IMDb RATING
4.4/10
1.3K
YOUR RATING
In postapocalyptic war-torn 2073, a scientist from another timeline must help a resistance group stop the army of indestructible A.P.E.X. terminator robots he'd mistakenly created, even if i... Read allIn postapocalyptic war-torn 2073, a scientist from another timeline must help a resistance group stop the army of indestructible A.P.E.X. terminator robots he'd mistakenly created, even if it means risking erasing himself from existence.In postapocalyptic war-torn 2073, a scientist from another timeline must help a resistance group stop the army of indestructible A.P.E.X. terminator robots he'd mistakenly created, even if it means risking erasing himself from existence.
- Awards
- 1 nomination total
Brian Peck
- Desert Rat
- (as Brian Richard Peck)
Kathleen Randazzo
- 1973 Mother
- (as Kathy Lambert)
J Bartell
- Transport Leader
- (as J. Bartel)
Featured reviews
I really like the premise of the film; time travel; time continuum violation; a scientist trapped in a violent world. His wife in his own world, is now,in his new world, a tough soldier, stricken with a fatal virus; and she doesn't even like him. He is trying desperately to repair the damage to time, and return the world from that of a violent war zone, beset by robots trying to exterminate all human life, to his own advanced and sophisticated culture. The idea, and the low budget presentation, are intriguing.
I do not believe that every science fiction film can or will have a huge budget and expensive special effects. I enjoyed the actors, the acting and the adventure. I was able to immerse myself in the characters and flow right through the film with them. A.P.E.X has a strong plot, excellent continuity, good science, adventure, suspense and lots of excitement. The director did an excellent job of creating a world on the verge of extinction, hanging onto its humanity by slender threads.
The only elements I did not care for at all, were the extremely foul language that pervaded the entire film; and the degrading stereotyping of the black soldier. He was a good actor, and had a lot more to offer than that of a modern day ghetto brute. His character could have been rough and crude without being completely obscene. All they had to do was leave out all the bad language. The actor did a fine job with his role anyway. I enjoyed his rendition of his character.
I often think that some day, in a more enlightened cultural time frame, we are going to be completely ashamed of the foul language that currently pervades and debases even our finest films. There will possibly be an effort to clean up the old films, and a debate will rage as to whether this is akin to colorization, and destroys the artistic intent of the films. Let us hope.
At any rate, A.P.E.X. is an enjoyable science fiction experience, even with the obscenities intact. I recommend it for mature science fiction fans.
I do not believe that every science fiction film can or will have a huge budget and expensive special effects. I enjoyed the actors, the acting and the adventure. I was able to immerse myself in the characters and flow right through the film with them. A.P.E.X has a strong plot, excellent continuity, good science, adventure, suspense and lots of excitement. The director did an excellent job of creating a world on the verge of extinction, hanging onto its humanity by slender threads.
The only elements I did not care for at all, were the extremely foul language that pervaded the entire film; and the degrading stereotyping of the black soldier. He was a good actor, and had a lot more to offer than that of a modern day ghetto brute. His character could have been rough and crude without being completely obscene. All they had to do was leave out all the bad language. The actor did a fine job with his role anyway. I enjoyed his rendition of his character.
I often think that some day, in a more enlightened cultural time frame, we are going to be completely ashamed of the foul language that currently pervades and debases even our finest films. There will possibly be an effort to clean up the old films, and a debate will rage as to whether this is akin to colorization, and destroys the artistic intent of the films. Let us hope.
At any rate, A.P.E.X. is an enjoyable science fiction experience, even with the obscenities intact. I recommend it for mature science fiction fans.
This is billed as a time travel paradox movie - it's really a poorly thought out cardboard shoot-em up. It's full of inconsistencies and even the supposed paradox is flimsy at best.
Berserk robo fans might [at 2am on a stormy night] see something in it but science/sci-fi it ain't.
Berserk robo fans might [at 2am on a stormy night] see something in it but science/sci-fi it ain't.
