Amateur

I just adore this movie.I like to remember its precious lines and, particularly, its superb acting. The idea of an ex-nun writing pornography sounds an interesting one, as does her relationship with an amnesiac and an ice-cold porn star. The mystery plot is quite risible but by then you are already so inside the film that the wonderful performances manage to keep you interested. Hartley's rich creation of each of the 3 main characters finds a perfect response in each of the performances carried out by Isabelle Huppert, Martin Donovan and Elina Lowensohn, creating an incredibly touching sense of vulnerability, interdependence already suggested by the opening credits and its unforgettable music.

The conception of the characters finds great help in the paused acting and staticism of the actors, making the most of each single move of their faces. This finds its parangon in Huppert's stunning turn. We already knew how great the red-haired was (see Une affaire de femmes, to name one), but she deals here with a character which could have resulted grotesque in other hands. She provides innocence, freakiness, sympathy and a thousand more in one, making it inevitable to want to embrace her when the curtain is down and tears go down your face. Isabelle, you are the greatest!!!

Just stumbled across this movie on STARZ CINEMA. Never hear of it, the director (who apparently has a following) or most of the actors. But I remembered Isabelle Huppert from "Bedroom Window" years ago, and she was worth a look.

What a piece of work! The most inspired, goofy film noir dialogue you will ever hear spoken, by deadpanned actors that somehow still grow on you. The missing person police officer who is heartbroken with every case. The virgin nymphomaniac, when asked how that combination can exist, says "I'm Choosy!" Since she's an ex-nun, I suppose that's true. The former porn star (what a sultry look!!) who wants to become a "mover and a shaker". Priceless stuff. This is also a very gentle R, with almost no profanity or nudity, in its sex crazed, porn sort of way.

Many other IMDb people have given plot points, and either love or hate the presentation, but anyone who was not flat out hysterical when the "hitman" got shot, should stick to TV sitcoms. It was a pure Monty Python worthy moment!!

My one-line summary is about all I really have to say about the film. But hey, why don't I just throw in some filler material here? Well, okay then...

I can't honestly say that this is a "good" film: it ultimately seems vapid, empty. The plot is lame, the acting and dialogue seem dead-pan and artificial, none of the characters really grabs me and holds me. I couldn't help but feel that huge parts of the movie seem absurd (such as [without giving too much away here] the part where the police sniper pulls his head away from his rifle… and he is calmly smoking a cigarette – what's up with that??! No, police snipers do NOT do that!!!). Oh, and the ending – just when the movie really gets interesting and enjoyable right at the end, well, the damn movie just abruptly ends.

Nevertheless, it is an enjoyable film – while it lasts, that is (I'm once again referring to that abrupt ending). Did you ever see "An American Werewolf in London" (1981)? Remember how it just, well... stopped?? That's what "Amateur" did for me. It just suddenly stopped. *Note to self: good thing I didn't pay to see this in the theater, as I surely would have approached the box office and asked for at least a partial refund.

Anyway, I couldn't help enjoying the film. It is definitely a crime movie, along the lines of, say, a Joel and Ethan Coen film. But unlike those, this movie is simple, quiet, and seems to have a darkly vague and mysterious sense of satire all to itself. It's not full of over-the-top stunts, bloody shootings and car chases. There is, however, an excellent scene in which a hit man – in a case of the hunter becoming the hunted – gets plugged full of lead, and how! As a previous reviewer noted, it was a pure Monty Python worthy moment (think the Black Knight being de-limbed by King Arthur in "Monty Python and the Holy Grail").

The dialogue is either extremely deliberate or at times utterly meaningless, but it reminds me of other atmospheric sorts of movies such as "The Spanish Prisoner", "House of Games" and "August 32nd on Earth". And for that I was thankful, because it enhanced the quiet, detached feel of the film. Ditto for the filming locations. Though filmed in and around New York, it was tastefully void of splashy references to big-city surroundings.

So watch this film sometime when you are in a quiet, laid back mood, when you just want to escape the usual hype and schlock of most modern day big-budget films. You never know: given half a chance, it just may grow on you.

A final thought: if you don't instinctively know that Isabelle Huppert's last name is pronounced "oo-PAIR" and not "hup-purt", then this film may not be your cup of tea.

Its been a while since I've this movie but its always stayed with me and I would strongly recommend it. This film has Hal Hartley's trademark sparse, artsy atmosphere, with the slightly surreal characters, the staged dialogue and set pieces. All the characters are quirky and memorable, I loved Isabelle Huppert's character - the nymphomanical nun - in particular and the story dissects amnesia in a really interesting way.

Above all the central love story will draw you in more than you realise; the ending was both crushing and fitting. This is due to the acting, as every movement and expression helps to build characters and relationships. Isabelle Huppert and Martin Donovan both do this perfectly, and the impact of the ending owes a lot to them. The odd 'staging' of the film may put off those expecting a more conventional thriller but open minded viewers will be rewarded.

Hal Hartley's "Amateur" is an engagingly offbeat take on the "crime thriller" genre. It is also perhaps the most quietly thoughtful handling of amnesia (not as a plot trick, but as a subject) you're ever likely to see. But be warned: Hartley's refreshingly non-mainstream, detached, minimalist style takes quite some getting used to, and the ending is needlessly downbeat. (**1/2)