Urotsukidôji: La légende du démon

Many people see this as nothing else but another stupid hentai title with cute little girls being raped and killed for no good reason. Well, with such way of thinking, Neon Genesis Evangelion would be nothing more but stupid big robots fighting for entertainment that little boys can watch. Well, that of course isn't the case, is it? Such an opinion is a serious understatement.

First of all unlike other hentai titles I've come across, this series is strongly plot driven. In fact, (almost) all of the sex scenes serve the storyline and drive the story forward in some way, let it be consensual or not.

As for the characters, this movie is unique already in the fact that it's one of the very few films that actually has made me feel something for the characters. Like the character of Niki for instance, or the doomed love of Nagumo and Akemi...I wanted to shed a tear or two for them.

To sum it up simply, Urotsukidoji is very much worth of watching, if you can take the content, that is. If demons with multiple penises raping schoolgirls (which actually happens quite a little, in the first series at least) and the excessive violence doesn't disturb you, I highly recommend this one. As a hentai title, it's 5 out of five. As a movie among others...3 1/2 out of 5.

This manga film is a sick movie! Women are getting raped by monsters. At one point sperm is being licked off the face of a woman by a monster. There is a lot of slash and gore. The story is very simple and yet they manage to tell it in a confusing way.

I think I just don't get Japanese animation.

Possibly the most important Japanese gothic sci-fi tentacle sex horror metamorphosis allegory of our time, Urotsukidouji is poignant love tragedy wrapped in a shroud of horrific telescoping genitals and pink, luminescent semen. This movie is a large part of the reason anime has a negative reputation as porn.

Follow Nagumo as he falls in love, gets killed, comes back to life as a super sex demon and lives happily ever after. His cute, innocent love story with the character Akemi is a grand contrast to his propencity for non-consentual sex with just about everybody he meets. He truly is Everyman. I mean, uh...isn't he?

There is also an incomprehenisble plot about demons and half-humans and the repeated destruction of Osaka, Japan. But you'll have a hard time concentrating on the plot's intricacies, what with all the raping and the killing and the kicking and the hurting.

Part II is also good (maybe better than part I), then the series dissolves into post- apocalyptic gobblediguck. But if you have an insatiable appetite for monster porn, you better watch them all.

Watch the Japanese version. Avoid the English dubbed version. It has been censored. And the most important clues of the plot happen exactly at those moments that were deemed too graphic for American viewers. As a result, in the English version the story makes much less sense.

Now, about the movie. This is a masterpiece of sick and twisted fantasy, filled with an obscene amount of sex and violence. And usually, the two are combined. It's an epic tale of the fight between good and evil, however, like most anime movies, it's never entirely clear who is good and who is evil. Aside to this, there are several smaller and more personal story lines as well, like the love between two teenagers, a kid and his alcoholic father and a few others.

The quality of animation of anime movies has improved much over the years and this movie is clearly one of the older ones. But it's still unique in its kind. It's one of the great anime classics, together with such movies Akira and Fist of the North Star.

The main problem with this film is it tries so hard to offend that everything else (plot, character, good dialogue) gets thrown out of the window. The graphic scenes of sex and violence wouldn't really worry me too much if they were relevant to the plot but alas, the initially intriguing sci-fi premise is soon ditched in favour of a "let's see which one of us can do the sickest and most disturbing scene in the film" between the animators. Such a shame, if they actually put a bit of effort into developing the plot and less time testing the audiences morality then we might have something interesting here. Oh yeah, and what was the point in dubbing all the original Japanese voicework with completely out of place American accents? (which have to be squeaky of course, to suit the films Tokyo setting.) Couldn't they just have kept the film the way it was and added sub-titles at the end? Oh sorry I forgot, the studio thinks the average Yank doesn't have the patience to read them AND watch the film at the same time... Cheers for that vote of confidence there, dudes. In conclusion, this film is like that foul-mouthed child you stick in the corner for using bad-language: They try to get your attention by trying to shock you as much as possible, but really all they succeed in doing is make you realize just how sad and desperate they are.