Le profiler

Up until near the end this film held my attention. There's plenty of suspense. Set in Houston, the story involves a hotshot young investigator named Audrey Macleah (Ally Walker) assigned to assist police Captain Swaggert (Martin Sheen) in a grisly case of severed hands.

The plot plays out in segments corresponding to dates, beginning on July 4th and spans a period of about two weeks. During this time, Macleah interviews a young boy in a mental ward, chases a prospective child killer, and ends up in a spooky old house that contains some spooky surprises. This thriller genre film sports foreboding background sounds and music to enhance the scary visuals.

Unfortunately, the ending collapses into a pile of unresolved issues and an incoherent resolution that left me confused. It's like the scriptwriter knew exactly where he wanted to take the story, but then near the end got his pages all mixed up, or lost, and used pages from another script to complete this one. Baffling.

The casting and performance of Walker is also baffling. She comes across as jittery and abrasive, in marked contrast to Sheen who gives a convincingly realistic performance. But maybe Walker's problem relates more to the Director's style. The film exhibits good production design and color cinematography. Amplified sound effects convey an appropriate immediacy to scenes.

Despite the script's loose ends and poor ending, "When The Bough Breaks" is still worth a one-time watch due to superb suspense through most of the film.

Don't believe the reviews that say there are many unanswered questions or plot holes. Those people obviously weren't paying attention. Everything comes together at the end. Pay special attention to the medical records that the investigator finds and reads at the closed hospital. What she reads explains everything. Also, listen to the conversation with the housekeeper. That provides the motive for the doctor/father. It's worth watching. Not Oscar worthy, but good investigative work that solves the case.

In low budget thrillers we generally don't expect to find genuine shock and depth of characterization. But this film has both. What is particularly surprising is the level of complexity suggested in Ally Walker's portrayal of the lead character Audrey McLeah. The film's script in and of itself doesn't sufficiently account for the undercurrents of alienation and fear that we glimpse in the Audrey character. However, Ally Walker, in what was a fairly early role in her career, manages to convey pain through restraint. It's remarkable work in a vehicle that doesn't necessarily require it.

The film even has some powerful poetic touches such as the scars on Audrey's back, scars that resonate all the more powerfully because they appear in one scene and then vanish while the viewer continues to wonder about their origins and about the many kinds of scars that are evident in the film. Here once again Ally Walker demonstrates an impressive skill for sensitive understatement.

It's July 4th Houston. A dismembered hand is washed out from the sewer. Captain Swaggert (Martin Sheen) leads the investigation of seven neatly severed hands with tattooed numbers. Special Investigator Audrey Macleah (Ally Walker) is a profiler from the State Crime Division and brought in to aid the team. The state mental hospital has a mute boy Jordan Thomas (Tara Subkoff) with mysterious lines around his wrists who draws hands on the walls. Macleah suffers from claustrophobia. Jordan writes the name of Jennifer Lynn Eben, twin daughter of Dr. Douglas Eben (Ron Perlman).

It's fascinating that Ally Walker is playing a profiler a couple years before getting her TV role as a profiler. This is a mix bag of interesting characters and unreal over-stylized characteristics. One can't go wrong with Martin Sheen. Ally Walker is pretty good as this driven profiler character. Giving her claustrophobia is a nice touch. The teen in the mental hospital is too much and too cliché. I wish the case is better written for these characters' sake. The scenes in the hospital are too slow and the movie drags in too many places. This movie doesn't have the flashiness and I actually don't mind. Although I wish it is edited better with some semblance of style.

I have to thank the 'Further Attractions' trailer section on my American Yakuza DVD for finding this gem. My expectations weren't exactly high when I hit the play button but I was utterly hooked from the movie's start (when a young couple make a gruesome discovery) up until its nail biting finale. With an engaging story line, stylish and assured directing and writing, photography and music that perfectly blends with the mood of the story and good performances from all the cast I found this film an uncomfortable pleasure to watch. I'm not one that's easily scared but I can tell you my was heart pounding during the final 15 minutes of the film. If you enjoy a good thriller I would highly recommend buying the DVD... NOW!