Chronicles the Mississippi voter registration drive from 1961- 64.Chronicles the Mississippi voter registration drive from 1961- 64.Chronicles the Mississippi voter registration drive from 1961- 64.
- Nominated for 1 Oscar
- 5 wins & 1 nomination total
Ella Baker
- Self
- (archive footage)
Fred Berger
- Self - Delegate, Mississippi
- (archive footage)
John Chancellor
- Self
- (archive footage)
Henry E. Garrett
- Self
- (archive footage)
Robert Goralski
- Self - NBC News White House
- (archive footage)
Fannie Lou Hamer
- Self - Freedom Democratic Party
- (archive footage)
Aaron Henry
- Self - Freedom Democratic Party
- (archive footage)
Hubert H. Humphrey
- Self
- (archive footage)
Featured reviews
I find it hard to believe that there are only five previous reviews of this documentary here on the IMDB. I don't find it hard to believe that they are all very positive. This is one remarkable movie.
I've watched a LOT of documentaries in my life. In fact, I've been making documentaries myself - on World War II - for some time now. So I have some definite views on what helps and hurts a documentary that deals with contemporary issues. (A documentary on France's King Louis XIV could be fascinating, of course, but that's a different animal.) These are the things that struck me as making this movie particularly powerful, in no particular order:
1. We see excerpts from interviews with a fair number of people who actually participated in the campaign for voter rights in Mississippi in the 1950s and 60s. They all speak with the authenticity of lived experience. We do NOT see talking heads, academics, or other scholars/"authorities" who have simply studied or reported on this era. While such individuals' books might be very interesting, they would make this documentary seem less immediate. Instead, it seems very immediate. You can't do that with a documentary about non-contemporary subjects, of course. But in this case, the talking heads approach would have been much less effective.
2. I was astounded/very impressed by the iconography. It's already great to have photos of the things being talked about. But very often, this movie uses archival film of the people and events being presented. Again, that makes it that much more immediate.
3. The principal interviewees are interviewed in natural settings, rather than in some studio. Again, that reinforces the realness of their stories.
My one suggestion: the people we see - and we see a LOT of people in this movie - should be identified with a caption every time we see them. It would be simple to add that to a new edition of this movie.
Kudos to everyone involved. This is one very impressive achievement that deserves to be much more widely seen.
I've watched a LOT of documentaries in my life. In fact, I've been making documentaries myself - on World War II - for some time now. So I have some definite views on what helps and hurts a documentary that deals with contemporary issues. (A documentary on France's King Louis XIV could be fascinating, of course, but that's a different animal.) These are the things that struck me as making this movie particularly powerful, in no particular order:
1. We see excerpts from interviews with a fair number of people who actually participated in the campaign for voter rights in Mississippi in the 1950s and 60s. They all speak with the authenticity of lived experience. We do NOT see talking heads, academics, or other scholars/"authorities" who have simply studied or reported on this era. While such individuals' books might be very interesting, they would make this documentary seem less immediate. Instead, it seems very immediate. You can't do that with a documentary about non-contemporary subjects, of course. But in this case, the talking heads approach would have been much less effective.
2. I was astounded/very impressed by the iconography. It's already great to have photos of the things being talked about. But very often, this movie uses archival film of the people and events being presented. Again, that makes it that much more immediate.
3. The principal interviewees are interviewed in natural settings, rather than in some studio. Again, that reinforces the realness of their stories.
My one suggestion: the people we see - and we see a LOT of people in this movie - should be identified with a caption every time we see them. It would be simple to add that to a new edition of this movie.
Kudos to everyone involved. This is one very impressive achievement that deserves to be much more widely seen.
"Freedom on My Mind" is an amazing documentary of a period of American history that makes the viewer cringe that it happened. Mississippi in 1960 was fully segregated with political leaders, like like Gov. Ross Barnett, providing an unblushing rationale.
The film really has two parts. The first, shorter part, focuses on Bob Moses and the voter registration drive. The second, larger section, examines the formation of the Mississippi Freedom Democratic Party and its efforts, led by Fannie Lou Hamer, to replace the Mississippi Dixiecrats at the Democratic National Convention in 1964.
The documentary balances well historical film footage with 1990s commentary by participants in the Freedom Summer of 1964, including Bob Moses, Marshall Ganz, Heather Booth, and others. Endesha Ida Mae Holland, who was raped by a white man at age 11, went from the Mississippi Delta to volunteering with the registration drive as a teenager, to getting a PhD in American Studies. Her commentary and that of Bob Moses is the most striking.
Also very insightful is the description of relationship between African American and white volunteers in the registration movement.
This a humbling documentary to watch.
The film really has two parts. The first, shorter part, focuses on Bob Moses and the voter registration drive. The second, larger section, examines the formation of the Mississippi Freedom Democratic Party and its efforts, led by Fannie Lou Hamer, to replace the Mississippi Dixiecrats at the Democratic National Convention in 1964.
The documentary balances well historical film footage with 1990s commentary by participants in the Freedom Summer of 1964, including Bob Moses, Marshall Ganz, Heather Booth, and others. Endesha Ida Mae Holland, who was raped by a white man at age 11, went from the Mississippi Delta to volunteering with the registration drive as a teenager, to getting a PhD in American Studies. Her commentary and that of Bob Moses is the most striking.
Also very insightful is the description of relationship between African American and white volunteers in the registration movement.
This a humbling documentary to watch.
This is a very effective documentary which chronicles the civil rights struggle in the State of Mississippi during the 1960's. The alternating segments of interviews with actual participants and historical footage of the demonstrations and events at the time kept my interest to the end. I had not seen this film before and am very pleased that tcm was able to carry it. For me, not all documentaries succeed in what they set out to do, but this one did, at least in my view. It portrays a very important chapter of American history from which we can all learn.
