Miroir

At heart, this is a fairly typical demonic possession thing, with older-looking "schoolkids", jump scares and some gory deaths, plus the obligatory shower scene... with variable levels of acting. The thing that really got me though, was the awful sound design... switching between barely-audible dialogue and over-the-top sound effects during the "scary bits", I got really fed up with having to adjust the sound on my iPad accordingly.

Having said that, the plot's not too bad and, if this is your kind of thing and you're in the mood, worth a watch. It would be nice if someone were to remix it though.

An 80s goth girl (Rainbow Harvest) and her goofy single mom (Karen Black) move to a new suburban town. She gets picked on by her new classmates and generally despises life in typical 80s goth girl fashion. She discovers a mysterious mirror in her room left by the previous owners and finds that it gives her the power to get what she wants...ie, the death of those who mess with her! The tagline for this movie is something about being a cross between "Carrie" and "Heathers". Well, it is nowhere near either of those classics. It is, however, a surprisingly charming little B-movie! The actors' style is late 80s/early 90s in the worst possible way but it is totally endearing. There is some witty dialogue and some really sick and twisted scenes (including a fair amount of gore). Karen Black is totally over the top. It seems like Rainbow Harvest (?!) was only cast because she looks like Winona Rider circa "Beetlejuice"...a more charismatic lead would have helped this movie. It also would have been more satisfying if the lead character had some attitude beyond her clothing and were a bit more hardcore (a la Ginger Snaps) instead of being a wimpering loser. But for a B-movie this was pretty damn entertaining. Recommended to fans of 80s B-horror as well as estro-infused horror flicks. My Rating: 6.5/10

This film is excellent, and it is so underrated. The atmosphere is good. Excellent acting...Rainbow Harvest does a great performance as Megan. Karen Black does a fairly good performance as the wacky mother. The ending to this film is one of the most brilliant endings I have seen in my lifetime. No other ending like it. The film is not really scary, thought I am sure some may find it scary. I like the look of the mirror, also. Special effects are pretty good for the low budget.Film is hard to find to rent, best bet is either to buy the MIRROR, MIRROR COLLECTION (worth the 20 bucks just for the first 2 films, 3 and are crap) or to go to a Ma and Pa Video Store. Recommended for horror fans everywhere! 8/10

Mirror Mirror: 7 out of 10: Goth Kid moves from LA to small-town America and her new bedroom comes with a haunted mirror. Grab hold of your dirty pillows and watch out for pigs blood cause we got ourselves a real-life Carrie up in these parts.

The Good: This is really not that bad a horror movie. A good background story involving the titular mirror. A Lydia from Beetlejuice cosplayer played by Rainbow Harvest. Good girl best friend (Kristin Datillo), Bad girl vixen (Charlie Spradling) and whacky wig wearing mother (Karen Black) round out the much better than it needed to be cast.

In addition, the horror scenes are quite well done. There are some fun surprises in store when everyday appliances get possed by "The Mirror"

The Bad: While originality is often overrated (some of the worst films I have ever seen are swimming in originality) one would be mistaken not to point out that certain elements of this film may harken back to other films. In Mirror Mirror's defense, it itself was copied by more than a few films.

In conclusion: It is a nice quiet well made horror film. It is no Death Spa however. Chances are you will have forgotten you have seen it by the time it rolls back on your streaming service.

Los Angeles punkster Megan (Rainbow Harvest) moves with her mother (Karen Black) to a small California suburb. Megan doesn't fit in at her new private school, but to make matters even worse, there is a massive antique mirror left behind in her new bedroom that boasts dangerous supernatural powers.

"Mirror Mirror" is an under-viewed gem from the early nineties that is corny and shocking in equal measure. The film is admittedly a bit dated, and the singular element that I found most alluring in it was the late eighties/early nineties atmospherics that are reminiscent of an "Are You Afraid of the Dark?" episode; make no bones about it though, "Mirror Mirror" is considerably more gratuitous.

Director Marina Sargenti, who only has a small handful of credits to her name (all of them nineties television films and horror pictures) handles the material here very well. The film blends Gothic elements with an early '90s California sensibility, and the composition is surprisingly nice. The opening scene details a gruesome murder in the 1930s that takes place before the eponymous mirror, and occult elements pervade as its origins are uncovered.

Plot-wise, the film is nothing remotely original, and that may be its only significant downfall. Elements of "Carrie" and "The Boogeyman" abound, and the narrative progression is predictable to say the least. The upside is that the material is handled with much more sophistication than a film like this demands, and the horror creeps in, growing more and more violent as Megan's powers grow stronger and stronger. Great performances elevate the film above standard teen horror fodder as well; Rainbow Harvest (gotta love that name) plays the Gothic, "Beetlejuice"-era Winona Ryder character. We also have performances from veterans Karen Black as Megan's boozy Beverly Hills mother, and Yvonne De Carlo as the inquisitive estate handler; both Black and De Carlo's presences are welcome and they handle these supporting roles with considerable class.

Overall, "Mirror Mirror" is a well-made snapshot of late eighties-early nineties teen horror that is entertaining and thoughtfully made. While it lacks originality and could be heavier on stylistic flair, I appreciated the film as a time capsule for an in-between era of the horror genre as it transitioned from the celebrated eighties slasher to the onslaught of a nineties new wave. 7/10.