The War Room

The War Room does a good job of extolling the skills of James Carville and George Stephanopolous. Clearly, their work had much to do with Clinton's victory. A little known fact about the film is that the actual campaign manager, David Wilhelm, refused to participate in it. He didn't like the idea of a camera crew roaming the headquarters and recording conversations that he felt should have been private. Clinton overruled him, of course. As a result, the documentary skews history a bit. The nuts and bolts of running a campaign are ignored while the craft of spin doctoring is glorified. In a visual medium, that's not altogether surprising, and it may even have been unavoidable. But the misrepresentation -- or rather, the selective representation -- has had the unintended consequence of contributing to public cynicism about political campaigns, which now appear to be all about the spin, the framing -- the very things that make voters feel like they're being manipulated. Perhaps a stronger emphasis on the heavy lifting of door-to-door canvassing, phone banking, meetings with interest groups, outreach to local officials, event set-up, and the like, would have given a more complete picture. Then again, those aren't exactly telegenic activities, and documentary filmmakers may have been hard-pressed to incorporate them even if Wilhelm had cooperated. But the troublesome implications remain, and are worth considering.

"The War Room" is a fantastic documentary that shows the behind the scenes and takes an inside look at a presidential campaign for president. This film follows then Arkansas governor Bill Clinton's track from the snowy cold first Primary in New Hampshire in January of 1992 to the final victory party on election night in November of 1992. The best scenes are shown in the campaign room when you hear the plans and game plans of the two most important Clinton insiders that being James Carville and George Stephanopoulos. Carville the outspoken and fiery southern who ran the campaign with charm and hard working passion. Really an emotional moment is when James gives his speech at the end by breaking down and crying really a touching moment for the viewer. While Stephanopoulos the brilliant and young bright mind who was an ex Rhodes Scholar does a fine job as the communications director helping Bill dodge and maneuver around such scandals as Gennifer Flowers and the draft dodge. The film also has plenty of highlights from the debates, speeches, campaign tours, and highlights of final election results too. Really a fine documentary of how a political campaign should be done, which most will find both educational and informative.

As a student of Political Sciences, I believe this to be one of the most fascinating and introspective documentaries regarding the subject of campaigning. The first modern campaign, the 92 Clinton war is an amazing melodrama of quick rises to power, downfalls, villains, heroes, and the precursor to one of the most vicious political battles of our nation's history. In the film, if you look hard enough, you see the seeds of weakness being sown which would lead to an awesome political showdown which is more grand, more high-stakes, and more dark than the plotline of any film in this database. Note: If you like "The War Room," read Woodward's "The Agenda."

This would be an excellent film to show high school poly sci students. It shows the combination of art and craft that goes into a campaign; it promises to entice students into politics without pretending that there isn't some finagling and footwork involved.

Weak points: The sequence involving the Bush Brazilian print job goes on way too long and then doesn't resolve. Also, I (for one) was looking forward to seeing that timeless moment during the East Lansing debate when Clinton stepped away from the podium to address the draft issue, head on. That was a make-or-break moment that reminded us just how far a little candor can go when conventional political wisdom has us by the lapels, screaming in our faces. It's too bad the directors/editors didn't see fit to give us that critical moment, which I consider quite historical, not to mention on-topic.

All told, worth seeing. Interesting to watch something like this and remember that the pendulum sometimes swings...that way.

I don't profess to know anything about the inner workings of a political machine, so I was really interested in seeing a behind the scenes look at what goes on. As ignorant as I am, The War Room didn't tell me anything new. There seemed to be a consciousness (either on the part of the "war room" staff or the filmmakers) that this movie was in no way to smudge Clinton's image. So, we see a whole lotta Clinton supporters with no cracks showing in their dedication. The Clinton campaign machine comes off as the good guys while choosing to show Bush at his most offensive. These scenes were, I'm sure, included to make me appalled at the tactics employed by Bush, but instead it just made me realize that I'd probably learn more about campaigning if I were allowed 90 minutes in the REPUBLICAN war room.

James Carville was quite impressive in all of his tic-riddled glory. If I were running for anything, I would certainly want him in my corner. But the most clear-headed person to hit the screen was the enemy, Mary Matalin. She may not be charismatic, but she seemed to be the only who truly believed in her candidate instead of the hype.