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5.2/10
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A counterfeiter with a habit of "eliminating" the competition moves in next door to the Robbersons. Two cops move in with the Robbersons for a stakeout.A counterfeiter with a habit of "eliminating" the competition moves in next door to the Robbersons. Two cops move in with the Robbersons for a stakeout.A counterfeiter with a habit of "eliminating" the competition moves in next door to the Robbersons. Two cops move in with the Robbersons for a stakeout.
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Norman Robberson (Chevy Chase) is a typical husband and father who lives in the idyllic suburb of Pleasant Valley with his wife Helen (Dianne Wiest) and three kids with young vampire obcessed Billy (Miko Hughes), delinquent middle son Kevin (Jason James Richtor), and teenage daughter Cindy (Fay Masterson). While Norman goes to his mundane office job everyday, Norman often fantasizes about being a cop and has an encyclopedic knowledge of all the cop shows catching them in re-runs and renting episodes from video stores. When the police department learns notorious and violent counterfeiter Horace Osborn (Robert Davi) is hiding out in Pleasant Valley, the department sends gizzled veteran cop Jake Stone (Jack Palance) and his young partner Tony Moore (David Barry Gray) to stakeout the area using Robberson's home as the surveillance point. Norman is excited for the opportunity to get in on the action, but Stone finds himself irritated by Norman's antics.
Cops and Robbersons is a 1994 comedy vehicle for Chevy Chase that was one of the more "family skewing" roles the comedian took in the 90s as Chase's previous films such as Memoirs of an Invisible Man and Nothing but Trouble were underperformers and the market started favoring broader more family orientated comedies popularized by the works of Chris Columbus and John Hughes. Released in April of 1994, the film opened in an unexceptional second place behind sleeper hit Four Weddings and a Funeral in its sixth weekend and eventually closed out its run with $11 million making it financial disappointment. Critical reception was dismal with many making unfavorable comparisons to the film Stakeout and also making unfavorable comparisons between Chase's Norman Robberson and his Clark Griswold character. Cops and Robbersons is the kind of movie where it feels like they started with the title and then crudely tried to build a movie around it.
The movie is comparable to other broad police comedies of the time such as Stakeout, but is more targeted to the same audience that made Kindergarten Cop and to a lesser extent Cop and a Half successful. Cops and Robbersons is better than Cop and a Half by virtue of having better performances and a seemingly smoother production, but it's rather lacking when compared to Kindergarten Cop Chevy Chase is a funhouse mirror exaggeration of his Clark Griswold character as he plays Norm Robberson as so massively thickheaded you wonder how he's able to hold down a job or keep a roof over his head due to his multitude of idiot decisions that are divorced from reality. Chase is always at his best playing characters who fit his wiseass persona such as how Clark Griswold is properly written in Vacation and Christmas Vacation, Fletcher in Fletch or Fletch Lives, or Ty Webb in Caddyshack. The character that Chase plays so doesn't match his talents that it honestly feels like it was more written in mind for someone from a sitcom of the time like Tim Allen from Home Improvement or Ed O'Neill during Married with Children because these are basically sitcom characters doing sitcom things. Jack Palance is doing his usual growling intense performance, but he did give me some laughs such as his explanation to Robert Davi's character that Norm recently underwent a lobotomy (which probably makes more sense than it should) and the lion's share of what few laughs there are in this film mostly come from Palance.
Cops and Robbersons has a talented cast and isn't painful like some comic misfires, but it's also not nearly funny enough to sustain its paper thin premise that relies on the old staple of the "idiot plot" to keep itself going. The end result is yet another unfortunate misstep in the 90s leg of Chase's career but at least it's more watchable than his late night talk show.
Cops and Robbersons is a 1994 comedy vehicle for Chevy Chase that was one of the more "family skewing" roles the comedian took in the 90s as Chase's previous films such as Memoirs of an Invisible Man and Nothing but Trouble were underperformers and the market started favoring broader more family orientated comedies popularized by the works of Chris Columbus and John Hughes. Released in April of 1994, the film opened in an unexceptional second place behind sleeper hit Four Weddings and a Funeral in its sixth weekend and eventually closed out its run with $11 million making it financial disappointment. Critical reception was dismal with many making unfavorable comparisons to the film Stakeout and also making unfavorable comparisons between Chase's Norman Robberson and his Clark Griswold character. Cops and Robbersons is the kind of movie where it feels like they started with the title and then crudely tried to build a movie around it.
