predecessor. 3.5 out of 5 stars.

Being a "sequel" to "Chinatown," I had high expectations of this film. I even gave it two looks - one on VHS and then one a few years later on DVD - because I wanted so much to like it....but it stunk each time. What a waste of money.

The only thing going for it is the beautiful film-work and the great 1940s atmosphere, as "Chinatown" had some 16 years earlier when that film came out. (Kind of long wait for a sequel, anyway, don't you think?)

If ever a movie could be called "convoluted," it's this one. It made Chinatown as simple as "Bambi." Even the mainline critics all agreed this was incoherent in its storytelling. It's less confusing, but not much, if you know the characters from Chinatown since there are references to "Kathryn Mulray." However, it's just too frustrating to watch and try to follow what's going on.

I know lots of people who loved "Chinatown" but not one who likes this film.

The Two Jakes and The Godfather 3 were released in the second half of 1990 and both films proved that sometimes it's best not to tamper with classics. This is not necessarily because sometimes a sequel can't compliment a classic, but because no matter what you do, there's no way to avoid comparing the new versions to the old. And the final chapter of the Godfather trilogy is vastly inferior to the first two. And Two Jakes is vastly inferior to Chinatown. But since Chinatown and the first two Godfathers are among the best films every made, that's a pretty pointless comparison. Just as The Godfather 3 stands on its own as a very sturdy and interesting piece of filmmaking, Two Jakes also works on its own merits. It's confusing, overlong (a full ten minutes more than the original), and never fully gels, but it's also passionate, intelligent filmmaking. Go figure.

In his autobiography, producer Robert Evans refers to Robert Towne's script for Two Jakes as basically only half-finished. It was half-finished when they started shooting, half-finished when they made it half-way through the shoot, and it pretty much feels half-finished in the final product. This is a movie where characters wander in and out and a full two-thirds of the storylines go essentially unresolved. The grand climax of the film (and trust me, I'm not spoiling anything) is an evidentiary hearing, for heavens sakes! And I couldn't really explain the plot if I wanted to, but here's the quick summary: It's fifteen years after Chinatown and Jake Gittes Jack Nicholson) has become older, fatter, and a good deal more bitter. He's now an Investigator respected throughout LA, but he's still haunted by his experiences with the Mulwrays, especially the late Evelyn. The film begins with a jealous husband, Jake Berman (Harvey Keitel), storming into a hotel room and killing his wife's lover, with Jake listening in the next room. Of course, you know the crime probably wasn't entirely about love or lust and that money probably had something to do with it. Money, history, and oil, actually. And it spins in circles from there.

It's easy to notice that the film slacks off at around the half-way point. It's then that you realize just how tight Robert Towne's Chinatown script was. Even at a shred over two hours, every word counts, every gesture, every twist. Two Jakes is flabby in comparison. The dialogue is pleasantly hardboiled and the actors enjoy delivering it, but the resolutions of the various mysteries mostly fall flat. You either see them coming, or don't understand when they arrive. It's to Towne and director Jack Nicholson's credit that the film ends on a number of satisfying grace notes.

Nicholson's direction is almost never the source of the film's flaws. And this is legitimately high praise in a film as twisting and convoluted as this. Of course, he again makes you appreciate the brilliant economy of Roman Polanski's direction of Chinatown, a film with an immeasurable amount of class. Nicholson produces several wonderful moments including a beautiful pull shot from the ocean to a teatime conversation with Kahn (who Chinatown fans will avidly remember). Nicholson and director of photography Vilmos Zsigmond capture a Los Angeles of burnt out dreams, on the brink of overdevelopment and overexpansion. The film has noir stylings but it respectfully looks different from Chinatown.

Nicholson's performance is more a study of what has happened to the actor since Chinatown, rather than what has happened to the character. Because Jack was less of an icon when Chinatown was made, the original Jake Gittes is one of his least iconic performances. By the time he won his Oscar the next year for One Flew Over The Cuckoo's nest Nicholson had already become JACK (in all caps) and he hasn't looked back. In Two Jakes, Jake Gittes has become JACK. There's no getting around it. However, there's also no getting around the fact that Nicholson is a great actor and even if his performances are frequently variations on a theme, it's a pretty super theme.

Two Jakes is peppered with supporting performances of varying degrees of depth. Harvey Keitel has never been better as the second of the two Jakes. His character is emotionally complicated and perhaps the only person in the film (besides Gittes) who gets to go through a character arc. He plays it wonderfully. The femmes fatale in the film, as played by Madeline Stowe and Meg Tilly are less and more complicated than they seem. Ruben Blade, Richard Farnsworth, and Eli Wallach provide capable support when they're given anything to do.

The fact is that like the Godfather 3, if you came upon Two Jakes with a completely open mind, you'd find it a complicated thriller, vastly more substantial than most films of the genre. The fact that it's got its flaws that it'll never compare to Chinatown are the basis for a 7/10 rating.

The Two Jakes has the misfortune of following an absolutely exceptional original in Chinatown. Few sequels live up the original and one can only wonder at how different, and presumably better it would have been if Polanski had directed again. This is not a bad movie.It was nice to see the character of Jake Gittes again. It does have its moments of private eye noir and intrigue. Jack Nicholson and Harvey Keitel are always fascinating to watch. Some of the action and word play is really enjoyable. Unfortunately it has no rhythm. The plot is long winded, confused and tentative. On too many occasion's I felt my interest waning. However I decided to see it through and felt the pace gather a bit towards the end. The acting is good and there's enough in it to keep it fairly interesting, but at times I felt like I was just hanging in there watching and hoping for it to become great, which it never does. If someone asked me to explain what happened in the film I think I would actually struggle to make sense of it. Nicholson and Keitel make it watchable, but not memorable. It's not not great because Chinatown was so good. It's just not great full stop. It was an average sequel. Not the first and certainly won't be the last...