Blue Sky

In its only nomination in the Oscar sweepstakes for 1994 Jessica Lange won for Best Actress in Blue Sky. After watching Blue Sky I can certainly see why.

Blue Sky is set in the years of the Kennedy Administration and it's plot concerns a dedicated Army Major, Tommy Lee Jones and his family consisting of wife Jessica Lange and daughters Amy Locane and Anna Klump.

Jones is more than an army officer, he's a nuclear scientist and deeply concerned about the collateral effects of radiation on the population. I well remember the time. President Eisenhower in his second term of office made an unilateral executive decision to stop above ground nuclear testing, but the Russians continued. I well remember Premier Khrushchev in a bit of saber rattling, exploded a one hundred megaton hydrogen bomb.

Anyway President Kennedy decided at one point to resume nuclear testing to get the Russians back to the bargaining table for a nuclear test ban treaty. That's the background for this story and we all know that the first thaw in the Cold War was that test ban treaty that was ratified during the summer of 1963.

Anyway Jones is looking to ban it all, writing all kinds of reports that the army isn't taking too seriously and in fact transfers him from California to Alabama where he's told in no uncertain terms by his commander Powers Boothe to cool it. The military wasn't exactly thrilled with what Kennedy was trying to do.

But Jones has some pressing concerns on the domestic front. Jessica Lange is a lusty woman with needs and her husband isn't doing right by her. She looks like Marilyn Monroe and really does have all the army polishing its brass for her. Including Powers Boothe who sends Jones away so they can play.

It all ends in disaster, but Jessica summons up a lot more character than we would have first given her credit for to right the situation. It's in those last scenes that Jessica Lange brought home Oscar.

Young Chris O'Donnell is in the cast as well as Carrie Snodgrass as the son and wife of Boothe and O'Donnell the young man about to go to West Point finds out just what kind of rat his father really is. And Boothe does very well as the rat.

But in the last twenty minutes of the film Jessica's change in character dominates the film and it's reason enough to check out Blue Sky

This film had some really interesting scenes that made me watch the movie twice but that was enough. The story overall is a bit too messy.

Jessica Lange was a hoot as the manic-depressive flirtatious wife of Army Major "Hank Marshall." Boy, poor Hank had his hands full with "Carly" as his wife. Lange plays the role a little over-the-top but that's what makes her interesting here. It turns out to be a military soap opera film, if there is such a thing.

The soap angle came in not just between the Major trying to control his out-of- control wife, but the couple's poor daughters who had to live with this under their roof. Amy Klempp and Amy Locane played the sympathetic daughters.

There's more to the story, such as incidental things like nuclear bomb testing but, believe-it-or-not, that takes a back seat to Jones and Lange's marital woes. Frankly. when I write this, over 10 years after seeing the film, I wonder why I bothered watching this twice. I was a big fan of Jones, and maybe that was it, plus Lange looked good back then playing the blonde bombshell. This is one of the last films in which she looked this good as her "Tootsie" days were starting to wan.

It is always a pleasure to watch giants in some film which is driven not by effects , explosions and rap-style language but by old-fashioned story and , simply , eye-popping acting , and two main actors , Mr T. Jones and , specially , Mme J. Lange deliver this in full . This smaller , cheaper film deals with the relationships between the military personnel and their spouses , where J. Lange portrays perfectly a lascivious southern belle with too grand illusions of an acting career, who with her sexual escapades becomes a sort of house-hold name in all the bases her husband is sent to , she being slightly neurotic , while tensions and constant arguments between the two are a norm , and their two beautiful daughters watch this in silence , being even more mature then their own mother . It is interesting to see Jones 's character always forgiving his wife , loving her completely , never hitting her , or calling her names .And when the viewer is almost certain that a typical and clichéd climax is inevitable , i.e. a fight between the couple with him stabbing his wife , the film takes a completely different turn , where Lange's character shows her southern true mettle and love for her husband, who becomes a victim of higher national interests . Briefly , a school of great , traditional acting ,light years away from today's self-proclaimed thespians with artificially rounded lips or feminine neurotic outbursts for no reasons , being on the same level as small children demanding a candy .

Shot in the Fall/Spring of 1989-90, "Blue Sky" wasn't actually released until 1994. The story involves a military family in the early 60s who move to an Alabama base. The wife (Jessica Lange) is erratic & bipolar and behaves like a loony Marilyn Monroe while the husband (Tommy Lee Jones) is unshakably faithful. The two daughters lament their mother's disorder, but the family's strong nevertheless. When the father goes to Nevada to work with bomb testing the commander of the base (Powers Boothe) has his eyes on the sexpot wife.

I don't follow film awards, but Jessica won an Oscar for her performance as the hysterical wife and she deserved it. For this reason many hail the first two acts of the film, and Tommy Lee as well. Unfortunately, her character comes across as unlikable and even scary. You start to feel sad for the daughters!

Some people criticize Boothe as being too dastardly of a villain. Don't believe it. Do these critics really think there aren't any high-ranking military personnel with a Genghis Khan complex? Men who think they're above the rules and can get away with anything their arrogant butts' desire? Boothe's character comes across as a solid military leader who's tempted by a subordinate's sultry wife and then does everything he can to save himself. This type of behavior is older than David and Bathsheba.

Some complain about how unbelievable the last act is. Two things: (1.) This is a movie and movies always amp up the dramatics. The filmmakers essentially have to do this because, well, it's a movie and they only have 2 hours to tell the story. (2.) Besides, the film's making a point about Lange's character and it's important to the story. ***SPOILER ALERT*** It shows that, as erratic and unlikable as she is in the first two acts, she redeems herself by literally risking everything for her husband. It's a powerful and necessary point. ***END SPOILER***

This is also a good film about life on a military base, like "The Great Santini" with some similarities to "Desert Bloom", albeit not quite as good as either.

The film was shot in Selma, Alabama, Florida and El Paso, Texas. It runs 101 minutes.

GRADE: B

"Blue Sky" might've made for a great night of television had it premiered on HBO or Showtime as a cable-film. With somewhat reduced expectations coupled with the intimacy of watching the movie on the small screen, one might be inclined to forgive the film for its lack of scope. Set in Alabama in the mid-1950s, Jessica Lange plays an Army engineer's wife and the mother of two young girls who is tired of being dragged from one military base to the next. She harbors a dangerous, possibly manic-depressive side, and makes life difficult for everybody--leaving a trail of gossip and bad blood behind her. Tommy Lee Jones is her patient, loving husband, and Powers Boothe is Jones' newest Commanding Officer who sees only Lange's sexy externals and desires her. All three performances are very good (with Lange winning the Best Actress Oscar, possibly due to a slow year for women in film); however, the picture takes a wrong turn in its third act and finishes limply. Wolfish Boothe becomes a deceitful villain (as if being a cheating husband wasn't enough!), while Lange's volatile Carly is sent out on a limb to save her husband from the clutches of the ignorant, power-hungry government. Had the script stayed true to the character conflicts (which would have matched the film's modest budget), this may have been an effective little soaper. Unfortunately, too many ambitious ideas are cranked out in the picture's squashy final stages, the result being a dramatic film which is dramatically unfulfilling. **1/2 from ****