Histoires de fantômes chinois II

It has been more than 20 years since I watched this movie, so it was about time to dust off the old DVD Player and re-watch this old classic. While the first movie still holds up pretty well, I wish I could say the same about part two. But this one suffers from common 'sequlitis'. Or in other words, trying to ape the first movie but with bigger battles and special FX budget. I give the movie props for one thing, it doesn't run out of visual ideas and interesting characters. Unfortunately it all gets squandered in a meandering plot that struggles to engage viewers. There are lot of parallels to the first movie like the protagonist befriending a magician swordsman, encountering a hidden threat in form of monsters lurking in the dark, or a character hiding a loved one from being seen by others and hi-jinx ensues. Some shots were even completely re-used from it's predecessor like the chase scenes with the dogs in the forest (that are supposed to be wolves). The movie throws lots of dialogue at the viewer, most of it non-sensical mildly amusing comedy. Where the movie dropped the major ball though, is the romance in it's core. It is lifeless and not much time gets invested in making it believable. Is the t's probably the biggest gripe I have with the movie. Unfortunately the re-watch wasn't as satisfying as I hoped it would be (like part one). I hope part three is a step up from here.

I'm torn between admiring A Chinese Ghost Story II for its sheer craziness and disliking it for being such an incoherent mess of a sequel to one of my favourite HK movies.

The original A Chinese Ghost Story was the film that showed me there was more to Hong Kong cinema than Jackie Chan, director Siu-Tung Ching brilliantly blending romance, fantasy, comedy and horror; part 2, also directed by Siu-Tung Ching, is non-stop insanity that never achieves the lyrical beauty of its predecessor, but does deliver a giant, toothy monster and a demonic high monk who can transform into a massive golden Buddha and a giant centipede.

Leslie Cheung reprises his role of timid debt collector Ling Choi San, who escapes from jail (having been wrongly arrested as a bandit after escaping from cannibals!); mistakenly stealing the horse of Taoist Chi Chau (Jacky Cheung), the young man seeks shelter in an abandoned villa in the woods. Chi Chau catches up with Ling Choi San, and the pair sort out the misunderstanding. During the night, the men are attacked by rebels posing as ghosts, who mistake Ling Choi San for renowned scholar Elder Chukot Ngo Long (Feng Ku), with whom he shared a cell. Amazingly, one of the rebels, Ching Fung (Joey Wong), is the exact double of ghost Siu Sihn (also Wong) from the first film; Ling Choi San is unsurprisingly smitten and agrees to help rescue her father, who is prisoner of the Imperialists.

Despite the title, there are no real ghosts in this movie, but there's plenty of supernatural silliness as Ling Choi San and his new found friends do battle with evil forces. The film is a smorgasbord of over-the-top special effects filled sequences, most of which make very little sense, but which are undeniably visually impressive. Even the less effective effects - such as the silly demonic monster that continues to menace our heroes despite being cut in half - are entertaining, and there's surely something for everyone to enjoy (I particularly liked the 'sword surfing' scene).

So, not the sequel I was hoping for, but still worth checking out if you like your HK movies to be completely bonkers.

Although a little shorter on plot than the first movie, this one might be a bit funnier. With the welcome additions of Jackie Cheung as a wandering ghost fighting Monk and the lovely Michelle Reis to the cast, the movie has even more Hong Kong star power than the last. Of course the chemistry between Leslie Cheung and Joey Wang is still there, and the film is funny and fast paced. If you liked the first movie, then put this on your must see list.

Although I hadn't seen the first movie, the recap at the beginning brings you up to speed very quickly. The movie itself while not hilarious, cheered me up and made me laugh in a few parts, mainly when the monk, Autumn, was on screen.

There's a lot of likable things about the movie, namely: love interests, thieves that appear out of nowhere (in the plot, not out of thin air), fight scenes with demons and a funny "freezing" spell, redemption of the "bad" guy, and most importantly (since more recent Asian movies seem to forget about them) a happy ending.

Overall, if you want a funny movie that you can just relax while watching it (no serious people), give it a go.

SINNUI YAUMAN II isn't bad at all, but it's disappointing. It isn't as funny, exciting, touching or visually inventive as its predecessor. The device used to reintroduce Joey Wong into the story is just plain wrong; if they didn't want to bring back her original character ( I have to admit they probably couldn't) they should have come up with a new love interest played by a new actress. Limiting Wu Ma to such a brief appearance limits his chemistry with Leslie Cheung, which is one of the things that made the first film such fun, and there's just about no one else here, except Cheung, who has as much charisma. It is a novel way to bring back the two actors, but it's a letdown.

As for Cheung himself, he just isn't as disarming here as in the original; he doesn't fit his character as well. There's also what seems to be some kind of political allegory near the end that doesn't fit the rest of the story - maybe you have to be more familiar than I am with China to appreciate it? Oh, maybe I'm griping too much; it has its good moments (especially a scene concerning a slowly 'thawing' monster)...just not nearly as many as 1987's SINNUI YAUMAN. It waters down the impact of that jewel a bit, and frankly, I wish they'd taken all the good stuff in this film and used it on some entirely different project.