Guet-apens

Way back when, pulp novelist genius Jim Thompson wrote "The Getaway." It was about a man and a woman who teamed up to rob. It has been filmed twice. About 12 people argue on IMDb about which is the better version. I am one of those arguing that the second version is better.

The first version in 1972 was directed by Sam Peckinpah and had a stellar (at the time) cast including Steve McQueen and Ali McGraw. It was directed by Sam Peckinpah. Among the character actors were legends Al Letteiri, Ben Johnson, Sally Struthers and Slim Pickens.

There is no doubt this is an outstanding movie.

Here's the big difference -- Ali McGraw Vs. Kim Basinger. Kim B. blows Ali M. out of the water. Seriously, the whole contest rides on this and Kim so totally takes charge in the second movie there is no competition.

I won't talk about the sex scene between Kim and Alec Baldwin, who is her husband. Why? They deserve their privacy. Even though we saw ... lots.

Bottom line: This movie requires a tough broad. Ali McGraw? Fugeddabout it! No way. Kim, you relentless female tough woman, you rule here.

Kim Basinger? This is a woman who does not look ridiculous handling a nine. But she's also vulnerable in the back of a garbage truck. Alec, you are one lucky guy.

And, Richard Farnsworth has the role that Slim Pickens played in the original. Tough call. I say equal props.

Bottom line? The remake has more ... coolness. 'Nuff said.

Alec Baldwin and Kim Basinger were a married couple when they portrayed the married McCoys in this 1994 remake of the 1972. Their on-screen chemistry is incredible. Any time you get this kind of casting occurrence in a film, it is at least worth checking out. Here it really works.

The thing that distinguishes this Jim Thompson story is the catch-22 Carol McCoy is faced with- and the percussive effect her necessary action has on the McCoy couple- while the tension is ratcheted up to 11- in their non-stop hour-and-a-half getaway throughout the Southwest.

It is a juicy role for a married couple, and Baldwin & Basinger make the most of it. They both are in prime form here and very compelling to watch together.

Besides the McCoys (and Richard Farnsworth), it is a B film. Michael Madson's hair is a real challenge to deal with. At least you can cut out of the Richard Marx end credit song. You have to live with Michael Madson's hair for the whole ride. IMDb rating should be around 7.

I'd had this tape around for a while before finally viewing it on a slow night. My expectations were not high. I've always felt Jim Thompson was over rated, reviews had been generally poor and I'd heard that the earlier version (which I've yet to see)was better. Perhaps because I wasn't expecting too much I found myself enjoying it. There was enough plot momentum, weird characters and spectacular action, not to mention some steamy sex (no need to be shocked, I understand Baldwin and Basinger were married at the time) that it held my interest throughout.

Roger Donaldson's remake of Sam Peckinpah's 1972 gangster movie classic "The Getaway" is alright, but cannot - as many remakes - reach the power, humor and style of the original version. There are some plus points - the bloody and lengthened showdown in the hotel at the end tries to overpower the impact of the original version, and it works.

There are some good supporting roles from James Woods and Michael Madsen (with dreadful hair style that belongs rather into an Ace Ventura or Wayne's World movie). The plot, even many story details, are just repetitions of the Peckinpah movie, but the tempo of the film is okay as well.

Otherwise there are also too many low points: the score is boring and can't compete with Quincy Jones' original jazz funk fusion grooves. The photography is to clean despite all the Mexican dust and sometimes too MTV style and without the dirty atmosphere that was typical for many Peckinpah movies.

Kim Basinger is alright in the Ali McGraw role, but Alec Baldwin is trying too hard to copy an image of Steve McQueen which isn't working at all. The dialogues aren't as witty as with McQueen and McGraw, and Donaldson would have done a far better job if he could have managed to give an individual life to this picture instead of just doing a 1994 techno grunge remix of an early seventies classic.

Anyway, if you like to watch an entertaining contemporary gangster and road movie, the 1993 version of "The Getaway" is still fun to watch. But if you have the choice to take the original VHS or DVD, skip the remake.

This remake suffers for the original be a near masterpiece leading by superstar Steve McQueen and Ali MacGraw, in such status whatever the outcome it was fated at contempt, also directed by the legendary figure of Sam Peckinpah that increase the gap between both, nonetheless seems to be almost criminal the meager 5.8 of rating gave by IMDB's users along all these years, sounds at first look be purposeful.

Still Roger Donaldson made a robust and decent job here, Baldwin is miles away of McQueen, although he tries to hard overcame himself, already Kim Basinger are one step ahead of the skinny MacGraw, her sex appeal lifts the movie beyond, an action packed movie that holds the audience with a non-stopping breathtaking sequences, has some holes on the script as well, though it didn't wreck deep damages as a whole.

Further the supporting casting as Michael Madsen and James Woods are smirking and foreseeable as usually the gangsters are, also the ambiguous and sexy girl Jennifer Tilly is awesomely cogent, strengthening the storytelling with mastery, further the long chase car sequence and the hotel clash aside a bit contrived are enough to improve the high adrenalin rush, my DVD come out during the transition of VHS into DVD and wasn't a proper restoration that the movie deserves, hope in near future it comes to light on the real format with bonus material and fully restored!!

Thanks for reading.

Resume:

First watch: 1998 / How many: 2 / Source: TV-DVD / Rating: 7.5.