Terror Clinic

The Surgeon is an overlooked little hospital horror chiller that's worth the price of admission just for the opening scene alone, a spooky black and white prologue in which a young boy witnesses a surgery gone horribly wrong, all set to that cheery 'Lollipop Lollipop' song, quite a memorable way to kick your film off. After that it's fairly standard, as he grows up to be a scalpel wielding slasher who roams the wards of a huge hospital, killing patients, doctors and undergrads at leisure. Two intrepid doctors in training played by Isabel Glasser and James Remar are onto this beast and gradually begin to realize there's foul play afoot, and the demented surgeon, played by Sean Haberle, continues his stealthy rampage throughout the halls. Malcolm McDowell is also there for a bit, sorely underused as an arrogant, short lived doctor who likes to trial weird drugs on chimpanzees in the basement. Peter Boyle chews scenery as a bumbling detective, Charles Dance has a fun bit and it all hurtles along like the B movie it is. That opening though, quite a well accented bit with the song, and an eerie setup for the schlock to follow. The film's actual title on IMDB is Exquisite Tenderness, which was rebranded for DVD release as The Surgeon, which is slightly less.. European of them than the original one, but it does suit the low grade silliness. Decent stuff, for what it is.

This movie can't decide what it wants to be.

It starts out medical mystery. Standard "Coma" plot here - maverick woman doctor fights with colleagues and discovers something fishy going on.

Next is a detour through subplot melodrama - maverick doctor gets in trouble and starts hanging out with a photojournalist turned med student. Nice work by James Remar here.

Then it lurches over to horror flick but doesn't quite make it. The heart of a good horror flick is a compelling villian. This script practically forgets about its villian until a good way into the film. What we get then is a laughably bad, unchilling parody of a sort of bad guy. He's got no menace, no personality. What good is a forgettable bad guy?

Skip this one unless you must see every bad hospital horror flick ever made.

Not a bad little thriller that lifts various elements from the slasher genre without actually becoming so easily recogniseable as one of those movies. James Remar is fairly good and the film plays fairly well. Just average really

If you like the song "Lollipop" by the Chordettes, you are advised to miss the first few minutes of this movie, or you may never think of the song the same way again. In an eerie but effective scene that suggests an old B-movie, a little boy, who turns out to be one of the movie's characters, is watching something horrible happen to another little boy at the doctor's office, as the song is playing on the radio. According to the DJ, it's the latest hit.

Dr. Theresa McCann is not having a good day. On the way into work she breaks the heel on one of her shoes, and that's just the beginning. But this film needs a little humor. As Dr. McCann makes the rounds with her residents, Dr. Hendricks just has to make them uncomfortable, believing that is the only way to make them truly dedicated to their work.

Meanwhile, Dr. Stein is showing an experimental treatment which he is testing on some sort of ape, with less than ideal results.

Given Dr. Stein's reputation, Dr. McCann took over the treatment of one of his patients, doing something unauthorized that may have resulted in the patient's death. She gets suspended, but with the help of Dr. Hendricks, she may be able to clear her name. Perhaps it is Dr. Mazar, who was supposedly locked away in an institution, who is causing the problems for Dr. Stein. He once believed it was more important to find effective treatments by testing on humans about to die anyway rather than animals; he believed the Nazis had the right idea. Could that also be what's happening here?

This was mostly an ordinary thriller. Certainly not for kids--especially that terrifying first scene. There is some violence, and that ape scene isn't too pleasant. But there were a couple of performances worth noting. Sean Haberle has some good moments as the demented Dr. Mazar, though he's not consistent. And then there is Mother Love as a patient named Milly Putnam. Now she's really worth seeing.

The movie could be worth seeing, too. If this is really the sort of thing you like.

I instantly got hooked on this film when I first saw it. It came on late-night TV and I watched it even though I wasn't really allowed. The combination of seeing a forbidden film and being impressed by everything that is bloody, I really liked it. Now, years and literally tons of movies later, I notice that it is obviously flawed and unoriginal but yet I still think it's an enjoyable thriller that can provide you with a few scares. The film opens with an eerie black and white sequence in which a young boy witnesses the death of his older brother while the song 'lollipop' is playing on the radio. Apparently due to this trauma, he grew out to become a mad scientist with Frankensteinian ideas and methods, using terminal hospital patients for his research. He takes revenge on the hospital staff that suspended him. The most efficient aspects about this film are unquestionably the ominous set pieces and locations. The horror highlights include a sequence in which a helpless patient gets a huge needle injected in her nose, or when our insane doctor operates on himself. First time actor Sean Haberle is decent as the 'villain', by the way. He's a spooky looking dude with vicious eyes and a violent charisma. The two leads – James Remar and Isabel Glasser – are okay as well but it's the supportive cast that is REALLY interesting. Peter Boyle (Young Frankenstein, Hardcore), Charles Dance (Alien³, Space Truckers) and especially Malcolm McDowell all make great appearances. Unfortunately, McDowell's icky character dies too soon and the film dies a little with him.

Exquisite Tenderness is nowhere near original, the production takes itself way too serious and the last 5 minutes shouldn't have made the final cut. Yet, it's still a delightful film to kill some time with and the body count is enormous.