When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.When the brilliant but unorthodox scientist Dr. Victor Frankenstein rejects the artificial man that he has created, the Creature escapes and later swears revenge.
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- Nominated for 1 Oscar
- 20 nominations total
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When this first came out I thought it was a masterpiece. I was also a young man and had not experienced too many films yet. While this is still probably the best Frankenstein film IMO, in a recent viewing I was shocked to find that I really didn't hold it as high of regard as I did. Branaghs acting is way over the too and quite ridiculous even. I saw many things in the plot lines that are what I call lazy screenplay writing. Certain events were so forced by the charachters unrealistic actions that a lot of this film seemed quite silly. Deniro is really the main reason to watch the film. His performance was still quite good IMO. All in all this was a pleasant memory that didn't hold water for me personally with a more mature mindset. Still some great stuff in the film though.
While many people seem to scorn this film, I found it wonderfully enjoyable. Like the great Orson Welles, He stars in, and directs, many of his movies. This one in particular shows some of his more excentric, if not marketable, passions in filmmaking that make movie buffs and connaisseurs alike enjoy this stylized and emotional film.
Yes, it is melodramatic. Yes, the acting is often over the top. But what many critics of this film fail to recognize is that this is precisly the point. By staying very true to the source material(until the Elizabeth thing) and the significant changes that WERE made are clear evidence of this. The book was melodramatic. What Kenneth Branagh does here is stay true to the spirit of the classic gothic novel. The great close-ups define the characters, and through them you can understand them. Do not mistake stylization for poor film-making, because this is a wonderfully made and presented film, that if understood captivates you from the first spoken words(a quote from Mary Shelly, setting up the stylization) to the last frame.
Know what you're getting into, a passionatly made film about what drives one to both excel and what drives one to madness, and the dangers of excess beyond reason. If you have read the book, regardless of whether you liked it or not,see this movie. You will love what they have retained, and will embrace what they've changed. this is not a film(not a movie, a film) for everyone. But for those who are willing to have an open mind, it is pure bliss!
Yes, it is melodramatic. Yes, the acting is often over the top. But what many critics of this film fail to recognize is that this is precisly the point. By staying very true to the source material(until the Elizabeth thing) and the significant changes that WERE made are clear evidence of this. The book was melodramatic. What Kenneth Branagh does here is stay true to the spirit of the classic gothic novel. The great close-ups define the characters, and through them you can understand them. Do not mistake stylization for poor film-making, because this is a wonderfully made and presented film, that if understood captivates you from the first spoken words(a quote from Mary Shelly, setting up the stylization) to the last frame.
Know what you're getting into, a passionatly made film about what drives one to both excel and what drives one to madness, and the dangers of excess beyond reason. If you have read the book, regardless of whether you liked it or not,see this movie. You will love what they have retained, and will embrace what they've changed. this is not a film(not a movie, a film) for everyone. But for those who are willing to have an open mind, it is pure bliss!
Written by Steph Lady and Frank Darabont (who later disowned this film) and ambitiously directed by Kenneth Branagh, Mary Shelley's Frankenstein is a likable film which succeeds mostly in a refreshingly old-fashioned, Hammeresque vein. (I think Christopher Lee hated this movie and equally class-dripping Bram Stoker's Dracula because he felt that they were competing in the same area.) There's the classic monsters (Robert DeNiro!), the period sets, the lovely heroines in the lovely period costumes, the beautiful and suitably turbulent score... Certainly not a perfect film, but as a classy, gorgeous monster movie, it is a woefully underrated one.
One of Branagh's more maligned works, though for the life of me I can't see why. Sticking closer to the book than to any preconcieved notions of Boris Karloff (perhaps that's why), this injects true horror into the story of a medical student who brings a corpse to life. If you don't like melodrama then maybe it's not the thing for you, but this deserves a far better reputation than it has.
as i watched the trailer of the movie on TV, i thought it'll be another horror movie with the same old clichés, full of blood and disgusting scenes...However,when i saw the movie i was moved by the dramatic melancholic and tragic way in which branagh directed it...it wasn't at all such a trivial horror movie..on the contrary..it was another philosophical deep way of reviving Shelley's novel..it was another masterpiece of branagh's...he adopted the novel in such a delicate dramatic romantic way..and dipped into the moral that Shelley meant by her story..Branagh made of Victor Frankenstein another Odesseus whose vanity and arrogance makes him think that he could imitate God and defy Him..he made him a tragic hero haunted by the death of his mother which has created in him the urging desire of fighting death and creating an alternative life...Branagh's choice of the actors was more than perfect, De Niro made a sympathetic touching creature despite his violence and thick hands ,the creature in this movie managed to escape being another scary pale dead monster walking the earth as it was in the old Frankenstein movies,the genius De Niro made us feel and believe that this creature bears great equal amounts of love and rage and that if he cannot satisfy one ,he'll indulge the other (as he says to frankenstein), Helena Bonham Carter was splendid as Elizabeth,she was like the refreshing breeze in the movie which could decrease the intensity of the bloody scenes, Tom Hulce in the role of Henry was in his friendship to Victor as intimate as the friendship of Horatio to Hamlet, Ian Holm as the baron Frankenstein was very good ,but his part was too small that he couldn't show all his talents, Richard Briers was great in the role of the tender grandfather, and of course Kenneth Branagh himself as Frankenstein was perfect,he could make us pity for Frankenstein rather than hating him. Generally the movie despite its several bloody scenes,makes an intense powerful drama..and makes you saturated with a strange sense of melancholy after seeing it...Branagh's Frankenstein is really a must-see :)))
Did you know
- TriviaVeteran horror actor Sir Christopher Lee, who played the Creature in Hammer Studio's Frankenstein s'est échappé (1957), was asked at the premiere of this film about the differences between his version and this new adaptation. Lee replied, "About forty years and forty million dollars."
- GoofsThe opening crawl states that Captain Robert Walton set sail in the early 19th century. Then the next caption states that it is 1794, which is still in the 18th century.
The prologue actually states that it is "the dawn of the 19th Century," which in common English vernacular refers to the period of time around the start of the new century. The year 1794 would fall within this reference.
- Quotes
The Creature: I do know that for the sympathy of one living being, I would make peace with all. I have love in me the likes of which you can scarcely imagine and rage the likes of which you would not believe. If I cannot satisfy the one, I will indulge the other.
- Alternate versionsThere is a work-print circulating which contains gore which was cut to earn an "R" rating, as well as other scenes, including the Fay Ripley scene and the re-animated dog scene.
Details
- Release date
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- Official site
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- Also known as
- Mary Shelley's Frankenstein
- Filming locations
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Box office
- Budget
- $45,000,000 (estimated)
- Gross US & Canada
- $22,006,296
- Opening weekend US & Canada
- $11,212,889
- Nov 6, 1994
- Gross worldwide
- $112,006,296
- Runtime
- 2h 3m(123 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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