Puppet Master II

An inevitable simple rehash, which is probably a little more expansive and wicked in its visions. Not as fun as the original, but nonetheless a respectable b-grade sequel by Full Moon productions. Which I believe, would be followed up by the best entry of the series "Puppet Master III: Toulon's Revenge", as after that film I didn't particularly care for the rest. The second film of the franchise keeps pretty much the same structure of the original, as a group of government paranormal researchers head to the ocean facing cliff top hotel to look into Alex Whitaker's stories (the survivor of the original now in a mental hospital) and soon become targets of the puppets and the resurrected Andre Toulon (dressed in bandages) from the dead in the quest to collect enough brain fluid for his reanimation serum to keep them alive. But when Toulon encounters Carolyn, he's quickly reminded of his dead wife Elsa and the plans seem to change.

Director / visual effects wizard David Allen does a resourceful job with his low-budget, instilling a clean-cut Gothic atmosphere with an underlining eeriness and donning sensational puppet creations (a newly added one too -- Torch) and stop motion effects. This gimmick is where the film's personality arrives from, outside a dementedly compulsive performance by Steve Welles (under some bandages and heavy make-up) as the cracking Toulon. Welles is the life of the party (getting plenty of screen time --- where a little more is explained about his character), as the rest of the cast (Elizabeth Maclellan, Collin Bernsen, Gregory Webb, Jeff Celentano and a perky Charlie Spradling) are immensely one-note. Also showing up in minor, but fruitful parts are Nita Talbot, Sage Allen and George 'Buck' Flower. When it came to the puppets doing Toulon's dirty work, while ominously nasty it just lacked the imagination found in the original's death set-pieces, but the meaty, if dark narrative seemed a little more fuller in its angle of dementia, betrayal and revenge. The pacing can have its stuffy moments too (being rather slow to get going), but the location for the developing macabre fits and Richard Band's brooding score is reused with that striking playful carnival arrangement.

Granted, this is only a B-movie, it still delivers an atmosphere of dark, moody suspense. Nothing like Suspiria did, but none the less, Puppet Master II far exceeds the first by several turns. The puppets are more believeable in this one. They don't appear to be as bland as in the first; they have more movement and actions. Toulon as the Invisible man, however, is one of the main low points of the movie. The acting is marginally better than the first...The actors aren't as...bored looking as in the first. The life-size puppets were a very eerie, and gave the film a new twist.

While still under Paramount, Full Moon was able to present a decent Horror movie, with a much bigger budge than any of their $50,000 "wonders" they are putting out now.

7 out of 10

The puppets return, this time they hunt down some locals and paranormal researchers to assist their master in his evil plan.

Charles Band's story and David Pabian's screenplay is almost a remake of the first film. Effects wizard David Allen in the directing chair exceeds the 1st certainly in terms of effects and atmosphere.

While this installment reduces Andre Toulon / Eriquee Chaneé to a walking nod to the Invisible Man and other Universal classic characters, in contrast to how he is presented in the later adventures, it is by far the creepiest of the bunch. Steve Welles performance is wonderfully over the top and steals every scene. Veteran Nita Talbot is on fine form and the remaining cast are a mixed blessing, Charlie Spradling and Elizabeth Maclellan give solid performances while here at least Collin Bernsen and Jeff Celentano are as mechanical as Tunneler's innards.

Despite it's editing and story flaws Allen gives us a darker faster paced and eerier film than it's predecessor. The flashbacks are welcome and the paranormal investigation angle, while not totally original, gives the proceeds some weight and intrigue. Notably Blade running and jumping from a bed to slice his victim is probably one of best low budget horror moments to date. There are many stand out moments in part 2, Leech Woman's demise, Torches encounter with a toy whipping boy and the unworldly human puppets reminiscent of the aliens in Carpenter's (1988)They Live to name a few.

As with all the films in the Puppet Master series they always leave you with one burning question, in two's case: Why didn't Julianne Mazziotti/Nita Talbot's Camille get her own sequel with your favorite little puppets?

Overall, a entertaining sequel with some great stop-motion puppet effects.

Alright, so the original was a fairly smart film, but this is just a fun B-movie. SOme good gore, cool kills, and that feel of an 80's flick are all present. Plus the new puppet, Torch, is awesome, along with all the original puppets doing what they do best...kill. In this film, Andre Toulon is brought back by the puppets to create more carnage. The storyline is not strong, the acting is not excellent, but it all works and the movie turns out to be pretty darn fun. Also some cool kills, and better gore than the first. The special effects are also excellent by David Allen's great effects crew, as David Allen also takes the director's chair on this film. If you like the original, you will also love this one, that is my logic.

My review was written in December 1990 after watching the film on Paramount video cassette.

This video release is an okay followup to the gory William Hickey-starrer. Use of stop-motion puppet effects should please genre fans.

Dave Allen, an expert in the stop-motion animation field, gets to direct live action as well this time with functionally acceptable results.

Format is a redo of the original film: a group of young investigators led by pretty newcomer Elizabeth MacClelln descend on the same haunted hotel for psychic research.

As detailed in a flashback, the little puppets brought to life early in the century conspire to reanimate their puppet master (hammy Steve Welles this time, replacing Hickey in the title role). Each little critter has a violent specialty meted out in gory fashion to the investigators until an open ending suggets this curse will continue.

Welles has fun with the central part, playing most of the film in bandages and goggles makeup suggesting Claude Rains in "The Ivisible Man". MacClellan is an effective heroine and also doubles in flashback as the puppet master's wife.

The statuesque pinup Charlie, wh nearly stole "Meridian (Kiss of the Beast)" from Sherilyn Fenn last year, is unveiled here as Charlie Spardling and provides the film's brief t&a content. Comedienne Nita Tlbot is a welcome addition to the cast as an acid-tongued psychic.

Allen's puppetry remains the main event, with the malevolent little folks, including newcomer Torch, providing some gruesome thrills.