L'étudiant étranger

I was there. I arrived in the US from Paris France for my first year in the US in 1954 (v. 1955 in the movie.) I had no idea what "Football" was. I went out. I said I wanted to be a "guard" because I thought that's what they called the guy in the backfield who "protected" the "Quarterback" who then threw me the ball (what I really wanted.) When they told me to get in the line, I didn't know what to do. So, when the ball was snapped, I pulled out of the line and ran around the end with the quarterback. "Hey, Mr. McGehee, Ned is running away!" That's when I realized that American boys could be nasty, unlike the affable qb in the movie. That's when I felt bullied for the first time in my life. That's when I realized that American boys are raised to be "over-competitive." I'm eighty now, and I've come through fine; but, it wasn't as easy as in Hollywood. In summers, I lived in the mountains of North Carolina, where I made good long-term friends amoung the mountain people, who are neither bullies nor prejudiced. This movie rang very hollow to me, as though it was written by a foreigner who was never there. Sh-boom.

FOREIGN STUDENT

Aspect ratio: 1.85:1

Sound format: Dolby Stereo

Based on Philippe Labro's bestselling memoirs, Eva Sereny's film FOREIGN STUDENT strives valiantly for a sense of lyrical beauty, exemplified by cinematographer Franco Di Giacomo's evocative vision of rural Virginia in 1956, and by the sparse poetic voice-over, much of it presumably lifted from the book. But the narrative suffers from the vacuum of Marco Hofschneider's decidedly uncharismatic performance in the crucial leading role. The central romance lacks passion.

A slightly above average film, watchable for the entire time (I saw it a lazy Sunday afternoon). It never got too slow, the plot moved along regularly, with sufficient evolving narrative to evoke interest throughout.

The tale centers on a young man who leaves Paris, France to study as a freshman in college in rural Virginia. The movie heralds his attempts at acceptance, sometimes funny, sometimes poignant, politically charged with one main issue of the day (race relations).

The four main characters, and several supporters, were well developed. A pre-Tyson Robin Givens (as April) did a fine job, she was smoldering hot. Marco Hofschneider (Philippe) was not at his most emotional, but although some might call his performance wooden, his range of emotion seemed appropriate for me. Heck, it's not as if all actors must seem as if they're hamming it up during an audition for All My Children.

Rick Johnson (Cal) and Charlotte Ross (Sue Ann) more than make up for any perceived lack of emotion by Marco with their satisfying efforts.

In the role of naive French student Phillipe, Marco Hofschneider(Immortal Beloved) is extremely likeable and convincing. His character is a French student who has come to a college in 1956 Virginia on exchange, to naturally find that everything if different. He wishes to play football, but gotten it mixed up with the European version, which results in quite a mishap. He also wishes to fraternize with the local colored citizens, particularly a housekeeper called April, whom he is madly in love with...but he sounds finds out that falling in love with people of another race is also something that's well, done differently in the United States. It's forbidden. Yet, while Phil may seem simple in some areas, even he knows to keep their love a secret, and that results for more scrapes and turmoil.

Forbidden love is always an interesting story, but not a very original one. Nevertheless, "Foreign Student" manages to avoid many cliches, and good performances by supporting players Rick Johnson, Edward Herrman, Charlotte Ross, and particularly Hofschneider make for a passably good film.

In 1955 a French student named Philippe (Marco Hofschneider) spends a year at a college in Virginia as an exchange student. There he meets a beautiful black woman (Robin Givens) and falls in love...but that was forbidden back then. But he can't stop his feelings for her...

Laid-back adaptation of a true story. It's good but distressingly TOO mild. This story has been told before and this is a good version but everything is so toned down it's hard to react to it. Also it mixes in football, blues music, a nervous breakdown and alcoholism in bits and pieces making it a jumble--the movie seriously lacks focus. Still this is not unwatchable.

It's beautifully filmed and has a feel for the period in clothes and cars (LOVE Cal's one). The acting really pulls this one through. Hofschneider is just great--young, handsome and full of life. His reactions when someone tries to get him into a blues club are hilarious. Rick Johnson is also good playing his best friend Cal. Givens is pretty terrible--a one note performance but she IS beautiful. Also the film is tasteful. There is a sex scene between Hofschneider and Givens but no nudity is shown! Hofschneider however was completely nude when they filmed it--he complained it was too cold shooting it and thought it was unnecessary but he did it.

All in all the film DOES work. I actually cried a little at the end. This came and went VERY quickly in 1994. It was supposed to boost Givens' career but didn't do a thing. It's worth seeing but don't go out of your way. I give it a 7.