Corrina, Corrina

Corrina, Corrina

Manny Singer (Ray Liotta) is a struggling songwriter for a company that makes television commercials, who also has a loving wife and a daughter, Molly (Tina Majorino). When his wife dies, Manny's whole life falls apart, his daughter stops speaking, and he develops a creative block on his jingle-writing skills that threatens to get him fired. To solve one of these problems, he starts looking for a nanny for Molly, reluctantly settling on Corrina Washington (Whoopi Goldberg), a woman who has recently moved into town to stay with her sister, and who also happens to be black. Though far from the most efficient housekeeper in the town, Corrina clicks instantly with Molly, who eventually starts to speak again. Manny also takes a shine to Corrina, and a friendship soon forms between the two widows, but they can't seem to agree on what is best for Molly.

As easy as it may be to classify 'Corrina, Corrina' as a fifties-set drama, I'm inclined to resist this temptation, for two main reasons. Firstly, aside from the underlying comments about race, the fifties setting is used only as a backdrop, with the focus on a very heartfelt dramedy, which leads me to my second point. 'Corrina, Corrina' is certainly moving, and there are times when you may feel the need to reach for a box of tissues. But it's also quite hilarious as well, and writer/director Jessie Nelson finds a fine balance between the dramatic and comedic beats to make a remarkable motion picture. Liotta, Goldberg and Majorino give wonderful performances, and these really do feel like real characters. A real winner.

~ 8/10 ~

Ray Liotta a typical ad man from the Eisenhower 50s has just lost his wife and his daughter Tina Majorino her mother. He's needing a housekeeper and babysitter very badly. He starts interviewing a variety of candidates not all of them women. But Whoopi Goldberg playing the title role sort of ingratiates herself with both father and daughter.

Soon enough there's an attraction between the two of them, but this is not 2019 it is the 50s and before the Civil Rights Act. They get a lot of fisheyed stares and a racial crack or two. And that is both of them as Goldberg's own family says to stick to her own kind.

Whoopi's scenes with Tina are really special they're what drive the film. It also makes it a family film in every sense of the word.

Two movie oldtimers, K.T. Stevens and Don Ameche make their farewell appearances. Ameche has only a few scenes and you can see how the ravages of cancer are killing him slowly. A lot like Edward G. Robinson and Soylent Green.

There's also a nice performance by Erica Yohn as Liotta's mom and what a Yiddishe Mama she is. Ameche is his father.

This is a wonderful film and with interracial couples far more accepted now it's a look back on some brave people.

This movie was great and Tina Majorino did a beyond excellent job as Molly, the little girl who lost her mother and is coping with it by becoming mute and withdrawn. Whoopi Goldberg did wonderful as the nanny and girlfriend of the little girl's father. The little girl and nanny form a bond that noone would've thought, especially in the 1950's. I loved it!! Be ready to pull out the box of Kleenex for this one!! I know I did!!

This is a wonderful film with wonderful Christian values. Whoopie Goldberg plays a good woman who is sent to help a family deal with the horrible reality of death. She not only brings love back into the household, but also magic.

This is a great movie for all ages. My kids loved it. They wanted to watch it again and again.

Enjoy!

This movie is beautiful from start to finish.

Whoopi Goldberg is perfectly casted as Corrina, a black (well, duh) nanny who is employed by a white Jew (very well played by Ray Liotta), to take care of his daughter Molly (again excellently played by Tina Majorino).

The plot. Manny Singer's (Ray) wife has just died leaving him and his 7 year old daughter (Tina) behind. Molly is a little lost after this and she doesn't speak a word to her father or anyone else. After employing a plethora of disastrous nannys Manny finally comes to Corrina, who is perfect. One problem: She's black, he's white, and this is 1959 segregated America.

After a little while Molly begins to talk again and is generally uplifted by Corrina, who seems to have this miraculous way of bringing people back to their feet, including Manny. Corrina and Manny fall in love against all odds, and what you get is a beautiful interracial romance that at that time is classed as wrong, even abnormal. No one approves apart from Molly and her Grandfather (Don Ameche).

One down side to this film, and I will add that it is the only down side, is the ending - you don't really know what happens. If I hadn't done a little research then I wouldn't have known that director Jessie Nelson had based this film on her true life story. She's black and her now husband of 40 odd years was white. This story is her story. They got married and lived happily ever after - but we have to guess. So the ending could have used a little bit more work. But that's it!! The movie is just wonderful. It's uplifting, heartbreaking, humorous and romantic.

My score: 10/10