La liberté au bout du chemin

I'm a freshman in high school, and at the moment, we're studying the chronicles of civil rights in my history class. My teacher showed this film to us, and it excited me at first, 'cause I've always thought Whoopi Goldberg was awesome and I've always enjoyed her films. This was no exception. Movies shown in school tend to be boring, bland and uninteresting. So most of the time, when movies are shown, we take it as an opportunity to catch up on sleep. This movie however, kept our heads up the entire time. We were interested, intrigued, and dying to know what would happen next. It was both thought provoking, entertaining, awe inspiring, and it's even to safe to say, highly addictive. My teacher showed the film in 40 minutes intervals, as this how long each class period is and we were always stuck in our seats after the bell rang, wanting to watch more. It made us look forward to coming to class. It's an excellent, excellent movie, that I enjoyed and learned a lot from.

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This movie should be shown to every White person over the age of 16! The reason I say that is because it tells the cold, hard truth of what Blacks had to go through back in the 60's and it's not sugarcoated at all. It's not being said to make people feel guilty over something that they probably never took part in, but to educate people in what most public school systems DON'T teach about. As someone of primarily Native American descent who considers themselves pretty educated about Black history, I myself was very shocked and saddened at the brutality that Black Americans had to face (and still do at times). A picture (or movie) is worth a thousand words. This movie would be educational to everyone who views it. I would definitely recommend this movie to others.

My mother grew up in the south so I remember going to visit Grandmother and wondering about the cook, Callie. She was silent and frowned at us and we were told to stay away from the kitchen. I think she was at the point of resentment and though my parents didn't like segregation my cousins and aunts and uncles thought it was the only acceptable way. I find in sharing this movie with younger people today they are shocked at the behavior at the party and in the park. They don't realize that life was really like that in some places. I like to improve sensitivity by showing the film and discussing it as groups when we can.

The real life, 1955, bus boycott in Montgomery, Alabama provides the backdrop for this fictional story about an upper middle class white homemaker named Miriam Thompson (Sissy Spacek) who gradually becomes disenchanted with racial segregation. Her changed attitude comes about as a direct result of her Black maid, a woman of deep moral principles named Odessa Cotter (Whoopi Goldberg).

Odessa normally would take the bus to work. But she supports the boycott, and therefore chooses to walk the long distance from her shabby house to the manicured, suburban Thompson home. Yet, despite several incidences wherein Southern whites display their hatred of the boycott and of Blacks in general, Odessa, with the support of her own family and her religious faith, maintains a respectful and thoughtful attitude toward Miriam and the Thompson family. The story is told in retrospect, from the viewpoint of Miriam's daughter, Mary Catherine (Lexi Randall), who was seven years old at the time.

There is nothing subtle about this slow paced story. It is forceful and frank. The overt hatred by Southern whites toward Blacks is palpable. In no character is this odious racial superiority more evident than in Miriam's cigar chomping brother-in-law, Tunker (well played by Dylan Baker).

But Miriam and Odessa relate to each other as individuals, not as members of some group. Perceptive and sensitive, Miriam comes to understand that Southern racist attitudes, those feelings and emotions she grew up with, are passed down through generations. "You just don't question it", she tells Odessa, apologetically.

Both Miriam and Odessa are multi-dimensional and sufficiently unique to give the story depth of characterization. The acting is fine. Whoopi Goldberg in particular gives a great performance, along with the always reliable Sissy Spacek. The film's production design and period costumes are credible. Lighting is subdued. I liked the background gospel music, but I could have wished for even more. "We're Marching To Zion" not only is a great gospel hymn; it's also the film's theme.

Technically well made, "The Long Walk Home" has value mostly as historical perspective on an important contemporary social issue. As such, the film's message is just as relevant now as it was fifty years ago.

Just rewatched this movie on YouTube. Taking place during the bus boycott of 1955 in Montgomery, Alabama, maid Odessa Cotter (Whoopi Goldberg) resolves to walk but her employer Miriam Thompson (Sissy Spacek) decides to drive her for at least a couple of days of the week to her house. I'll stop there and just say this was quite an inspiring, if intense, drama about how oppressive it could be during that time if you were not only the wrong color but also the wrong gender, that is, if you weren't a white male. I mean, the way Miriam's husband Norman (Dwight Schultz) and his younger brother Tunker (Dylan Baker) felt threatened by the whole thing makes one wonder. And the way Odessa's teen kids, Selma (Erika Alexander) and Theodore (Richard Habersham) were almost completely defeated by those white teen boys definitely gave me a pause. Not to mention how openly bigoted Miriam's mother (Gleaves Azar) said her opinion in front of the help was so blatantly appalling to see. What gives one hope is not only the way Miriam and Odessa communicate with each other, but also the way the narration of the grown Thompson daughter Mary Catherine (voice of Mary Steenburgen, Lexi Randall as a child) assures us how poignantly inspiring the whole time was. So on that note, The Long Walk Home gets a high recommendation from me. P.S. Ving Rhames-several years before his star-making turn in Pulp Fiction-portrays Odessa's husband Herbert with hair. Richard Habersham was Eddie in Do the Right Thing the year before. Younger brother Franklin was played by Jason Weaver who would later be the singing voice of Young Simba in The Lion King. He's also, like me, a Chicago native. And Erika Alexander would become Cousin Pam on "The Cosby Show" after making this.