And the Earth Did Not Swallow Him

This movie, an adaption of Tomas Rivera's short novel "...y no se lo trago la tierra" (And the Earth Did Not Devour Him), is a fairly accurate representation of both Hispanic social/religious values and the social/political hardships of Latino migrant workers during the mid twentieth century (i.e. worker exploitation and social discrimination).

This film's producers and director did a very good job of choosing to adapt to cinema a select few of the novel's passages to achieve a story that strikes a very good balance between presenting Hispanic culture and the numerous challenges facing migrant workers, thus resulting in a coherent story via the observations and reflections of the protagonist that sincerely describes the life, in general, of Latino migrant workers.

I definitely recommend this movie and the book for those who need some enlightenment about the shame of worker exploitation and the strength of the human spirit.

Peace to All...

I was very moved by the young life experiences of a man who rose so high in the academic world. A hard life surrounded by the love of a close family and extended family of companion workers created a person able to succeed in the world. For the most part the Hispanic culture is shown as I have always observed and admired - hardworking, optimistic, and truly family oriented. The points of religious superstition were quite authentic to the Catholic church. Without a doubt,the actress who played the mother deserves an Academy Award. Her prayers for her missing son moved me to tears. I will recommend this stunningly thoughtful film to my friends and family.

I rented this movie from a local library without having any prior knowledge of the book it is based on or the movie itself, purely based on the chance that it's one of those rare, overlooked gems that one can discover from time to time and really enjoy.

Unfortunately this is not one of those movies. I am not sure if this is a movie driven by sentimentality or worse, deliberate agenda, but certain elements of it made it impossible to immerse. It is supposed to portray a struggling immigrant worker community which tries to cope with the difficult realities of their life. That is a fine premise and it could have made for a gripping story, but the execution just made me alternate between getting annoyed and amused at the ridiculousness of it.

Here we have a community of simple farm workers who migrated to the US in search of employment and who get used and abused repeatedly by evil white men. And when I say evil - I mean EVIL. All white people in this movie are sinful, racist, sadistic, abusive devils whose sole purpose in life is sexual depravity intertwined with exploiting the poor immigrants. It would be a sad story if it wasn't so unintentionally grotesque and therefore hilarious.

The portrayal of the immigrants is also a poster-worthy example of exaggeration except that it goes in the opposite direction. The immigrants are saintly, clean and could serve as ointment for boo-boos and ouies the world over. I couldn't help but laugh when I saw these "field workers" presumably digging in the ditches all day with their notoriously clean clothes and chiseled hair cuts from a top notch hair salon. A little restraint and a more unbiased hand at the helm could have made this a much better movie evoking some intended emotion rather than sarcastic snickers.

I ordered this DVD after reading about it and watching Jose Alcala's performance in Finding the way home, a TV movie that was made in 1991.

Coming out of the hands of Tomás Rivera (1935–1984), son of migrant workers and who worked on the fields, the portrayal couldn't have been better done. It's no wonder the 1971 semi-autobiographical novel won the first Premio Quinto Sol award.

Director Severo Perez has endeavored successfully to preserve the mood and emotions of the Mexican migrants while he was 75 years old.

Playing the role of the boy, Marcos, the main character, Jose Alcala's acting career seems to have ended after this movie which was released in 1995. What happened to this child-actor? He must be in his late 20's or early 30's now.

The movie ". . . And The Earth Did not Swallow Him," based on the book by Tomas Rivera, is an eye-opening movie for most people. It talks about the exploitation that migrant farmworkers go through in order to survive.

Sergio Perez uses impressionistic techniques to depict Rivera's story. He uses sienna and gray-scale effects to depict some of the scenes, and he uses specific photographic techniques to make the scenes look like they took place in the 1950s.

Perez also gives life to the film by using time-appropriate music, including balladeering and guitar playing.

I feel that it is a good film to view because it shows in detail how migrant farmworkers live, what they do for entertainment, and their beliefs.