La jeune fille et la mort

An incredibly powerful and stylish psychological thriller. Just a treat to see the talents of Polanski, Weaver, Kingsley, and the little known Wilson all on display in this complex and suspenseful story. Great to see the time and effort taken by Polanski to create such rich character development. Can't think of many movies (Sex, Lies and Videotape also comes to mind) that takes such a wonderfully unforced and unhurried pace to bring the characters to life with all their complex layers.

The interaction between Weaver and Kingsley is just mesmerizing. Then again, would you expect anything less from these two consummate pros? Actually, I've always been a fan of Weaver, but no doubt in my mind this is her most powerful, but unfortunately most overlooked performance of her career. One achingly emotional and gripping scene by Weaver of a confessional nature at the crux of this movie goes on unedited seemingly for minutes. It's one of the most moving moments of movie making I've ever had the pleasure of witnessing.

Kingsley is also at his best here. He's just one of those actors who could read a phone book and I'd sit and watch! An incredible piece of acting which asks a great deal of the viewer - to continuously doubt and question his character's TRUE identity - and pull it off believably.

Well, sorry to be so vague when it comes to plot points, but I wouldn't dare spoil this fine unknown gem for those willing to take a chance on a movie for the not-so-faint of heart. The themes are extremely adult here, but for those who appreciate a drama you can sink your teeth into that isn't afraid of some powerful realism, this is a no-brainer!

This movie, Death and the Maiden, is a remarkable production given that it is a stage drama put on film. There is virtually only one set. The actors are incredible. You never lose the essence of the Director, Roman Polanski. Your interest never wanes in this thriller. Sigourney Weaver is outstanding. She is shattered by her initial confrontation with her torturer, Ben Kingsley. And then her recalling of the atrocities at his hands gives her tremendous strength, the strength of a tiger. The climax is unsettling but proves the virtue of forgiveness and acceptance even with extreme misgivings. This is a movie that stays in your memory. Kudos to all concerned.

When it comes to dark and morbid thrillers, there's no one around that can handle them like Roman Polanski does. It is with that in mind, therefore, that I say Polanski is the best man for the job of adapting Ariel Dorfman's stage play; 'Death and the Maiden'. He proves this with the resulting movie, which is a thrill ride, combined with a character study all wrapped up in a layer of morbidity; needless to say, the film really hits home. Polanski handles this story, and his actors with the utmost precision and I have no qualms with labelling this movie as one of the man's masterpieces. I have no idea quite why it hasn't been better received, as although it's not up there with the likes of Knife in the Water, Chinatown and Rosemary's Baby; this is Polanski doing what Polanski does best, and when he's at his best; the man is brilliant. The story follows a chance encounter between a political lawyer and his neighbour, whom the man's wife is certain, is the same man who brutally beat and raped her while blindfolded under the reign of a fascist regime. What follows is a three-way character study between the victim, the man she thinks is her oppressor, and her husband; who is caught in the middle.

The themes of truth and justice are rampant in this tale and as we watch to see if the villain of the piece really is the man who oversaw torture in the oppression, we are always reminded of the idea of the difference between a right and just punishment, and otherwise. As this is based on a stage play, it is the actors that are very much the star of the show. The three-pronged cast makes for a great ensemble, and every single one of them impresses. Sigourney Weaver gives determination and anger to her victim, and it is easy to believe that this woman really was tortured and beaten. Stuart Wilson is great also as the man caught in the middle of a horrible situation, but it is Ben Kingsley that provides the real standout performance. He manages to skilfully tread a line between an evil madman and a pathetic innocent victim brilliantly, and he ensures that at all times we are asking the question "did he?". Polanski's direction is superb, and the thing that most impressed me is the way that he firmly positions the tale in the middle of nowhere. This ensures no distraction, and makes sure that we are put firmly within our character's plight.

On the whole, this is one of the best films that Polanski ever made. Considering his prowess as a filmmaker; that is really saying something and I wouldn't hesitate to recommend this film to anyone who enjoys movies.

Rarely does a film with only three actors create such unbearable tension and cover political aspects too. Also, the film has great actors: Ben Kingsley gives the impression that he himself didn't know whether his character was guilty or not; Stuart Wilson is a typical confused lawyer-husband; and Sigourney Weaver probably gives her best performance – of course, she's got a good role.

I enjoy stories, where people get in situations so terrible and unnatural that they are unable to see their extent. They cannot think clearly and so their thinking structure changes and they begin to take completely absurd things into consideration. Every person reacts a little differently to the situation. I love this, and that's why I give this movie the best rating. I couldn't find any flaws in the movie, actually.

In this movie, Sigourney Weaver is thoroughly believable with her trademark edge, rarely seen in other women actors. The doctor, although obviously with selfish motives, kept me guessing until the end as to whether he was guilty of the crimes of torture she claimed he committed against her, having not seen the face of, but only having heard the voice of the man she remembered. You don't know the truth until the end. It is very riveting. Her relationship with her husband is very realistic, as well, and very revealing about both of their characters. All three roles were depicted as intensely real. I enjoyed this thriller from the moment it began to the very end. You are immediately engaged in her reality, rather than experiencing a slow build up seen with most movies. Very satisfying because no character was one-sided, but they were multi-dimensional, with each having a unique history. Bravo!