Cours toujours mon lapin

Having recently got one of my all-time favourite films 'Who Framed Roger Rabbit' on DVD, all three Roger Rabbit shorts were included as bonuses. And what great bonuses they were, thoroughly enjoyable in their own way, go perfectly with the film and almost as good.

The final Roger Rabbit short 'Trail Mix Up' (sad that there wasn't more) is perhaps my least favourite of the three, despite its more expansive setting and like 'Roller Coaster Rabbit' being closer to the wild manic spirit of 'Who Framed Roger Rabbit' than 'Tummy Trouble'. It is still however very, very good indeed, with its only mark against it being that all the gags in the other two cartoons worked whereas the ending falls flat a little. The basic story is not that special, if you remember the hilarious made-up short that started 'Who Framed Roger Rabbit' you have the basic story structure for all three Roger Rabbit cartoons except in different settings.

What stops things from being predictable, repetitive and tired is the increasingly intensely frenetic physical comedy/violence (Roger always getting the worst of it), the wonderfully relentlessly madcap pacing that reminds one of a slightly faster paced Tex Avery cartoon (while occasionally feeling a touch rushed) and writing that's never less than very amusing and at its best hysterical (like with the tree, the numerous Roger Rabbits and the bear).

Anybody familiar with 'Animaniacs', 'Pinky and the Brain' and 'Tiny Toons', or who grew up with them, and only saw the Roger Rabbit cartoons recently like me, will love the vibrancy of the colours, the detail of the backgrounds and fluidity of the movements in 'Trail Mix Up'. The music is rousing and energetically orchestrated, Roger and Baby Herman work wonders together and the voice acting is fine. Jessica Rabbit of all the three cartoons is also at her sexiest.

Overall, very, very good final Roger Rabbit cartoon. 9/10 Bethany Cox

I remember 'Entertainment Weekly' panning this cartoon when it came out for its crudeness and sexiness. I'll agree that the 'dropped a log' line is a bit much but on the whole the cartoon seems to be a foil for Disney animator's frustrations with the 'Disney' way of storytelling. To that end, this is the most violent and faced-paced of the Roger Rabbit shorts with Roger getting threatened by a shot gun, bashed countless times, with a face-ful of bee sting welts, and sliced up by the saw-mill.

The drawings are certainly not top-notch with Roger and Baby looking like distant cousins of their characters in 'Who Framed Roger Rabbit'. The backgrounds are bright and lively but this certainly is the most forgettable Maroon Cartoon short and possibly why others were not produced. Less an homage to Tex Avery and other 1940's-50's cartoon shorts, it just goes a little too far cramming one rabbit-pummeling gag after another.

The years were good for Roger Rabbit and the animation crew. It was three years since the previous Roger Rabbit cartoon when "Trail Mix-Up" was released, and the animation was quite contrasting compared to the first two Roger shorts. The visuals are almost up to feature-animation quality and are quite crisp and beautiful. Just imagine what Roger Rabbit cartoons would look like if they were made today!

"Trail Mix-Up" has some very inventive and funny gags; like when Roger runs for safety only to have an unbelievably tall tree crash down on him miles away, and when numerous mini-Rogers appear after Roger goes through some buzz saws. This short even features Jessica Rabbit's sexiest appearance out of all the cartoons (and probably the feature too!). Who knew a cartoon character could accomplish such a thing. Man, I feel like the ultimate nerd by writing that! :P

While watching "Trail Mix-Up" again, I had a hard time remembering why I prefer "Roller Coaster Rabbit" to this. All the gags were top-notch and hilarious, with a sexy Jessica Rabbit thrown in, and then we get to the ending. The water-skiing bear was pretty funny, but it all turned too manic and just not all that funny when they returned to the "real world." I don't know what exactly it was, but maybe I just didn't like seeing a national monument be destroyed or to even see Baby Herman harmed. The ending just didn't sit well with me.

Aside from that, this is still a pretty good cartoon. There are plenty of laughs, and it's just a beauty to see.

My IMDb Rating: 8/10

Baby Herman causes trouble for Roger Rabbit again when he wanders off into the woods whilst on a picnic. All manner of craziness ensues.

I'm not the biggest fan of the Roger Rabbit shorts, finding Roger's voice a little on the irritating side and the relentlessly madcap nature and breakneck speed of the action, something akin to Tex Avery on speed, just a touch too excessive for my taste (I had the same problem with Spielberg's equally insane Animaniacs).

Even though Trail Mix-Up doesn't rate as highly with me as it does with other reviewers here on IMDb, I still recommend it if only for the fact that pneumatic Jessica Rabbit appears wearing a sexy park ranger's uniform (cue wolf-whistles, leg thumping on table, jaw hitting the floor, eyes popping out, and steam erupting from ears!).

(Please excuse the fact that all the reviews I have written for the Roger Rabbit shorts are almost identical—since all three cartoons follow exactly the same formula, I thought I would save myself some time!)

In the last Roger Rabbit short, Roger and Baby Herman go camping in Yellowstain Park. Some rather stressful shenanigans ensue.

It's produced in full Candybox Animation mode, and while I have some issues with the violence starting full bore and continuing throughout, I am willing to forgive all for the sheer structure of the cartoon, and the infinite flexibility of Roger; even Bob Clampett wouldn't have done anything quite that destructive.

Alas, there were no more of these beautiful theatrical Roger Rabbit cartoons. The impulse to produce them is a little vague, but the amazing success of WHO FRAMED ROGER RABBIT? Made them seen as something to keep people interested in the proposed sequel. Steven Spielberg, who produced them, loved them, but even for him it undoubtedly seemed less than sensible to keep on producing them when the sequel fell through.