Frontline

Between 'Frontline'and 'Media Watch', the credibility of 'tabloid tv' was destroyed. Brilliant playing, great scripts, and all this, on a shoestring budget. Like 'The Games', 'Frontline' often prophesied actual stories. Journalists both loved it and hated it. It's a shame these guys did 'The Panel'. It's not likely that tv comedy will get as good as this in the near future.

As I am so far the only non-Australian to post a comment, I'll assume no-one in the UK knows much about this gem of a show. In fact I happened to catch it when I was on holiday and haven't seen it anywhere in Britain, whether it be on Sky or terrestrial TV.

Anyway, to get a flavour, it is 'The Larry Sanders Show' crossed with 'Drop The Dead Donkey'. It doesn't have a laughter track but unlike 'DTDD', there is no attempt to make it topical ('DTDD' had segments that were filmed the day before to get a current, satirical comment in the script).

The real star of this show was Bruno Lawrence (such a shame to hear he died in 1995), who was simply hysterical as the Executive Producer Brian Thompson. He was the first person I saw as EP and so far (I've only seen him and Sam Murphy) the best by far.

The script is tight, although sometimes, albeit very occasionally, it does decend into pure sit-com territory. While this does not prevent the show from being funny, I feel that the show succeeds more as a satire.

I feel that it could work in Britain as the humour is very similar to British humour, although we do not have these daily tabloid current affairs programmes that seem so popular in the USA and Australia. So assuming no-one in the UK has bought it already, SOMEONE GET THE RIGHTS AND SHOW THIS DAMN FUNNY COMEDY! NOW!!!

Now I'm off to watch 'The Castle'. I'll let you know...

This series was the watershed of satirical description of TV current affairs. After the rubbish that the commercial stations dish up as current affairs it was at times hard to tell the difference between this and the real thing.

I'm not from Australia, but this show is one my favorite all-time television satires. It does a better job showing the venality, cynicism and amorality of the broadcast news business than anything I've ever seen. It's also wickedly dark, and it succeeds in one crucial aspect that sinks many lesser comedies: it's got great characters, acted with impressive naturalism by a fantastic cast.

From ignorant airhead anchor Mike Moore (Rob Sitch) to the perpetually harried line producer Emma (Alison Whyte), to the cruel yet resourceful reporter Brooke (Jane Kennedy) and the apathetic senior reporter Marty (Tiriel Mora), there's a great cast of characters here who start out by conforming to type and then, as the series goes on, actually reveal a surprising amount of nuance. Like many comedies (Seinfeld, Always Sunny, Archer etc.) the characters are essentially jerkoffs, but you come to like them and - sometimes! - even see things from their point of view. Each of the three seasons also features a different executive producer character, from the sage Bruno Lawrence to the ratings-driven Kevin J. Wilson to the gleefully boorish Steve Bisley.

The naturalistic acting and cinéma vérité-style camerawork makes it all feel like a real newsroom. It's a great example of how (what was obviously) a low budget can still yield something special when you have great acting and writing.

And the writing really is that good here, with plenty storylines following our amoral news team as they report on such sensitive issues as immigration, hostage situations, sexual harassment, Nazis, little kids getting open heart surgery and more. There's plenty of references to Australian news events and media scandals, and some fun cameos from the likes of Harry Shearer and real-life Aussie politicians.

Overall this is a phenomenal comedy, and clips from it should be shown in journalism, media literacy and ethics classes around the world.

Mike Moore is the well groomed host of Frontline, a current affairs show that presents "the stories behind the stories". Just like any other current affairs programme on commercial television, it has its share of sensationalism, controversy, and cynical manipulation of the truth. All in the pursuit of ratings.

There are good days and bad days for the Frontline team. On a good day there are hard-hitting stories like the gun siege, where Mike becomes an impromptu negotiator speaking to a gun-man's children over the phone. On other occasions, when the show needs to spice things up a bit, there are stories about tabletop dancers or the lesbian netball team.

In an industry without ethics, Mike is an idealist who really cares about the show. But every now and then he needs reassurance, whether it be from the unctuous E.P, the enthusiastic weatherman, the fawning secretary, or the fan mail. (Unknown to Mike the hate mail addressed to him ends up in the shredder before he gets to see it.)

Needless to say, Mike's presentation of the show is all mapped out with precision. Without even watching the stories he can react with a deeply concerned "Mmmm", or put on a fake chuckle at the Friday night funnyman. (Mike has tried to get the funnyman axed on more than one occasion.) Sometimes the production team slip up and let Mike do a studio interview live. On each occasion the result has been a fiasco.

Frontline is an astute look at the unscrupulous manipulation that goes on in the high-pressure world of T.V. journalism. Some of the episodes are based on events from "real" current affairs shows, such as the three unemployed teenagers who turned down jobs at a holiday resort, the feeding frenzy over a grieving widow, or the time when Mike Willisee was drunk on air. The "big villains" who come under the spotlight are usually shonky repairmen, dodgy mechanics, and illiterate kids who don't want to work. The team at Frontline know their stories have to appeal to a vapid blue collar audience, because that's where the ratings come from. As Sam Murphy once said: "Why would anyone with brains or money be sitting round a telly at 6.30 each night?"

There have been many guest celebrities on Frontline, such as Jon English, who was used in a Frontline charity special: the challenge to build a playground for needy kids within 24 hours.

I think Series 3 was the funniest of the lot. We see a lot more of Mike's extravagant lifestyle while the E.P. vainly tries to sell Mike as a man of the people. One of the funniest moments is when Mike goes on "This Is Your Life".

Frontline has got to be the most credible of Australia's current affairs shows. It's the only one I take seriously.