An L.A. man is shocked to discover that his loving and caring elderly mother has become a vicious monster.An L.A. man is shocked to discover that his loving and caring elderly mother has become a vicious monster.An L.A. man is shocked to discover that his loving and caring elderly mother has become a vicious monster.
Mary Beth McDonough
- Alice
- (as Mary McDonough)
Wendy Gordon
- Anchorwoman
- (as Wendy Jill Gordon)
Charles Martinet
- Mr. Hernandez
- (as Charles Martinez)
Featured reviews
An old lady's boarder Nestor Duvalier(Brion James)turns out to be a cannibalistic monster terrorizing Los Angeles,and promptly turns her into one too.It's up to her son to stop the carnage."Mom" is a perfect flick for few laughs.There is a good amount of gore,but if you're searching for suspense-packed horror avoid this one at all costs.All in all "Mom" is worth checking out for some undemanding horror fans,so if you get the chance watch it.My rating:5 out of 10.
I first saw this in the early 90s on a vhs. Revisited it recently.
The only saving grace is Brion James in a small stint.
There is zero tension n suspense, the kills r offscreen n the ending a big meh.
I didn't like this movie at first but over a decade later I'm watching it again and have some sort of appreciation for it now.
I'd say it it ranks just below Bad Moon, but it's still a decent werewolf movie for those looking for something different.
Even if it's not laugh out loud funny it's still an amusing horror comedy that feels like it respects its audience. It's a bit of a slow burn, but it still has some fun.
By the way, I can't conclude this review without mentioning the werewolf effects. They are astoundingly bad. The gore and bloody fx are decent, the full transformed werewolf face is hilariously plastic and unconvincing.
Too bad because if this film would have had better effects I'm sure it would have solidified itself as a classic, though I'm sure a tight budget had something to do with that.
So again if you're in the mood for something a little different other than the well trodden paths of the masterpieces in the werewolf genre I do recommend at least giving this film a try. I think you might enjoy it.
I'd say it it ranks just below Bad Moon, but it's still a decent werewolf movie for those looking for something different.
Even if it's not laugh out loud funny it's still an amusing horror comedy that feels like it respects its audience. It's a bit of a slow burn, but it still has some fun.
By the way, I can't conclude this review without mentioning the werewolf effects. They are astoundingly bad. The gore and bloody fx are decent, the full transformed werewolf face is hilariously plastic and unconvincing.
Too bad because if this film would have had better effects I'm sure it would have solidified itself as a classic, though I'm sure a tight budget had something to do with that.
So again if you're in the mood for something a little different other than the well trodden paths of the masterpieces in the werewolf genre I do recommend at least giving this film a try. I think you might enjoy it.
My review was written in June 1991 after watching the movie on an RCA/Columbia video cassette.
At first an effective turnabout in posing a kindly mother as a monstrous killer, "Mom" shifts into a pretentious mode that fails to whip up pathos. Originally scheduled as a TWE video release last year, the horror comedy still bears the TWE logo bhut arrives as an RCA/Columbia title.
FIlm's prolog establishes blind Brion James as a serial killer of pregnant women, with guest star Claudia Christian his latest Christmas Eve victim.
Fiml proper has Jame arriving at kindly old Jeanne Bates' house to become a roomer. He bites Bates and turns her into a monster with a similar blood lust, though she does not copy his expectant mothers' fetish.
Bates' son is tv news reporter Mark Thomas Miller, who coincidentally is working on the same case of corpses created by James and Bates. In filmmaker Patrick Rand's wildly uneven screenplay, Miller quickly discovers James' hold over his mom, literally burns up the fiend and then covers up his parent's connection to the murders.
With many scenes played straight, "Mom" creates effective camp contrasts between the quaint old lady and the bloody mayhem she instigates. But it's difficult to keep the pot boiling, and later reels concentrating on Miller's predicament come off as silly.
Rand's in-jokes are a dud, such as Mom appearing on the stairs doing a Gloria Swanson routine from the climax of "Sunset Blvd.". Pic's best moments are provided by Stella Stevens, extremely sexy as an overage prostitute Miller brings home to mother one night.
Rest of the cast is bland, particularly Bates who never rises to a level of sympathetic fright. Makeup effects are okay but occasional ubbing of Bates with a masculine demonic voice is old hat.
At first an effective turnabout in posing a kindly mother as a monstrous killer, "Mom" shifts into a pretentious mode that fails to whip up pathos. Originally scheduled as a TWE video release last year, the horror comedy still bears the TWE logo bhut arrives as an RCA/Columbia title.
FIlm's prolog establishes blind Brion James as a serial killer of pregnant women, with guest star Claudia Christian his latest Christmas Eve victim.
Fiml proper has Jame arriving at kindly old Jeanne Bates' house to become a roomer. He bites Bates and turns her into a monster with a similar blood lust, though she does not copy his expectant mothers' fetish.
Bates' son is tv news reporter Mark Thomas Miller, who coincidentally is working on the same case of corpses created by James and Bates. In filmmaker Patrick Rand's wildly uneven screenplay, Miller quickly discovers James' hold over his mom, literally burns up the fiend and then covers up his parent's connection to the murders.
With many scenes played straight, "Mom" creates effective camp contrasts between the quaint old lady and the bloody mayhem she instigates. But it's difficult to keep the pot boiling, and later reels concentrating on Miller's predicament come off as silly.
Rand's in-jokes are a dud, such as Mom appearing on the stairs doing a Gloria Swanson routine from the climax of "Sunset Blvd.". Pic's best moments are provided by Stella Stevens, extremely sexy as an overage prostitute Miller brings home to mother one night.
Rest of the cast is bland, particularly Bates who never rises to a level of sympathetic fright. Makeup effects are okay but occasional ubbing of Bates with a masculine demonic voice is old hat.
Well, I must say, this film is not that bad. There are quiet good moments. Jeanne Bates plays fantastic, as lovely elderly "mom", and
Mark Thomas Miller as her son is even good. There are some gory, gruesome moments, some dramatic, some funny and, yes, also sad...
The end is such a sad moment. Mom isn´t an ordinary horror-slasher, I would say, it´s the connection between American Werewolf and Omen.
6 of 10 stars
Mark Thomas Miller as her son is even good. There are some gory, gruesome moments, some dramatic, some funny and, yes, also sad...
The end is such a sad moment. Mom isn´t an ordinary horror-slasher, I would say, it´s the connection between American Werewolf and Omen.
6 of 10 stars
Did you know
- TriviaActor Maray Ayres who plays Carla is a licensed dog trainer and trained the bulldog, named Leroy, for the film.
- ConnectionsFeatured in Ayer Nomás: Los Científicos Rebeldes (2021)
Details
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content