The movie is comparable to other broad police comedies of the time such as Stakeout, but is more targeted to the same audience that made Kindergarten Cop and to a lesser extent Cop and a Half successful. Cops and Robbersons is better than Cop and a Half by virtue of having better performances and a seemingly smoother production, but it's rather lacking when compared to Kindergarten Cop Chevy Chase is a funhouse mirror exaggeration of his Clark Griswold character as he plays Norm Robberson as so massively thickheaded you wonder how he's able to hold down a job or keep a roof over his head due to his multitude of idiot decisions that are divorced from reality. Chase is always at his best playing characters who fit his wiseass persona such as how Clark Griswold is properly written in Vacation and Christmas Vacation, Fletcher in Fletch or Fletch Lives, or Ty Webb in Caddyshack. The character that Chase plays so doesn't match his talents that it honestly feels like it was more written in mind for someone from a sitcom of the time like Tim Allen from Home Improvement or Ed O'Neill during Married with Children because these are basically sitcom characters doing sitcom things. Jack Palance is doing his usual growling intense performance, but he did give me some laughs such as his explanation to Robert Davi's character that Norm recently underwent a lobotomy (which probably makes more sense than it should) and the lion's share of what few laughs there are in this film mostly come from Palance.
Cops and Robbersons has a talented cast and isn't painful like some comic misfires, but it's also not nearly funny enough to sustain its paper thin premise that relies on the old staple of the "idiot plot" to keep itself going. The end result is yet another unfortunate misstep in the 90s leg of Chase's career but at least it's more watchable than his late night talk show.
I tell you what, man. When I saw that this film was given a 4.7, I had to speak up. I had to set the record straight- this movie is great. All joking aside.
Yeah, the plot makes about as much sense as Face/Off. But over the years I have not met one person that watched this movie and wasn't repeating lines the next day.
But enough about that. This movie has chemistry between the actors. There is just enough peril to keep the movie serious. It moves a long at a good pace. The dialog is about as funny as one could hope. Each character has some issue that is developed and ultimately resolved, which is not an easy feat with an ensemble cast like this.
Also, this movie is to Jack Palance what True Grit was for John Wayne. Jack Palance's Detective Jake Stone is a caricature of his previous roles as a no-nonsense, cynical, chain-smoking bad-ass.
Then you have Chevy Chase who is as funny as ever. For that matter, I really don't see how somebody that likes the Vacation movies could dislike this film. It's pretty much the same family, only they don't go on vacation. They have some cops come live with them and comedy ensues.
Anybody who gives this movie less than a 6/10 needs to pull the stick out of their rectum.
Yeah, the plot makes about as much sense as Face/Off. But over the years I have not met one person that watched this movie and wasn't repeating lines the next day.
But enough about that. This movie has chemistry between the actors. There is just enough peril to keep the movie serious. It moves a long at a good pace. The dialog is about as funny as one could hope. Each character has some issue that is developed and ultimately resolved, which is not an easy feat with an ensemble cast like this.
Also, this movie is to Jack Palance what True Grit was for John Wayne. Jack Palance's Detective Jake Stone is a caricature of his previous roles as a no-nonsense, cynical, chain-smoking bad-ass.
Then you have Chevy Chase who is as funny as ever. For that matter, I really don't see how somebody that likes the Vacation movies could dislike this film. It's pretty much the same family, only they don't go on vacation. They have some cops come live with them and comedy ensues.
Anybody who gives this movie less than a 6/10 needs to pull the stick out of their rectum.
This is a truly funny film that the whole family can watch, and enjoy. Amazing! Mom cooks enough food for a White House reception, the kids are mostly normal except the youngest, who is channeling Bela Lugosi as Dracula, and Dad can't get a bagel without cream cheese on it. The cops are standard film cops except that Jack Palance is even more overpowering than usual. His best line (you have to be there) is "Never throw a cat at me again." He never yells, although he has plentiful provocation. This is refreshing; we laughed through the whole movie.
Chevy Chase's family comedy "Cops and Robbersons" might have been made during the period where his box-office success was in a rapid decline (as this was somewhat a flop and the previous two before it), but I've always have a soft spot for this professional looking, but farcical comedy outing and that was mainly for the amusingly dry performance of Jack Palance as a weathered detective.
