L'homme à la Rolls

At a time when Angela Lansbury's wildly successful "Murder She Wrote" was winding down, and Dick Van Dyke was in the throes of his late-career resurgence with the equally popular "Diagnosis: Murder", CBS, smartly recognizing the trend of uncomplicated, viewer-friendly mysteries that skewed toward an older demographic, rolled out a reboot of Gene Barry's famous Aaron Spelling-produced '60's series "Burke's Law"! The fact that Spelling had been able to consistently reinvent his product throughout the years to continue producing hit shows marketed toward a younger audience only helped him in the creation of this new "Burke's" endeavor! The fact that star Gene Barry was still a commanding presence in his later years greatly bolstered the seamless execution of this reboot! The new "Burke's Law" benefited from the apparently unlimited budget Spelling threw into the first year of all of his shows! He could place in guest-star roles just about any of the esteemed older actors of one-time prominence, and mix them with the popular younger actors who'd appeared in one of his many nighttime soaps! The solutions to the various "mysteries" were largely, arbitrarily resolved, but the real fun lay in Gene Barry's infectiously fun lead turn, ably supported by his TV "son"---the reliably stoic Peter Barton! This "Burke's Law" reboot was, to my mind, every bit the satisfying, cotton candy-mystery TV puffery that these other hit CBS mystery series were! It was far from amazing, but it was genuinely enjoyable as a latter-day example of pure formula TV made uniquely entertaining and compellingly watchable by all the ingredients that comprised the singular imprint of an Aaron Spelling production!

I liked the show and wished it could of lasted longer than it did, although I suppose it is a miracle that such a high styled campy escapist detective show like this would even have been revived in the mid-Nineties and went for 27 episodes! In the Fifties to the Seventies this sort of entertainment designed for the small screen went over reasonably well, but now I suspect that there are more humorless TV viewers than ever who possess little patience and even less appreciation of anything with a sense of old school style and flair that BURKE'S LAW had in abundance. Such folks enjoy formulamatic fare like the nightly news, Fox News and CSI and a million copycat shows, they don't and won't try to get something like BURKE'S LAW, which is too bad...

Such easy to understand and digest TV shows around at the same time like MURDER SHE WROTE and MATLOCK were designed to appeal to similar tastes, but with BURKE'S LAW you had to have a more fine tuned appreciation of wit, well timed sarcasm and style plus a tongue in cheek sense of humor to fully appreciate the gifts and sheer force of personality and presence that Gene Barry brought to the screen in his role and to enjoy the campy proceedings at hand. Despite being at the helm of other successful series and in many films, Gene Barry IS Amos Burke, he owns that role!

If you are reading this, then chances are you already know about the original BURKE'S LAW and what it is about, and as others have already written about how the storyline was updated for the 1990's. On this 1990's version, Burke was still as sharp as ever, big name guest stars abounded just like in the Sixties, and for a little while CBS looked like it had showcased a nice revival of a classy Sixties favorite to its lineup. Too bad they didn't order another season

Burke's Law was a 60s police detective series when it started out. First two seasons were anyway. The third season was a bizarre attempt to turn it into a Man From UNCLE type show. This reboot is a throwback to how the original show began. Burke is a swave and wealthy police captain who excels as a detective. That was the original series. Here, much of the work is not done by Amos Burke who by this time is a police chief.

The newer shows make me think ofn he Columbo reboot episodes more than the newer Perry Mason episodes. The format was always good. The writing is not quite up to the level of the original series but it is still pretty good. Recommend searching this one out. I didn't have the easiest time managing that.

As a child, I remember sitting with the folks and watching the original"Burke's Law" series in the 1960's. I recall being intrigued with the character's signature, "It's Burke's Law" witticisms each episode. Fast forward thirty years, and Gene Barry was every bit as dashing as before, and the witticisms were still pure entertainment.

Watching Amos Burke, now a widower with a grown super handsome son, Peter Burke, allowed the testosterone to flow nicely. I certainly enjoyed watching the show in color, and the story lines, while not always fresh, were certainly engaging. Guest appearances by some top notch actors and actresses kept the episodes fresh. Dom DeLuise in his recurring guest role was the cherry on top.

I truly believe the revival series could've last a couple of more seasons easily. It was a mid-season replacement, premiering on Friday,January 7, 1994, in the 9 p.m., also known as the "Friday Night Death Slot," so the series had two strikes against it going in.

I love detective stories. I saw them all: Murder She Wrote, Diagnosis Murder, even the short-lived Blacke's magic. The revived Burke's Law would have been a welcome addition, if not for the derivative style. It's the same plot device over and over again, a murder, one suspect leading Burke and Son to another suspect, then finally calling all suspects in one room and Burke eliminating the non-murderers before naming the real one. Even Agatha Christie knew how to manipulate the storyline so it wouldn't be the same story as the last one. Sadly, the new Burke's Law was just trying to be the next Murder She Wrote without the variety. It feels like it's trapped in the 1930's, like those cozy murders in an English cottage.

The only positive thing: it's in color!