Une épouse trop parfaite

A late night boredom trip became quite a spectacle. Not only did the performances from Madchen Amick and James Spader feel realistic and genuine, the actions of the two seemed based more in reality as opposed to the Hollywoodized version of revenge and anger. While some might call this senseless trash, I call this a spectacle of the human condition, one that portrays the hidden evils within every person. With a solid B-cast, this film was certainly worth the time and money put into it. Also, the ending proved to be one of the best `revenge of the cuckold scenes ever.'

Nice thriller with a decent amount of mystery let down by a rather abrupt ending. It's a shame because the film moves along nicely and is well executed for the first hour and slowly loses It's way. James Spader is good in the lead role & Madchen Amick is brilliant in her best role to date. Amick is never better than here as we learn more and more about her character and what's true and false. Just a shame about that ending though.

For you classical movie fans and fans of the Fifties music scene, this film Dream Lover will not contain a note of either Jeanette MacDonald's first film hit song from The Love Parade or will you hear Bobby Darin's hit from the Fifties, both entitled Dream Lover. Neither song while different in style is positive in nature and wouldn't be right in this very downer of a thriller.

James Spader can't believe his luck in finding Madchen Amick, she's the perfect beautiful woman. He must feel like Anthony Michael Hall and Ilan Mitchell Smith when they created Kelly LeBrock in Weird Science. This woman is an eleven plus and after a divorce from Bess Armstrong, Spader's in need of reassurance that he's still got it.

They marry and have children, but gradually he starts noticing little things that she always has a perfect explanation, but rattle Spader beyond the point of endurance. When he starts investigating his wife, Spader finds a lot of things just don't add up.

Dream Lover is a neat little thriller that will keep you guessing right to the end who is going to come out on top. In fact neither of them really do, or at least that's how I view the film.

Spader, Amick and the rest of the cast respond well to writer/director Nicholas Kazan's script and guidance. When Spader starts investigating the past of his wife and finds she's just a down home girl from Texas instead of what she puts out, he meets up with William Shockley her old boy friend. His one scene in the film with Spader will leave an indelible impression.

In fact Dream Lover will leave an indelible impression on you.

James Spader is affable as an architect named Ray, who divorced his first wife after she fooled around. Then a new woman comes into his life: the enticing, gorgeous Lena (Madchen Amick), and he soon becomes smitten, to the point of marrying her and fathering children with her. Then he realizes how badly he's screwed up by marrying a woman to whom lying is second nature. She's a master manipulator with a personality for different occasions.

Although not altogether satisfying (especially the ending), "Dream Lover" is a decent suspense-thriller. It treads on pretty familiar ground overall, but writer / director Nicholas Kazan (son of the legendary Elia Kazan) tells a reasonably entertaining story. It spices things up with a bit of sex and nudity (there is an unrated version of this that was released on laserdisc), and Kazan is capable at continuing to throw twists and turns at us. His framework is the most interesting, original element, as it contains scenes of Ray at a carnival where the workers accost him with details of the plot.

The truth is that you can't feel too much sympathy for Ray, as he buys all this trouble by getting involved with a stranger without bothering to learn very much about her. But Spader is good as always, and is surrounded by good actors and familiar faces: Fredric Lehne, Bess Armstrong, and comedian / actor Larry Miller (the main source of comedy relief, obviously) play his friends, and other actors and actresses like Scott Coffey, Clyde Kusatsu, William Shockley, Irwin Keyes, Janel Moloney, Robert David Hall, Paul Ben-Victor, and Erick Avari comprise a solid supporting cast. Still, Madchen is the compelling primary asset of "Dream Lover": looking delectable throughout, she's a treat to watch as she switches on a dime when it comes to her personality shifts.

Kazan does come up with some good dialogue, especially that "paranoia is actually heightened awareness" line. And he & his cast keep this engrossing most of the way, even though that resolution is bound to leave viewers wanting.

Seven out of 10.

DREAM LOVER is a nicely made, well-acted little film about a man who meets and marries the girl of his dreams but begins to wonder who she really is. This film marks the directorial debut of screenwriter Nicholas Kazan, the son of Elia Kazan. He did a very impressive job. The cleverest touch is having a framing device which has a crazed clown at a carnival who explains the major plot developments to James Spader's character and to us as well. Spader plays a very successful businessman who just got a divorce and is very lonely. But a chance encounter with a beautiful young woman named Lena (Madchen Amick in a very incisive performance) changes that. She is perfect in every way. I can't reveal much more story than that. The plot twists and turns like a pretzel. It's not always plausible, especially the ending, but it is entertaining all the same.