An all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkne... Read allAn all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkness ... Among them, a very old man. He reassures the child, exhorting him to see the wonder... Read allAn all-enveloping darkness. Suddenly, a child's voice, frightened, questioning, pierces the darkness... The first flickering rays of light begin to sculpt mysterious shapes out of the darkness ... Among them, a very old man. He reassures the child, exhorting him to see the wonders of the earth. And it is with this child's eyes that we will witness the creation of the ... Read all
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As a Biblical adaptation, it has its work cut out. GENESIS lacks a single leading character so this film adopts a voice over (by Paul Scofield) to intone much of the story involving Adam and Eve, Cain and Abel, and Noah. It's all simple and straightforward, with admittedly powerful scenes (inserting modern-day conflict into one section is a genius idea) but it's also very slow and long-winded despite a running time of only an hour and a half.
The lack of a decent budget is also apparent - we never really see the flood despite the lengthy section telling Noah's story - but that doesn't really matter given the calibre of Ermanno Olmi's direction. This is a worthy adaptation, but not really a film you'd want to go back to.
I only wish I knew what the woman was singing in the background throughout many of its scenes. The film ends on a note implying God holds mankind accountable for human life.
Hard to fault a film with that message!
An Italian retelling of the Bible stories narrated by Paul Scofield and Omero Antonutti who also played Noah . The title is a bit of a misnomer as the film only covers the first 22 chapters of the first book of Genesis . It covers various Biblical episodes and and open with the Creation of the World and arrive at the Garden of Eden with Adam and Eve, Cain and Abel and Noah and the Flood . It features overlong , slow takes , non-actors in authentic locations , sensitivity , passionate humanism and even some non-sense Iraq war scenes . Rousing and extraordinary soundtrack by Ennio Morricone , including chorus music . Gorgeous and evocative cinematography shot on usual location in Morocco . There is another better adaptation titled : The Bible in the beginning (1966) by John Huston with Michael Parks , Stephen Boyd , George C Scott , Ava Gardner , Richard Harris and Franco Nero play brothers-turned-enemies .
This strangely mounted production was produced by Rai 1 , Lux Vide , Lube, Biblical Studio Morocco and being well directed by ErmannoOlmi , though it doesn't gives the feel of a Cecil B De Mille spectacle . Olmi was a good and artistic filmmaker who made thought-provoking and sensitive films . Olmi was really influenced by the work of Roberto Rosselini. He usually includes social commentaries , overlong , slow-moving takes and using non-actors in authentic locations who frequently participate in dances . His best films were : The Tree of Wooden Clogs (1978) , The Legend of the Holy Drinker (1988) and Il mestiere delle armi (2001) . He also directed and produced a lot of documentaries. Rating 6/10 . The film will appeal to religious people .
This film covers a period in the Bible that is difficult to dramatise. There are so many characters in bloodline between the creation of man and the birth of Noah that you can't pick a main protagonist. The film makers could have dealt with this in two ways:
OPTION 1 - Break this period down into three or four separate stories linked together by a narrator i.e 1)The Creation, 2) Adam & Eve 3)Cain & Able, 4) Noah
OPTION 2 - Use a narrator to read the Bible.
In this film they use a narrator to read the Bilble and it seems as if he is reading the Bible almost word for word. The "actors" rarely speak. I'm not even sure if they are actors as their faces rarely convey any emotion. The actors from the silent movie period such as Charlie Chaplin were able to convey emotions without speaking. The actors in this film however just move from one scene to another with blank faces whilst the narrator reads from the Bible.
I gave this film 1/10 because the score by Ennio Morricone was soothing. The score was the only redeeming factor.
Of course, as Roeg's film obviously elicited largely unfavorable comparisons to Cecil B. De Mille's 1949 spectacular, so too does this one to John Huston's notorious 1966 biblical flop. Still, much as that film proved a disappointment, its undeniable grandeur is vastly preferable to the ordinariness and quasi-documentary style of Olmi's effort (the star cast Huston assembled certainly didn't hurt - whereas here only Italian actor Omero Antonutti is recognizable at all, as the rest of the cast is comprised of non-professional Moroccans)!
To be fair to Olmi, he handles the events with some imagination - as they're presented in the form of campfire tales narrated by nomad Antonutti (who also takes on the role of Noah) to his people - and the images (accentuated by Ennio Morricone's wistful score) are often poetic...but the over-familiarity of it all and the distinct lack of excitement displayed throughout results in sheer dullness! Thankfully, the film is only around an hour and a half in length - whereas most of the other titles in "The Bible Collection" ran for something like twice that running-time (as does, after all, John Huston's THE BIBLE - IN THE BEGINNING itself). One other asset to the film, at least in its English-dubbed version I watched, is the melodious voice of Paul Scofield (who dubs Antonutti throughout).
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- TriviaThe film had its world premiere on September 6, 1994, out of competition at the Venice Film Festival.
- ConnectionsFollowed by Jacob (1994)
- How long is Genesis: The Creation and the Flood?Powered by Alexa
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