Magie noire

Don't go into this one expecting even a remote trace of Lovecraftian horror ...you won't find it. The only HPL connection to this screwball effort is the word Cthulu ...the word, not the idea, not the god, not the atmosphere or anything else. Just the word. One can't necessarily expect the actors of a movie like this to be top notch (though Jeffrey Combs of some other HPL-based films is certainly the exception), but in Cthulu Mansion you feel like you should be watching something recorded by teenagers on a digital camera. The film's dialog consists solely of clichés ...an hour and a half worth of clichés: imagine that! The lead bad guy is named Hawk (which wouldn't be funny even if this were a satire of trashy horror), and the characters so lack originality and human-ness that you'll find yourself wondering aloud, "What was going through the actor's mind when he/she was performing this scene?" Seemingly absolutely nothing. The killings are mild (the blood-shower drowning was cool but too good for this film) or stupid (the 1950s monster hands coming out of the refrigerator ...come on!), and the only genuinely positive thing I can say about the entire mess was that the mansion used here would be great in a better film. I so wanted this to be a better movie. The cover at the video store, the fact that it was Spanish and claimed to be based off of Lovecraft, all pointed to something awesome ...but I was horribly deceived.

Below average juvenile horror that claims to be based on H. P. Lovecrft stories. La mansión de los Cthulhu (1992) deals with group of drug dealing petty criminals (Luis Fernando Alvés , Brad Fisher , Melanie Shatner , Kaethe Cherney) fleeing from the cops and along the way they kidnap an aging magician (Frank Finlay) harboring an amazing occult secret and his daughter (Marcia Layton) . As they are taken as hostages in their isolated mansion by some villain scumbags . The oldest-looking juvenile delinquents you've ever seen release evil spirits when they take over the magician's state . When the captors refuse to listen to the magician's horrible warning to release him unharmed , the mansion slowly releases its nightmare of horrors on the unsuspecting invaders. Beyond evil . Beyond Terror. Beyond the gates of Hell. The final resting place. The evil is free.

This is a humdrum adaptation with abominable dialogue , being inspired by H. P. Lovecraft stories from a screenplay and lousy filmmaking by the Spanish craftsman Juan Piquer Simón . As the plot lifts some scenes from other films , concerning a gang who abducts a magician and his daughter , taking as hostages at their home ; but once the delinquents reach the mansion , all hell breaks loose , being shown with no very special effects and that's a load of dung . The script by Juán Piquer himself contains restless terror and great loads of gore , blood and usual poltergeists phenomenon caused by the usual ghastly shenanigans that result to be weird creature appearances , cracking objects throwing fire , furniture flying , a number of knifes slashing a person , wall ooze , plants manifest as attackers , doors suddenly slamming and anything else . It is produced in medium/short budget by José Gutiérrez Maesso who long time ago wrote and produced a number of Spaghetti Westerns . The FX and make-up experts : Basilio Cortijo , Emilio Ruiz del Rio and Colin Arthur recreated the eerie story with low-grade and traditional special effects that are frightening and horrifying to spectator . It's actually halfway-low terror movie that achieved little success at the box office , though it will appeal to hardcore horror aficionados , that's why it packs absurd situations and cheesy but amusing frames . Although critics do not appreciate much this picture ; however has a kind of loopy , Ed Wood quality that must be endured to be totally considered . The fable is sometimes silly and laughable , though a few naif effects and action are professionally made . Some illogical parts in plot are more than compensated for the excitement provided by the horrifing scenes .

The motion picture was middlingly directed by Juan Piquer Simón . Juan , who goes by "J. P. Simon" on foreign releases , began in films as a writer and assistant director and continued his career by making short films and documentaries . Juan produced and directed "exploitation" pictures for two decades running . He often used numerous "older technique" FX such as transparency , matte paintings , rubber-suited enemies , reverse-footage to create certain images ; all of them were made by Emilio Ruiz Del Rio , Francisco Prosper , Colin Arthur and Juan Piquer himself . He was one of the main directors of the Spanish horror boom in the 70s and 80s specially for his quartet of horror films as ¨Escalofrio¨, ¨Slugs¨ , ¨Supersonic Man¨. ¨Cthulhu Mansion¨ and his greatest success and immensely popular ¨Pieces¨ , all of them being recreated by means of traditional effects . Juan owned his own studio and created and/or designed many of the simple and primitive special effects sequences you see in any of his many imaginative undertakings . Piquer , who passed away at 2011 , was a good artisan who realized a lot of fun as well as entertaining films . Juan Piquer who was director of the Mostra of Valencia (Spain) , displayed along professional career and specialized on all kind of genres as Terror , Sci-fi (The rift , The new Extraterrestres, Supersonic man) and made some adaptations about Jules Verne novels ("Fabulous Journey to the Center of the Earth" , "Mystery on Monster Island") . While his films have been universally panned by the prestigious reviewer s, they have a kind of quality that must be endured to be utterly appreciated . Rating : 4.5/10.

I love B horror films, so I was expecting something that would at least make me laugh or perhaps keep my interest for an hour and a half. This movie was not even close to accomplishing either of those tasks. It amazes me how a production can be so bad in so many ways. There isn't a thing about this movie that makes it worth watching. The acting is bad, and not in a funny way. The actors look bored half the time. It's total s***. Why is it that these productions fail to live up to the standard of high school theatre? The plot is also garbage. The only thing borrowed from Lovecraft is the Cthulhu nomenclature. I mean, what does this movie even have to do with the Cthulhu mythos? Answer: absolutely nothing. The dialogue is so repetitive and inane... not even a bit of humour in it. The characters are also pretty flat. There wasn't a single one I cared about by the end of this monstrosity. The F/X (all 35 seconds of them) are also pretty bad. Again, not funny bad; just plain moronic.

The bottom line: I bought this from a local movie store (used) for $1. I should have bought a can of Pepsi, or played 4 games of Space Invaders. I am fanatical about bad trash cinema, especially horror, but I can't find a use for this thing at all. Bypass with extreme prejudice.

Got a certain 80s vibe and is for certain not a scary but rather an amusing one - if you don't expect something really based on one of Lovecraft's works I bet you can enjoy the feast. Anyway, if you are stuck at home because of a rainy day or (corona these days) a good choice to kill some time with mindless fun.

Well, this film tries to sell itself off as being Lovecraftian but really is more like crappion...or carrion. Really, it is not all that bad once you realize it has nothing to do with H. P. Lovecraft and is nothing more than a tale of a magician and how some hoodlums break into his home. The film goes right for your horror heart strings with a black cat, a huge mansion, lots of swirling dry ice, and other horror cliches. The house is impressive and the actors are so annoying(apart from Frank Finlay in the lead as the magician and Marcia Layton as his daughter)that you readily want something tragic to happen to them. What exactly happens...who is to say? Certainly not me as it is a very porous story, but the execution of the plot is done with some style. Despite some major, major flaws, the film is very watchable and entertaining in a bad its good vein.