Perry Mason - Nostalgie Meurtrière

An all-star cast of former notables make up the faces in this Paris-set adventure for TV's most popular lawyer, Perry Mason. THE CASE OF THE DESPERATE DECEPTION sees Mason and his buddies travelling to France to take on the case of a young man who has been wrongfully accused of murdering a suspected former Nazi. Once there they uncover a sinister conspiracy of hidden identity and motive, while Mason prepares to defend his client in court.

I remember watching these latter-day Perry Masons when I was a kid and really enjoying them. They remain entertaining to this day, with fast-paced and involved story lines and plenty of characters at odds with each other. The use of the Nazi hunter theme and the setting make THE CASE OF THE DESPERATE DECEPTION stand out from others in the series, but really it's the cast that makes this work.

This TV film features a nice role for an aged Ian Bannen as a Nazi hunter and Paul Freeman as the ruthless fellow in his employ. Yvette Mimieux is the ageing wife of the murdered man and Ian McShane a delight as his colleague. British soap star Kim Thomson even has a minor part as a flame-haired beauty. On top of all these, Terry O'Quinn is an investigator. Raymond Burr remains the consummate professional, Barbara Hale cameos, and William R. Moses is involved in a brief romance and car chase. None of it is less than entertaining.

Not a great episode. They could have spared us the long list of clichés about Paris, including a mime in the street... Anyway, a murder is committed in Paris and obviously the French police is in no way involved... that was really absurd.

Aside from that, Ken Malansky is his annoying useless and charmless self, except he's now hitting on a girl when it's never been established that he is not engaged/married anymore.

His girlfriend was not in the previous episode but it was never established that she was out of the picture. She was the only good thing about the introduction of that incredibly bland character. It's in poor taste. She was beautiful, charming, funny, competent, courageous and intelligent. Too good for him?

This story couldn't miss as it featured several big screen stars - and big ones at that: Teresa Wright (Mrs Miniver), Ian Bannen (Flight of the Phoenix), and the still-stunning and almost too-beautiful Yvette Mimieux (The Time Machine and countless others). And that they could act is an understatement. Part of the wonder of the original Perry Mason series was the creative use of senior movie stars. Here that was carried through with great effect - a wonderful relief from the mediocrity of soap opera actors who frequently populate low-budget made-for-TV movies. The story itself was somewhat reminiscent of A Place Called Midnight in the original black and white series. But here there were many new twists but still with the sinister darkness of the Nazis at every turn. This is well worth a watch for Mason fans.

This is the best film in the Perry Mason series. Wonderful guest stars like Paul Freeman and Marcy Walker bring glamour and power to he story set in Paris. A complicated case - but Perry will handle it. William R. Moses is at his best as Ken Malansky. You have to like the recurring characters like Ken, Perry and Della, and you have to accept the way the Perry Mason - movies are made. Only than you can appreciate this fine movie. Wonderful. Thank you for this one !

When the son of an old friend, a marine stationed at the US Embassy in Paris, is found standing over a dead former concentration-camp officer, with his service revolver on the ground the murder weapon, is there anyone except for Perry Mason to get him freed and the real murderer confessing on the witness stand?

This in an entry in the TV-movie series produced a quarter of a century since the TV series starring Raymond had ended. It's clear that the producers were going for something special. A lot of it is shot in Paris. The accused is Tim Ryan, who looks amazingly like currently-hot movie star Bruce Willis.

Given the Holocaust denial movement, and their rise during the era, this was clearly intended as a statement on the issue. the presence of Teresa Wright as a crippled survivor of the death camps speaks to that.