Memphis Belle

I first came across this masterpiece when I did a search for Eric Stoltz on the Netflix website. Much to my surprise I discoverd this film had an all star cast, and I adored them all! Tate Donovan, Matthew Modine, Eric Stoltz, Billy Zane, Harry Connick Jr., D.B. Sweeney, Reed Diamond, Courntey Gains, Neil Giuntoli and John Lithgow all give amazing performances in this true story.

Even my Dad, who sleeps through every movie we watch, no matter how enthralling, stayed awake and watched this. (Allbeit the second time I popped this in the DVD player, but nevertheless hello.)

I would give this movie 20 stars if I could. It was one of the best war movies I'd seen in a long time. Plus, being a teenage girl, I loved seeing all the boys in Uniform. Oh my God, don't get me started.

When my mom asked me if I was ready to send it back to Netflix, I said no and kept it a pretty good long while. But when we finally did send it back, I cried, yes I cried, because I had fallen in love with this movie. I'd watch it everyday if I could. I have yet to buy it yet, but trust me, I'll find a way.

If you have had family that was in WWII, my grandfather was, then this movie will have an impact on you. It did on me. I found my self thinking that my grandpa was young like that right around that time. This film was set in 1942 and that means that my grandfather had yet to marry my grandmother, but he was in his prime. My mom and I both thought that.

But you don't have to like war movies to love Memphis Belle. Because it's not really like a war movie. It's about the close relationship of these ten soldiers and how they work together to stay alive in the worst of a situation. (I mean they're not having to eat rats to stay alive, which my grandfather had to do in occupied France, or anything.)

The first time you see Memphis Belle anywhere, to rent or to buy, grab it and take it home with you. YOU WILL NOT REGRET IT! Take my word on that.

Missy

No?? … then shut up.

My dad was. Didn't fly B-17s, but he was the PIC (pilot-in-command) of a crew of seven, all younger than he, of a B-26 Martin Marauder medium bomber (the Flying Prostitute – 'no visible means of support'; referred to the short wingspan and hot landing speeds) in the Mediterranean Campaign out of Corsica and Sardinia, bombing German-controlled ball-bearing factories in northern Italy at 10,000 ft. Lost his nose-gunner from "fright" - frozen to the gun – wouldn't bail out when they were shot down right after 'delivering the pizza' over Bergamo-Seriate airfield on my mom's birthday, Aug 08th, 1944…about 9 weeks before I was born. His story about getting out of that B-26 before it crashed would raise the hair on your young necks. Survived Stalag Luft III and the 500 mile foot-march – yes, in January, through snow – to Stalag Luft VII (Steve McQueen – "The Great Escape"). Gen'l Patton liberated all in April, 1945 – including my dad and five of his crew.

Dad didn't make furniture like Matthew Modine's character in "Memphis Belle". But he did pick and truck-haul tomatoes on HIS dad's farm in the Ohio River Valley around Racine, right out of the black river-bottom soil just above the banks; became a basketball hero in high school; then entered the Army Air Force at 19. Pilot training in Texas and Florida. I have the letters from him to my mom during all that...

And the dialog in the film? Pretty true-to-life, he said – everybody was young and talked and acted JUST LIKE THAT…

This review isn't meant to be about my dad. But I hope it says a little something about the producer's efforts for "Memphis Belle." Very young kids – normal Americans – tough (even impossible) duty – in advanced machines (then) – in hard times – in a country far from home – doing what they were trained for. Sound familiar even today?...

And don't be too hard on the details. Remember, this is a 'representative film' of what happened to many, many bomber crews in many, many different bombers during WWII. Many thousands of very young American air crews were lost in this effort to help keep America and our Allies 'free.' Think about that whole image, listen to the music score, cherish the action from a fresh perspective. TRY to put yourself in their shoes.

Then watch the film again

The movie actually was a fairly accurate account of the Belle's experiences except that the movie had everything that actually happened to the plane and crew on its 25 flights happen on the last flight. The one thing missing was that a Belle waist gunner ended up with frost bite on his hands and was replaced. The characters in the movie were fictional. I've seen some comments by people that it was unrealistic for a 21-year old (Matthew Modine's Dennis Dearborn character) to be the pilot. The real Belle pilot, Robert K. Morgan, was only 24 when they began flying missions in late 1942. Some of the movie's dialogue actually was said by crew during the Belle's missions. The government produced a 1944 documentary on the Memphis Belle directed by William Wyler and if you watch it you will recognize some of the scenes and dialogue from this movie.

World War II and as the battle for the skies rages, the youthful crew of B-17 Bomber Memphis Belle embark on their 25th and final mission...

David Puttnam co-produces with Catherine Wyler and Michael Caton-Jones directs this poignant and gripping WWII story. The crew of "Belle" are made up of a youth inflected cast of actors headed by the likes of Eric Stoltz, Sean Astin, Billy Zane and Matthew Modine, while John Lithgow and David Strathairn provide the mature acting weight on the ground hoping that the boys come back safely.

In truth it's all a bit too predictable, but never insultingly so, though research into the real exploits of the brave heroes involved reveals that Hollywood has, well, been Hollywood. Tech credits are a mixture of the brilliant and the poor, but when it involves the aerial sequences the film is stunning, and the makers do a sterling job of making "Belle's" final flight suspenseful and emotionally potent. 6.5/10

I first saw this movie on video round about 1991, when I was about seven years old or so. I enjoyed it then, because it had airplanes in it, and there was nothing particularly offensive or difficult for a seven year old boy to understand.

Watching it again some nineteen years later, I'm struck by the exact same things. It's a very family-friendly war movie, earnestly trying to show us the difficult lives of American bomber pilots in Europe in 1943. The cast of characters come out of a guidebook for writing war movies, complete with The Religious One ("There's always a religious one," says John Lithgow's character), The Scared One, The Good-Luck Charm, The Smartass, and The Captain. The screenplay hits all the familiar notes: the crew pulling together for one last mission, overcoming obstacles, bonding as a surrogate family.

The actors all do a good job. Reed Diamond, Sean Astin, Matthew Modine, and Eric Stoltz are the most noteworthy (and how young they all were in 1990!), plus Lithgow and David Strathairn on the ground. Modine is almost funny as the straight-laced pilot who seems uncomfortably aware of just how boring he really is. Stoltz stands out in the thankless role of the all-around nice guy who gets wounded.

The flying scenes are exceptional. Real B-17s were filmed at real wartime airfields, and there's a bare-bones authenticity about a lot of it. The scenes inside the Memphis Belle, where most of the movie takes place, do an excellent job of showing you how cramped, cold, and noisy a place like that could be. Not to mention dangerous: the action scenes when German fighters attack the bombers flick by at a very fast pace, which must be something like what the bomber crews experienced. All this, of course, has been cleaned up for movie audiences: real bomber crews would never have taken off their oxygen masks or engaged in the lengthy conversations and horseplay featured in the film.

So it's a sincere and generally harmless movie, saturated in nostalgia, motivated by a desire to pay tribute to its subjects. That leads it into clichéd territory, leaving me with the feeling that the producers dusted off a screenplay dating to the 1950s, only adding a few lines here and there for modern audiences. Not entirely a bad thing, mind you, but not all that it could have been. Notable, however, is the total absence of the sort of flag-waving patriotism we've come to expect from period war films: there's nary an American flag in sight, and the film is dedicated to all the pilots and aircrews who lost their lives in the war -- not just the Allies.