La remplaçante

It has been awhile since audiences have seen Amanda Donohoe. (Remember L.A. Law?).

She is actually quite good as a teacher with less than good intentions; she looks mysterious and menacing. It is surprising also that Mark Wahlberg (previously known as "Marky Mark") is in this film I recently saw him in "The Shooter" and he has come a long way.

For a TV suspense film this is not bad. Dalton James ("90210") also has a part as Ben's son, who realizes Donohoe is capable of murder. There are a few scenes reminiscent of Psycho, when he is in the library collecting information about the teacher and her murderous history. Natasha Gregson Wagner also has a small part as a student and Molly Parker ("Intensity").

All in all, not a bad film for a rainy day.

A viewer praised the score by Gerald Gouriet (never heard of him, I guess he is a Canadian). Question is: If the music was supposed to be a homage to Bernard Herrmann (the composer of Hitchcock's Vertigo, Psycho, North by Northwest, Marnie) then Mr Gouriet did a great job. Otherwise, it is just too much musically a copycat. Perhaps director Donovan prescribed the similarity on purpose, as many visual passages in this film have been resolved in the non-realistic -almost oneiric- way Hitchcok staged some scenes in his films. A case in point: when Josh is reading the newspaper microfilms at the library, titles (in red) are superimposed over the pages of the newspaper. When Josh is dreaming, color turns red. When the camera shoots down on the smiling and hopeful faces of students is another moment where viewers realize a professional director is holding the reins. All in all, as a TV movie is clearly above average. Watchable, well acted by everybody.

I must admit, I am usually a bit dubious when looking at TV movies, as in most cases they are quite poor, but in this case I was pleasantly surprised. This was mainly due to the superb performance of Amanda Donaghue, who made a convincing & sympathetic psychotic killer (why is it every feature film has to have a British nasty? I know they are always good, but come on), which makes a change from the usual one diminsional characters. The rest of the cast played the part too, & were quite good, making you at least believe in them, though there was the usual nonsense of ancient pupils, who were in alot of cases not much younger than Amanda Donaghue. Ignoring this hilarity, the plot though not exactly thought provoking was at least adequate, & was everything else. So although the film had nothing that hadn't been seen before, it is not bad, & worth a look if only for Miss Donaghue. Now, why didn't I have a horny teacher like her when I was at school.

A surprising, classy, if not perfect, melodrama /thriller/comedy of horrors. Amanda Donohoe is exceptional in a character tailor made for Bette Davis. Those smiles with a creepy underneath. She goes for it in a performance that it's as complex as it is fun to watch. This movie by the enigmatic Martin Donovan is a mix of extraordinary moments - cinematic, surprising, beautiful, frightening and funny as well a downright bad, amateurish moments - I'm trying to find everything Donovan has done. Not an easy thing, believe me. But for what I've seen so far, he is a welcome lyrical oddity. "The Substitute" uneven as it is, remains in my mind as if inviting me to see it again. I will, for sure. Mark Wahlberg makes his film debut here looking straight into the camera. I bet Donovan knew what he was doing. I highly recommend it for lovers of the strange and unique.

As awkward as this film is, there are moments that can only be described as, sublime. The moments are pinpointed by faces. If you read the film through the faces of its characters you'll have a memorable experience. The pain and anger in Amanda Donohue's face is as entertaining and shattering as anything Bette Davis has ever done. Mark Whalberg ambles down into the film scene with a bang, looking straight into the camera, inviting us to "get busy". The faces of the students, Molly Parker and Martin Cummins among them, tell us, in beautiful close ups, how much their murderous teacher has done for them. Then the teacher tells them how much they mean to her, we see the kids faces from above as her point of view. It is just wonderful. Last but not least is the amazing score by Gerald Gouriet (Madame Souzatska, Seeds of Tragedy) All in all I had the feeling that a genial mind was at work here, but chained to some kind of wall of mediocrity. As rarities go, this is the "rariest". Worth the trip.