I Bought APEX for three Reasons 1)It was Sci fi 2)It was Cheap 3)My friend Recommened it to me
And for £4 english quid ($6 american dollars ) i was not disapointed i liked the voice over it gave a good touch and i liked the story ,the marines wasnt much of marines though (mixture of aliens and The Terminator 1 flash back scenes) the costume was ok but the plastic looking rocket launcher thing was dodgy , and i wont mention the extraordinary square stomachs when they get shot . The robots were really dodgy they looked camp and stiff and laughable but they do the job because when you see them all togrther at the end (predator 2)you think damn ! i wouldnt want to be in the marines boots (well i would) i guess it would be better if it was not set in the desert as much instead in a crumbled city at night where its raining ! well done though to Phillip J Roth both he and Albert Pyun are making a lot of films im liking.
And for £4 english quid ($6 american dollars ) i was not disapointed i liked the voice over it gave a good touch and i liked the story ,the marines wasnt much of marines though (mixture of aliens and The Terminator 1 flash back scenes) the costume was ok but the plastic looking rocket launcher thing was dodgy , and i wont mention the extraordinary square stomachs when they get shot . The robots were really dodgy they looked camp and stiff and laughable but they do the job because when you see them all togrther at the end (predator 2)you think damn ! i wouldnt want to be in the marines boots (well i would) i guess it would be better if it was not set in the desert as much instead in a crumbled city at night where its raining ! well done though to Phillip J Roth both he and Albert Pyun are making a lot of films im liking.
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
In the year 2073,Nicholas Sinclair (Richard Keats) is a scientist working at a time travelling research facility.He has a wife,the beautiful Natasha (Lisa Ann Russell) and works under the command of Dr Elgin (David Jean Thomas).One day,they send a probe 100 years in to the past and completely change the course of history.While attempting to sort out the peoblem,Sinclair finds himself convulted to a present where he finds himself a member of an elite squadron of soldiers,including pent-up muscle man Shepherd (Mitchell Cox),volatile macho man Taylor (Marcus Aurelis) and reserved background man Rasheed (Adam Lawson),not to mention Natasha,who in the present he could remember was his sweet,humble wife but who here is a 'hardened combat soldier',battling an army of robots who can't shoot straight.Sinclair must survive in this hostile environment long enough to find a way back to the present he remembers and stop the accident from ever happening.
The plot is as blatant a rip off of T2 as you could hope to find without the producers being sued for copyright theft,right down to the grey robots causing lots of death and destruction.Said robots are actually really cool,though rather clunky in both their appearance and movement,cruelly exposing the production values of a film that must have had a pretty high budget for a film of it's made-for-video magnitude.
They're not the only problems the film must contend with,however.It must also reckon with a dodgy,confused storyline that never seems to move from one sequence to the next with much in the way of coherence and one or two characters who are just that little bit too contrived in the mould in which they were sculpted to be taken that seriously.There is,however,some good,involving acting on display,not to mention some enjoyable action and one inventive sequence involving a music CD being inserted in to one of the robots when it really shouldn't.You didn't get a scene like that in T2,did you?
Speaking of which,both films are enjoyable enough on their own seperate levels.It's just,I dunno.T2 is Alton Towers,this is the mop fair.Y' know what I'm sayin'?***
In the year 2073,Nicholas Sinclair (Richard Keats) is a scientist working at a time travelling research facility.He has a wife,the beautiful Natasha (Lisa Ann Russell) and works under the command of Dr Elgin (David Jean Thomas).One day,they send a probe 100 years in to the past and completely change the course of history.While attempting to sort out the peoblem,Sinclair finds himself convulted to a present where he finds himself a member of an elite squadron of soldiers,including pent-up muscle man Shepherd (Mitchell Cox),volatile macho man Taylor (Marcus Aurelis) and reserved background man Rasheed (Adam Lawson),not to mention Natasha,who in the present he could remember was his sweet,humble wife but who here is a 'hardened combat soldier',battling an army of robots who can't shoot straight.Sinclair must survive in this hostile environment long enough to find a way back to the present he remembers and stop the accident from ever happening.
The plot is as blatant a rip off of T2 as you could hope to find without the producers being sued for copyright theft,right down to the grey robots causing lots of death and destruction.Said robots are actually really cool,though rather clunky in both their appearance and movement,cruelly exposing the production values of a film that must have had a pretty high budget for a film of it's made-for-video magnitude.