Norman Robberson is a mild-mannered accountant who spends his free time watching TV cop shows. Soon enough he's living that life, when detective Jack Stone and his partner use his house as a stakeout to watch his neighbour that's a dangerous counterfeiter. Stone then finds himself caught up with the family and Norman's cop show obsession could just endanger the whole operation.
As much as I enjoy watching a Chevy Chase film, it does pale in comparison to his early work but watching it again it surprised me how well it actually stood up. While not overly funny, it kept me watching. Teaming up again with Michael Ritchie the director of his smash 1985 hit "Fletch", Ritchie and Chase might not have the luxury of that smart script, but "Cops and Robbersons" is still sprightly written with the odd witty remark and amusing depictions of middle class suburbia. It's a typical formula, but it raises some inspired shenanigans if growing a little repetitive with its choices. Thinking about it, there was probably just not enough humour there or effectively brought across. It's madcap, accidental gags relying more so on the psychical and visuals with comical interactions between the dysfunctional characters. Ritchie's direction is straight-up, competently tidy with a slick streamline to it and having confidence in his timing.
The cast balances out quite nicely. Chase gives his usual quick-on-the-feet performance, while alongside him Palance superbly grits his teeth. Dianne West is equally good with a level-head turn and Robert Davi suitably goes with a mock serious approach in a pigeon hold villain role. There's decent support by David Barry Gray, Jason James Richter, Fay Masterson, Miko Hughes and Richard Romanus.
Norman Robberson is a mild-mannered accountant who spends his free time watching TV cop shows. Soon enough he's living that life, when detective Jack Stone and his partner use his house as a stakeout to watch his neighbour that's a dangerous counterfeiter. Stone then finds himself caught up with the family and Norman's cop show obsession could just endanger the whole operation.
As much as I enjoy watching a Chevy Chase film, it does pale in comparison to his early work but watching it again it surprised me how well it actually stood up. While not overly funny, it kept me watching. Teaming up again with Michael Ritchie the director of his smash 1985 hit "Fletch", Ritchie and Chase might not have the luxury of that smart script, but "Cops and Robbersons" is still sprightly written with the odd witty remark and amusing depictions of middle class suburbia. It's a typical formula, but it raises some inspired shenanigans if growing a little repetitive with its choices. Thinking about it, there was probably just not enough humour there or effectively brought across. It's madcap, accidental gags relying more so on the psychical and visuals with comical interactions between the dysfunctional characters. Ritchie's direction is straight-up, competently tidy with a slick streamline to it and having confidence in his timing.
The cast balances out quite nicely. Chase gives his usual quick-on-the-feet performance, while alongside him Palance superbly grits his teeth. Dianne West is equally good with a level-head turn and Robert Davi suitably goes with a mock serious approach in a pigeon hold villain role. There's decent support by David Barry Gray, Jason James Richter, Fay Masterson, Miko Hughes and Richard Romanus.
this movie has kept me in stitches every time i see it! i would definitely recommend it to anyone who likes to laugh. Miko Hughes is ADORABLE in this film! An all-around hilarious movie with an interesting plot and comedic characters!
Did you know
- TriviaDuring the end credits, a picture of Jake (Jack Palance) doing a one-armed push-up with one of the Robberson's kids was flashed. This was a reference to what Palance did after he accepted his Academy Award for Best Actor in a Supporting Role, for "La vie, l'amour... les vaches (1991)."
- GoofsDuring the first few moments of the film, Robberson is typing at his desk wearing an ear set. Seconds later it's gone.
- Quotes
Lt. Jake Stone: You arrested a waiter?
Norman Robberson: Jake, he was rude.
Lt. Jake Stone: Norman, you can't arrest people for being rude. If you could, all of New York City would be on Death Row.
- SoundtracksMockingbird Hill
Written by Vaughn Horton
Performed by Patti Page
Courtesy of Columbia Records
By Arrangement with Sony Music Licensing
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Cops and Robbersons
- Filming locations
- Hawthorne Grill - 13763 S. Hawthorne Boulevard, Hawthorne, California, USA(Restaurant scenes.)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $11,391,093
- Opening weekend US & Canada
- $3,724,254
- Apr 17, 1994
- Gross worldwide
- $11,391,093
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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