Coeur d'acier

I've seen quite a few good b-type horror movies - unfortunately, this isn't one of them. In fact, if it wasn't for Stacy Haiduk, this film would be a complete waste of time. The plot as you've probably guessed is pretty simple: a fairly attractive concert pianist gets gang-rapped in a dark alley, the bad guys get acquitted in court and the victim kills herself in effect. Her brother, a scientist and specialist in Artificial Intelligence and Robotics, brings his sister back to "life" five years later, turns her into a deadly cyborg - programmed on revenge. The story line hasn't got any exciting twists to it - the rapists go down one by one and even the splatter scenes are hardly imaginative. The performances of most actors involved are average at best, yet some are well below. Especially Clare Wren in her role as Final Exterminator (German title) isn't able to carry the movie. However, there is a ray of light: Alison (played by the gorgeous and most talented Stacy Haiduk), the sketch artist who was present at the trial, turns out to be an interesting character that is fun to watch as she gets involved in the investigation of the strange killings when she reviews her former work for a new book. She's the reason why I enjoyed watching this movie after all.

I first saw this movie in 1991...pretty much the same time it was released to video store. It was a little too violent for me back then and made me a bit uncomfortable (I was just a kid). I just watched it again (I bought the tape through Amazon)...and I have to admit that it has stood up pretty well. It is a rather dark story but it has some rather interesting and creative kill scenes. Also watch for the forensic detective...he has some pretty funny comments about the murders. It is a pretty original movie...definitely B grade but worth a look.

7/10

Steel and Lace is a cool, inventive take on the revenge thriller/gore. Farino has directed a modern gore/thriller. I think this is the Pulp Fiction of its time. New concepts and turns of fate abound in this puzzling film.

A cute blonde lawyer is raped in an alley by a Wall Street Geico type character. He goes to trial and gets off from lack of evidence. He and his 4 buddies own a corporation that has a logo of a hand that is squeezing the world in a claw like grasp. (neat logo) Not being able to cope with the devastating news, the lawyer jumps off a building. Mysteriously, the Wall street crowd is then killed one by one in Ten Little Indians, style.

The director, Francio, really integrates a pastiche of film genres into an action/thriller/gory film that is way above other gore films. A lot of works are derivative to a fault, but this one integrates a lot of genres into a well crafted/shot/edited/music film.

I kept thinking, Death Wish, Gort, Hal, Spit on your Grave, Terminator and other films that were reverently depicted in this surprising film.

The actors and good and production values top notch...considering that this was probably a low budget film, this was an excellent example of good direction and control of the production. I like the way the robot gradually gains awareness about her actions.

Look for it in bargain bin, rental stores, and on cable TV. It is a neat discovery.

Stars Bruce Davison (X-men), David Naughton (An American Werewolf In London), and Claire Wren as the rape victim/suicide turned killer cyborg. The story is rather unsettling, especially the way it careens back and forth between the dark revenge scenes, over to some fascinating comic bits (such as the forensic scientist who starts to enjoy the creativity of the murders), to dealing with Davison's character, who seems more like a robot than the robot. Perhaps it is unsettling because juxtapositions like that are so often a hallmark of real life as it is lived. The viewer really is kept in suspense about how the next victim will be claimed, and I defy anyone to guess all the deaths correctly beforehand. The dialogue verges on self-parody at times, and elements of several other flicks from Blade Runner to Robocop are borrowed with little attempt at disguise. Yet it all hangs together somehow, perhaps it is the thread of bad romance. A quirky gem.

Every once and a while, unfortunately not very often, you encounter a film for which you had low or even zero expectations, but then it turns out to be surprisingly enjoyable! I used to always refer to "Scream for Help" as an example for this, but it looks as if I can now also refer to "Steel and Lace" as an example as well! Being a low-budgeted and early 90s Sci-Fi/cyborg rip-off starring a couple of washed up B- movie stars, I just started watching "Steel and Lace" with all my brain functions switched off, but it didn't even take 10 minutes before I sat there with a big and sleazy smile on my face! The very simple but ingenious premise can be described as a hybrid between cyborg flicks like "The Terminator" or "Robocop" and rape & revenge horrors like "I Spit on your Grave". The beautiful and talented Gaily Morton was the victim a gang-rape, but during the trial in court, the nasty culprit Daniel Emerson and his buddies are set free due a lack of evidence. The poor girl can't handle the acquittal and commits suicide by throwing herself from a rooftop. Five years later, Gaily's scientist brother Albert recovered her body and turned her into a hi-tech cyborg with as sole mission to eliminate her assailants one by one. The murders in "Steel and Lace" are downright fantastic! Disguised as femme fatale, she lures them to sleazy hotels or empty meeting rooms and subsequently disembowels, decapitates or viciously castrates them! Enter David Naughton ("An American Werewolf in London") and the ravishing Stacy Haiduk as respectively a police inspector and a freelance reporter; both investigating the murder series and both suspecting a connection with the infamous trial. Particularly the first half of "Steel and Lace" is a lot of fun, with even a handful of hilarious lines as well. Upon discovering the first corpse, who got killed by a drilling device coming out of the cyborg's stomach, Detective Dunn makes the intelligent remark: "It looks like someone dropped a bowling ball right through him". The police doctor's reaction is even better, as he lifts the sheet that is covering the body, looks as him and stoically says: "This man has a hole in him…" The make-up effects are very good, which shouldn't come as too much of a surprise, since director Ernest Farino previously worked in the visual effects department of such classics like "The Terminator", "The Abyss", "The Thing" and "Dreamscape". The second half is less entertaining, since it primarily focuses on Haiduk's private investigation and Gaily's human conscience that slowly develops itself again, but by then "Steel and Lace" already turned into a guilty pleasure for sure.