In the 1950s, a young boy living with his troublesome family in rural USA fantasizes that a neighboring widow is actually a vampire, responsible for a number of disappearances in the area.In the 1950s, a young boy living with his troublesome family in rural USA fantasizes that a neighboring widow is actually a vampire, responsible for a number of disappearances in the area.In the 1950s, a young boy living with his troublesome family in rural USA fantasizes that a neighboring widow is actually a vampire, responsible for a number of disappearances in the area.
- Awards
- 6 wins & 3 nominations total
- Cadillac Driver
- (as Jason Wolfe)
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- Writer
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Featured reviews
Though not meant for all tastes, The Reflecting Skin is one of those films that's just too odd to be outrightly dismissed.
If you enjoy films that are offbeat, surreal and nightmarish in nature, then here's one whose story and imagery creates a very dark and haunting atmosphere set against the dazzling brightness of rural Idaho in the 1950s.
The innocence of a 9 year-old boy named Seth is stripped away as he closely observes the strange and macabre characters that are around him.
Life for this troubled, young boy living on the outskirts of a small, isolated farm-town is magnified beyond reality into a weird, quasi-fantasy that directly challenges the viewer's idealized notions about the naivety of childhood and the rationality of a child's thinking.
A lot of people will find at this film's conclusion that just too many questions were deliberately left unanswered. This is sure to leave many viewers (as it did with myself) both annoyed and dissatisfied.
But, yet, even though there were a number of places where The Reflecting Skin literally fell flat on its face out of sheer absurdity, the unique strangeness if its overall story is still well-worth a view.
Anyway, I'm wondering if Philip Ridley was commenting on the narcissism, arrogance, violence, and corruption of U.S. culture. Not that others couldn't be accused of similar vices, but... I think the boy Seth and the other lead characters symbolize our national conscience. We run around blowing up frogs and tearing up peoples' property with no remorse, then create our own moral/spiritual sources to console us out of empty, dead things (like a stillborn child). We wallow in our domestic dysfunctions, while excelling at denial about them (like the nutty mother). We like a good witch hunt, accusing the depressed widow or the agonized former pedophile, while ignoring the obvious handsome suspects in the nice Caddy. We flit around wrapped in our flag thinking we're innocent, all the while nuking children in war only to focus on how their radiated skin looks like a mirror in which we can see our lovely reflections. But someone else gets the last laugh, since we're all self-destructing as a result of it all, and while at first Seth's screaming frenzy as the finale confused me, I realize now it's a fitting end to that interpretation.
Or something like that. It might just be about a bored rural kid with no conscience and a wild imagination whose failure to tell the truth ends up hurting everyone around him. Or about the price of tea in China. It's worth the view, though, if you like Gothic thrillers.
Many will call this artsy fartsy, and I suppose they are not wrong, it definitely has ambitions for high art. If you have watched any of the films by Todd Solondz and liked them, you will enjoy this(I don't like Solondz, but I did enjoy this film, so it isn't a prerequisite). His films are all shock, and little style, whereas the reflecting skin is a highly allegorical tale shot in a beautiful and artistic matter. The shots of fields of grain are just breathtakingly beautiful.
The acting here is fantastic, especially given the surreal and bizarre events of the film. Even the child actors do a great job. Again, technically this film is so well-made, it is one of the prettiest films, at times, I have watched. who thought a wheat field could look so beautiful? Some people may see flaws in the script due to it's horrible characters, but it is obvious this film was not written to have characters you like... So that is not a flaw in the script, it is personal preference of the viewer. The main child character, somehow garners sympathy, even though he is just as awful, if not more so than the adults.
This film stands the test of time, and far exceeds many of the films that were it's contemporaries in most regards, but as technically proficient as it is, it is not a film for the masses. If you look at this as an allegory for the end of childhood innocence and death, it will probably make a heck of a lot more sense.
God Bless ~Amy
Yes. In many ways, "The Reflecting Skin" was what you would call a "horror" film, but, unlike so many horror films of today it, thankfully, relied more on stylized craft (which, I'm sure, isn't likely to satisfy the blood-lust of most horror movie fans) rather than on gut-churning spectacle.
For anyone who enjoys and appreciates "alternate" horror, "The Reflecting Skin" (most definitely) delivers its weird, grotesque, and grim-faced story with a unique flare as it skillfully weaves together the ragged threads of shattered childhood innocence, small-town eeriness, and Romantic/Gothic dread.
To be sure - "The Reflecting Skin" is far from being flawless, but, all the same, its fascinating imagery and disturbing unpleasantness is sure to leave a strong and lasting impression on the mind long after it's all over.
Did you know
- TriviaDirector Philip Ridley stated that he hand painted all the wheat yellow because he preferred the look of it
- Quotes
Dolphin Blue: It's all so horrible you know, the nightmare of childhood. And it only gets worse. One day you'll wake up, and you'll be past it. Your beautiful skin will wrinkle and shrivel up, you'll lose your hair, your sight, your memory. Your blood will thicken, teeth turn yellow and loose. You will start to stink and fart and all your friends will be dead. You'll succumb to arthritis, angina, senile dementia, you'll piss yourself, shit yourself, drool at the mouth. Just pray that when this happens you've got someone to love you, because if you're loved you'll still be young.
- Alternate versionsAccording to the Technical Specifications link for this movie, there are two different versions of this film: 1 hr 36 min (96 min) and 1 hr 55 min (115 min) (Ontario) (Canada).
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Details
Box office
- Gross US & Canada
- $17,042
- Opening weekend US & Canada
- $5,958
- Jun 30, 1991
- Gross worldwide
- $17,042
- Runtime
- 1h 36m(96 min)
- Color
- Aspect ratio
- 1.85 : 1