They're not the only problems the film must contend with,however.It must also reckon with a dodgy,confused storyline that never seems to move from one sequence to the next with much in the way of coherence and one or two characters who are just that little bit too contrived in the mould in which they were sculpted to be taken that seriously.There is,however,some good,involving acting on display,not to mention some enjoyable action and one inventive sequence involving a music CD being inserted in to one of the robots when it really shouldn't.You didn't get a scene like that in T2,did you?
Speaking of which,both films are enjoyable enough on their own seperate levels.It's just,I dunno.T2 is Alton Towers,this is the mop fair.Y' know what I'm sayin'?***
I first saw A.P.E.X. a long, long while back, I couldn't have been more than about 10 years old at the time and my understanding of it was negligible. All I really remembered was cool robots and a complicated story involving time travel and a plague, which was about enough to convince me to give it a second shot when it appeared on TV, since the passage of years has given early 90's straight to video science fiction of this sort a curious fascination for me that actually outstrips the excitement that they originally induced. Remarkably A.P.E.X. actually repaid my interest, its certainly no classic but as far as its genre goes it certainly ain't too bad. The key is the plot, the film deals in a pretty interesting science fiction concept with a neat emotional hook for its main character. Basically, a mishap involving an exploratory time travelling robot results in our hero landing in a parallel reality that has branched off from his own, confronting him with his greatest fear, that of losing his beloved wife. The film tries to deal with post apocalyptic themes, parallel worlds and the consequences of paradoxes upon the time line, and though it can't quite keep itself together its imaginative and intriguing stuff. The plot actually holds up better than a number of reviews here would suggest, although there are one or two notable holes and clear contrivances. Despite problems the ambition is laudable, it's just a shame that the same ambition didn't carry over to the action, which mostly consists of repetitious shoots outs with robots. The pyrotechnics budget was clearly decent so there are plenty of explosions, plus the robots are pretty cool, shining golden creates with ridge plated armour and both shoulder and hand cannons. But the action gets dull pretty quickly and neither the robots nor humans have realistic or interesting tactics. Acting turns do a better than expected job of sustaining interest, though nobody is much more than merely "there" certain of the cast do convey a certain sympathy and interest. Richard Keats for example as the hero, he can't put across much reaction to the situation but is likable enough, Lisa Anne Russell has a sullen attractiveness, Marcus Aurelius appropriately grating as the token a-hole character, it's all fair enough for this level of film. Some of the writing works, some doesn't and while I appreciated that the film wasn't bogged down with techno-babble it could have done with a bit more explanation. The direction from Philip J. Roth (who turned out to be a low budget sci fi regular and also wrote the film) is occasionally stylish in its use of lighting, with green, red and dark moments put to good effect, he has a fair handling on atmosphere but I wish he had put more flair into the action. Altogether I thought this was a fair enough film. Only likely to appeal to sci fi buffs and they'll probably have a field day tearing it apart, but I had a reasonable enough time. 5/10 from me then.
Did you know
- TriviaThe 12-wheeled vehicle used in the film was created by Jefferies Automotive in Universal City, California. Only one was built at a cost of $300,000 in 1976. The Landmaster is powered by a 391 cubic-inch Ford industrial engine, and features a fully-functional, custom-built "tristar" wheel arrangement, which could actually help it "crawl" over boulders. It also used an innovative steering mechanism that guided the vehicle, not by the front wheels, but by "bending" the middle section with hydraulic rams to effect a turn. The Landmaster's bodywork was made with 3/8-inch steel plating, which helped it tip the scales at over 10 tons. It was so tough, in fact, that it survived a 25-foot jump during testing with no damage. As of today, the original "Landmaster" is alive and well, and is currently in the hands of a private collector who purchased it in 2005. It has been restored to its original condition as seen in the film.
- GoofsDr. Sinclair travels to 1973 but a 1975/1976 Jeep is being driven by the hippie family Sinclair encounters.
- ConnectionsReferences Les survivants de la fin du monde (1977)
Details
Box office
- Gross US & Canada
- $49,601
- Runtime1 hour 38 minutes
- Color
- Sound mix
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