As to the recent user review of January 18, 2017 describing the reviewer's personal experiences with racial segregation in central Florida, I will add that I grew up during the 1950's and 1960's in the northern town of Union, New Jersey and encountered many of the same racial prejudices there that the reviewer witnessed. The public schools were mostly segregated through the eighth grade, then through the sixth grade, and integrated in the upper grades only by financial necessity. The separation of the elementary schools, at least at my end of town, created resentment at the upper grades as the black students were clearly at an academic disadvantage following nine and then seven years of racial segregation. It wasn't until after I graduated from high school in 1967 when the federal government intervened and forcibly integrated Union's elementary schools. Beyond Union, most of the towns that surrounded us were completely off limits to African Americans. The towns that were most threatened by integration were the towns that were most affordable to black families who desired to leave Newark for a better life in the suburbs. Wealthier towns, such as Merrill Streep's native Basking Ridge (Bernards Township) were far more protected and insulated from the dramatic social upheaval that was occurring nearby because, for the most part, they were economically inaccessible to African American families from Newark who wanted to leave the city. I only write this because I have witnessed an enormous amount of hypocrisy and falsehood in my life, including my own, personal experiences regarding race as I was growing up in a northern town. I touched upon this theme in a novel that I recently wrote but that has not been finalized for publication.
As to the recent user review of January 18, 2017 describing the reviewer's personal experiences with racial segregation in central Florida, I will add that I grew up during the 1950's and 1960's in the northern town of Union, New Jersey and encountered many of the same racial prejudices there that the reviewer witnessed. The public schools were mostly segregated through the eighth grade, then through the sixth grade, and integrated in the upper grades only by financial necessity. The separation of the elementary schools, at least at my end of town, created resentment at the upper grades as the black students were clearly at an academic disadvantage following nine and then seven years of racial segregation. It wasn't until after I graduated from high school in 1967 when the federal government intervened and forcibly integrated Union's elementary schools. Beyond Union, most of the towns that surrounded us were completely off limits to African Americans. The towns that were most threatened by integration were the towns that were most affordable to black families who desired to leave Newark for a better life in the suburbs. Wealthier towns, such as Merrill Streep's native Basking Ridge (Bernards Township) were far more protected and insulated from the dramatic social upheaval that was occurring nearby because, for the most part, they were economically inaccessible to African American families from Newark who wanted to leave the city. I only write this because I have witnessed an enormous amount of hypocrisy and falsehood in my life, including my own, personal experiences regarding race as I was growing up in a northern town. I touched upon this theme in a novel that I recently wrote but that has not been finalized for publication.
So many documentaries are stiff and academic or so obviously manipulative... this is none of those things. It is so HUMAN, so REAL... and is such a powerful story of a fundamentally important period in the history of the USA, every bit as important as the Boston Tea Party or the "shot heard 'round the world" or that moment when "our flag was still there." These are perfectly ordinary people doing absolutely extraordinary things. Particular kudos to those in charge of research, who put together the archival footage - it absolutely immerses you in the time. As a Southerner, I heard things I still hear today... but I also was so inspired by the hard work and tenaciousness of the people who lead this movement - and the people who lead this movement were so imperfect, it makes it all the more glorious. Geesh but I loved this documentary!
I'm not going to pull any punches here: this documentary, made when I was in my early 30s, about the Mississippi voter rights demonstrations has always been difficult for me to watch. (And I'm white and grew up in the South, so I can only imagine the difficulty it presents to the BIPOC communities.) The sheer brutality of the raw violence and the unrelenting psychological terrorism wrought by segregation and racism in the late '50s and early '60s never ceases to bring tears to my eyes, as it has for at least 50 years since I was a small child. But the most disturbing aspect of the film is how much systemic inequality remains, with many similar arguments still being spouted by the ignorant and frightened. Voting rights are *still* under attack in what were the "Dixiecrat" dominated states, like Georgia and Texas, now GOP dominated. The "Black Lives Matter" movement and its most fierce detractors (All Lives Matter, Blue Lives Matter, etc.) directly echo the Civil Rights Movement of the '60s and it's staunch opponents. As with "hate crimes legislation," the notion that respecting and protecting certain groups of people who have been historically and typically targeted or are especially vulnerable to oppression is in some way granting them "special rights" over and above the majority of people is highly insulting and positively ludicrous. It's 2021, 55-60 years later, yet we're arguing with those same people and trying to fight the same battles. That's why the story, the footage, and the 1st-hand testimony of the people involved are still able to move me to tears. 9/10.
Did you know
- TriviaThis film has a 100% rating based on 5 critic reviews on Rotten Tomatoes.
- Goofs(at around 17 mins) The narrator refers to 1960, when the Democratic party 'became a house divided' with 'John Kennedy occupying the White House.' Although Kennedy was elected in 1960, he did not 'occupy' the White House until after his swearing in ceremony on January 20, 1961.
- Quotes
L.C. Dorsey: The straw boss, the agent, the guy who was hired to run the operation, like a business manager, was opposed to us going to school when there was work to be done. And he had a rule. He would go around and say that these kids are too big to be in school, any way, and they need to be in the field. And my father so so adamant about going to school until - he would walk us to the bus stop with this gun every morning.
- ConnectionsFeatured in The 67th Annual Academy Awards (1995)
Details
- Release date
- Country of origin
- Language
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $71,176
- Opening weekend US & Canada
- $4,272
- Jun 26, 1994
- Gross worldwide
- $71,176
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