Les hommes de ma vie

Lange is her usual extraordinary self, especially in that part of the film depicting--quite aptly--the onset of acute depression. Cusack deserves her oscar nomination--manages expertly one of the most appealing characters you will ever see on screen. Comedy, romance, and everyday tragedy put together

in an affecting script that has few weak moments. If you are drawn to small films centered on human relationships that draw sniffles and chuckles of recognition and a welcome sigh of relief when it all turns out at the end, you will love this film.

I am a longtime fan of Jessica Lange's, and a newfound fan of Arliss Howard's after viewing Men Don't Leave. A really good performance also by Chris O'Donnell and Joan Cusak. This is a true-to-life type of movie. It's Wow Factor isn't measured by action shots or stunts or explosions, but rather by the satisfaction and peace each character reaches by story's end.

It's your favorite shirt: not flashy, but comfortable and proven to make you feel good. Watch Men Don't Leave - it's a good little movie.

In Men Don't Leave, Jessica Lange has to cope when all three men in her life do just that. Her happy family is shattered when her husband dies in a tragic accident, and she's left alone to raise her two boys and manage expenses. I'm a big Jessica Lange fan, and she shines once again in what she does best: showing the audience she's about to crack without cracking. When other actresses fly off with their emotions, Jessica keeps hers contained with glistening eyes that show her turmoil.

In addition to another solid Jessica Lange performance, you'll be treated to two other benefits if you watch this movie. Men Don't Leave has an interesting, compelling, realistic story, and a wonderful supporting cast. Jessica's sons are Chris O'Donnell and Charlie Korsmo in their film debuts, and they both show different struggles as they flounder in their new life without a father. Charlie gets into trouble, and Chris tries his hand at being the man of the house with a young, pretty neighbor, Joan Cusack. Both boys show a remarkable confidence in front of the camera for their first film, and Chris shows acting talents I've never seen in his other movies.

Joan Cusack is sweet and sensitive, and it's clear she's trying to help with every line she delivers. Kathy Bates joins the cast as Jessica Lange's boss, and she's strong, magnetic, pretty, and energetic without becoming a caricature. Arliss Howard, a suitor, brings sensitivity to his role, giving the audience hope that there just might be one more nice guy out there in the world.

It's pretty obvious I recommend this movie. With great performances and a realistic slice-of-life story that doesn't feel forced, symbolic, or dated, this movie will continue to stand the test of time.

I had originally seen this film at the theater with my 1st wife, and didn't think much of it. Being the only other film directed by the guy who did "Risky Business" - I had higher hopes for the movie than what I came away with. Over the years, however, especially after my 1st wife passed away - I was haunted with memories of this film, as I saw my life mimic many of the actions of the principle characters. For someone who hasn't had to deal directly with grief, this film probably will seem like just an odd little film. But the actions taken by Jessica Lange, Chris O'Donnell and Charlie Korsmo are all perfect prototypes of how people deal with grief and denial. Director Paul Brickman does so in an understated way, so that the film seems more light-hearted than the message it conveys.

This film is certainly an exception. A remake from the French version "Hot Air Balloon", this film has many noteworthy aspects to it, including the excellent cast of Arliss Howard, Jessica Lange, Kathy Bates and Lange's troubled son Chris O'Donnell.

Primarily Lange is a widower who has to sell her house and start over. She moves to a small apartment in Baltimore with her two children, who are not happy about it. She eventually finds work (there are some amusing scenes) for a catering company, owned by Kathy Bates (always a memorable character, in this case the tyrannical boss).

Joan Cusack also adds humor to the latter half, having met O'Donnell, she starts dating him, Lange at first over-protective, then gradually becomes friends with Cusack. Cusack, as a therapeutic gesture, takes her on a hot air balloon. A seemingly silly gesture, but a metaphor for starting over. Well-done and never depressing, an excellent film worth viewing. 9/10.