Two mobster daughters leave a sanitarium, host a party inviting ex-boyfriends, who then start disappearing mysteriously.Two mobster daughters leave a sanitarium, host a party inviting ex-boyfriends, who then start disappearing mysteriously.Two mobster daughters leave a sanitarium, host a party inviting ex-boyfriends, who then start disappearing mysteriously.
Mike Jacobs Jr.
- Eric
- (as Michael Jacobs Jr.)
Richard Sebastian
- Billy
- (as Richard J. Sebastian)
Eric Freeman
- Jeff
- (as Damon Charles)
Michelle Bauer
- Girl in Shower on TV
- (uncredited)
Brinke Stevens
- Girl in Shower on TV
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
My review was written in January 1990 after watching the film on Cinema Home Video cassette.
From the makers of "Deadly Embrace" comes another minimalist video feature, aimed squarely at fans ol scream queen Linnea Quigley. Static, talky nature of this cheapie is a big drawback.
Incomprehensible plot line, which is unusually scatterbrained even for the video thriller genre, has Quigley and buxom Karen Russell as nutcases let loose from the asylum who invite some boys over for a party. Some maniac is killing off the boys and the bogus ending comes as no surprise.
Before then, the star (who also produced) removes her clothes for some sexy footage, while Russell is uncharacteristically prudish this time out.
Script crudely establishes that both heroines come from gangster families, but little is made of this irrelevant plot peg. Executive producer David DeCoteau, directing as "Ellen Cabot", fails to generate much humor or campiness here. Likewise, guest star Lyle Waggoner has little to do in his token role as a shrink.
Tech credits are threadbare, with a confusing editing structure and many scenes consisting of simply talking heads.
From the makers of "Deadly Embrace" comes another minimalist video feature, aimed squarely at fans ol scream queen Linnea Quigley. Static, talky nature of this cheapie is a big drawback.
Incomprehensible plot line, which is unusually scatterbrained even for the video thriller genre, has Quigley and buxom Karen Russell as nutcases let loose from the asylum who invite some boys over for a party. Some maniac is killing off the boys and the bogus ending comes as no surprise.
Before then, the star (who also produced) removes her clothes for some sexy footage, while Russell is uncharacteristically prudish this time out.
Script crudely establishes that both heroines come from gangster families, but little is made of this irrelevant plot peg. Executive producer David DeCoteau, directing as "Ellen Cabot", fails to generate much humor or campiness here. Likewise, guest star Lyle Waggoner has little to do in his token role as a shrink.
Tech credits are threadbare, with a confusing editing structure and many scenes consisting of simply talking heads.
Two friends with mobsters for fathers get out of an asylum and plan a party for all their male admirers, but a psychotic black-gloved killer crashes the party and begins killing them one by bloody one.
Part slasher and part exploitation cheapie, Murder Weapon somehow has both way too much going on and not enough going on. It feels as if most of the script was written by throwing darts at a list of character types, themes, and genres and the overall mix can be a bit mystifying.
It's very hard to hear a lot of the dialogue and film equipment frequently make cameos, but Linnea Quigley is nothing if not dependable, lending a lot of tongue in cheek charm to her role. Some of the makeup effects during the death scenes are very impressive and some are painfully hokey, but that's all part of the fun. Have a few beers, sit back, and enjoy the movie.
Part slasher and part exploitation cheapie, Murder Weapon somehow has both way too much going on and not enough going on. It feels as if most of the script was written by throwing darts at a list of character types, themes, and genres and the overall mix can be a bit mystifying.
It's very hard to hear a lot of the dialogue and film equipment frequently make cameos, but Linnea Quigley is nothing if not dependable, lending a lot of tongue in cheek charm to her role. Some of the makeup effects during the death scenes are very impressive and some are painfully hokey, but that's all part of the fun. Have a few beers, sit back, and enjoy the movie.
So bad it's great. It was made at the very end of the 80s but still feels like the quintessential cheesy 80s slasher- it feels very 1986. This movie has an abundance of tits, sex, gore, bad acting, and awful dialogue. So it's perfect if you're looking for something to laugh at.
the most interesting thing about this awful piece of trash is that there are three people in the credits with the last name "Squatpump". taking into consideration that "Betty Flinstone" and "Wilma Rubble" are also listed, i looked on the trusty imdb to see if these "Squatpumps" were real, and it does indeed seem that yolanda (the matriarch of the clan?) has a few more credits under her belt, including "The Usual Suspects", and may therefore actually exist. but back to the film: the wordless, pointless 10-minute intro actually made me wonder if the filmmakers couldn't afford sound equipment. the next scene, an agonizingly long dialogue scene between linnea quigley and her shrink, proved that yes, they did have sound equipment, but that they had apparently lost their sets, as the scene apparently takes place in a black hole.
so i actually continued watching this crap. and about an hour later i was treated to a downright hilarious sledgehammer-(mannequin)-head-beating and an even better shotgun-to-the-(mannequin)-head death. ultimately one of the frizzy-haired psycho girls killed everybody, apparently. i don't know. i actually was more entertained picturing david decoteau, who directed under the odd alias "Ellen Cabot", showing up to the set every day in a smart grey skirt suit and sensible shoes (as, in my mind, someone named Ellen Cabot would).
so i actually continued watching this crap. and about an hour later i was treated to a downright hilarious sledgehammer-(mannequin)-head-beating and an even better shotgun-to-the-(mannequin)-head death. ultimately one of the frizzy-haired psycho girls killed everybody, apparently. i don't know. i actually was more entertained picturing david decoteau, who directed under the odd alias "Ellen Cabot", showing up to the set every day in a smart grey skirt suit and sensible shoes (as, in my mind, someone named Ellen Cabot would).
I imagine most people watched this for Linnea Quigley, I did. Whilst much of her work is in B movies this is bottom of the barrel stuff.
Her acting is ok and thats just about all of the positives folks. 1st gripe is that the Scenes are far too long, long scenes are fine if you have the right calibre of actors, this would have been better served with more action and shorter scenes. The sound editing is shockingly bad, the music soundtrack is so loud in places that you cannot hear the characters clearly (Although perhaps thats a blessing given the awful dialogue). The first 40 minutes is all over the place and actually kind of confusing with flashbacks sequences and badly written exposition. They did have something to work with when it came to the storyline, it wasn't bad, it was just so terribly executed that a promising idea came to nothing.
I am a fan of low budget trashy movies so I am quite forgiving but this one just didn't work at all. Sadly, not worth your time.
Her acting is ok and thats just about all of the positives folks. 1st gripe is that the Scenes are far too long, long scenes are fine if you have the right calibre of actors, this would have been better served with more action and shorter scenes. The sound editing is shockingly bad, the music soundtrack is so loud in places that you cannot hear the characters clearly (Although perhaps thats a blessing given the awful dialogue). The first 40 minutes is all over the place and actually kind of confusing with flashbacks sequences and badly written exposition. They did have something to work with when it came to the storyline, it wasn't bad, it was just so terribly executed that a promising idea came to nothing.
I am a fan of low budget trashy movies so I am quite forgiving but this one just didn't work at all. Sadly, not worth your time.
Did you know
- TriviaEric Freeman used a pseudonym because he was in SAG at the time and this movie was done non-union.
- GoofsA crew member holding a beverage and holstered radio is clearly visible in the top right corner of the shot.
- ConnectionsFeatured in The Girl I Want (1990)
- How long is Murder Weapon?Powered by Alexa
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