Hamburger Hill

This is an excellent depiction of the insanity that was the war in Viet Nam. My view as a naval officer during a scenic tour of the Mekong near the Cambodian border and the Vietnamese city of Chau Phu, permitted me to be a witness to many, many occasions involving the wholesale abuse of humans by humans. The strain on mind, body and soul takes years (if ever) to repair and this film captures it. There are brief glimpses of this agony in some of the other films mentioned here in the reviews, e.g., Apocalypse Now, Full Metal Jacket and Platoon. Each of these films have merit but are deeply flawed. Apocalypse Now is steeped in moral allegory to the expense of an accurate portrayal of the war; Full Metal Jacket is only 2/3 completed; Platoon becomes a Levi-Straussian moral tale with an arch villain and virtuous hero-- the latter heinously slain by the former with revenge exacted by the weary sojourner on the odyssey. OK. What do we have here with Hamburger Hill? A story? Heroic acts? Action? Not really. What we have is the horror and insanity of war. The film ends on the same pointless note as it began. But, you know what? Reading through the detractors of this film who touted the other potential three and slammed this one, I would not hesitate to bet they were never there. I could glance at the reviews and pick out the vets-- not just on the basis of whether they liked this film or not but of how they reacted to it. I know and know damn well. I too was there, brothers. See this film. It's well produced, directed and the cast is damn good. Check it out.

I was an infantryman in the field in Vietnam. There are only 2 Vietnam movies that are even close to real - this one and Apocalypse Now, and they are both as close as a movie can get.

Hamburger Hill gets it right in many ways, the banter among the grunts, the fatalism mixed with the desire to survive a vicious war, the emotional stress of seeing your fellow GI's become casualties. The GI jargon used in the writing is the most authentic in any movie about that war. But most of all it depicts the incredible, to me mystical, bravery which drives any man into terrible battle in any war, on any side. This movie is an unpretentious marvel.

As for Apocalypse Now, it gets it right in a very different way. Everything in that movie actually happened in Vietnam, crazy as each scene may be to one who wasn't there. Take it scene by scene. Believe everything you see. (Except, of course, the whole Col. Kurtz - private army - assassination theme, which was out of the book about war in South Africa. It made a great hook for this movie, but no U. S. Army senior officer ever went off the deep end like that.)

Unfairly forgotten and left in the slipstream of critical darlings Platoon and Full Metal Jacket, Hamburger Hill can proudly fly its own worthwhile flag. There's nothing preachy or political here, director John Irvin and writer James Carabatsos approach the subject with a refreshing humane honesty, making us viewers privy to the American soldiers mindset as they cope with life in Vietnam before an assault on some turd pile strategic hill, a battle that the survivors of that particular bloody conflict would call Hamburger Hill.

No matter what one feels about the war, the politics of such etc, the fact that quite often Vietnam films zoom in on the misdemeanours and egotistical sides of the American presence in Vietnam, tends to detract from the bravery of men and boys who were doing the job their government decreed they should do. Hamburger Hill addresses this, proudly so. Pace is deliberate and literate, building up to the assault on Hill 937, with little slices of kinetic action inserted along the way to tantalise and torment in equal measure.

Not all the acting is smart, there's a cast of up and coming thesps on show that features some who have gone on to be "name" actors, while others that were out of their depth subsequently found a level more befitting their abilities. Yet this is also a cunning tactic in the film's favour, no stars needed here, young adult actors without baggage or headlines kind of feels appropriate for this portrayal of soldiers in an alien world, many of whom would lay their shattered bodies down in the mud at Hamburger Hill. 8/10

Many excellent Vietnam films, in an attempt to present their own interpretation of America's darkest hour, ask many political questions vital to the war: "What were we fighting for?" "Was this worth it?" "When does morality take over?" "When does the fighting stop?"

On the other hand, "Hamburger Hill" doesn't need to state any such questions. Rather, it presents the viewer with the scenario-- a group of men trying to advance on a hill-- and allows him to come to his own conclusions. It is a wonderful display of characters from all walks of life, and how hard times brought them together. Some want to be there, others don't, but they call all make the same statement: When it comes to their determination to get on top of that hill and advance upon the enemy, all of those political questions "don't mean nothin'."

This is probably the best Vietman film as far as visuals go. The actions sequences are raw and gory, and the locations are incredibly depressing-- setting the perfect stage for a war movie. Combined with excellent performances by everyone involved, this is certainly an underrated film that presents a clear picture of what the war truly might have been like.

***1/2 out of ****

Extremely brutal and fierce true story about one particular group in the 101 Airborne Division, who spend ten days and eleven battles trying to claim a muddy and well-occupied hill that's dubbed "Hamburger Hill".

The cast in this film were mostly unknown like Dylan McDermott (who made his film debut here) and Steven Weber who both play the platoon's two weary and determined sergeants, Don Cheadle is one of the five new recruits, Michael Boatman and Courtney Vance are also in the cast. It's certainly well-acted by McDermott and Vance..

John Irvin ("The Dogs of War") directed the film and here, he lets the emotions of the soldiers go very far but not too far and the same can be mentioned for the battle scenes. Also, Irvin take a page of Robert Aldrich's WW2 classic and unforgettable melodrama "The Dirty Dozen". Instead of making instant up close shots as Aldrich did, Irvin slowly moves the camera in and it captures the unpredictable feeling that any of the G.I.s have. I wasn't moved, yet I was amazed as well.

Jim Carabatos ("Heartbreak Ridge") wrote the movie's story and like Irvin, Carabatos is careful in making the tale absolutely clear and very understanding to the viewer. The point that Irvin and Carabatos are trying to make is fascinating and simple: No one here is trying to be the hero nor the villain because surviving the war is a more important factor than trying to be gutsy and wind up being killed.

"Hamburger Hill" isn't the type of war movie like Oliver Stone's "Platoon" or Stanley Kubrick's "Full Metal Jacket" were, but it tends to be like Terrence Malick's "The Thin Red Line" was a few years ago. It's a fierce and very thoughtful film