Ruby in Paradise

If there are words that are up to the task of describing this movie, I don't know what they are. Victor Nunez's understanding of what it's like to be a young, single woman trying to carve out a life for herself totally blows the idea that men and women are from different worlds out of the water. Watching "Ruby in Paradise" is like tailing along behind this woman as she goes through life, experiencing the mundane and profound moments mixed together and trying to figure out which is which. Ruby is wonderfully strong, brave, kind, and imperfect, and just the kind of woman that I want to be.

Ruby in Paradise is a uniquely illustrative time capsule that powerfully strikes a message for all to hear. From the creatively artistic mind of Victor Nunez, this modern gem exemplifies the telling details of a coming of age story that expertly portrays the meaning of identity and freedom. From the vibrantly resonating breakout role of Ashley Judd as Ruby Lee Gissing, this modern artifact of a film ages to a perfectly resounding message for today's modern society. In her breakout role, Judd masterfully illustrates her character's individualistic and determined identity. Ruby's development throughout the film is a positively courageous message for all to hear; with its loud undertones of the feminist identity and of self-discovery, Ruby in Paradise is an old flame that can rekindle a sense of discovery for all.

I remember 1993 as a year of great female performances. You had Angela Bassetts striking interpretation as Tina Turner in What's Love Got to Do With It; Debra Winger as the dying American Joy Gresham in Shadowlands; Winona Ryder manipulative as May Welland in The Age of Innocence; and the silent power in Holly Hunters performance in The Piano. But as great as these performances were, no performance was better than Ashley Judds, Ruby Lee Gissing in Ruby In Paradise.

What a GREAT film.

There are scenes in this film that ring a sense of truth to what we say and act on, in human nature, as "real" people and not of what Hollywood synthesizes the fake emotions of what human nature should be like. Take for example in the scenes where Ruby trying to be employed and make an existence for herself; trying to work for living. If this was a big Hollywood studio film, her character would be receiving monthly support payments from God. Ashley Judd, and director Victor Nunez, do a great dance of allowing the character to make choices that are truthful and not false.

Other film recommendations on similar themes see Erick Zonka's Dreamlife of Angels.

I've watched this film a dozen times at least. Victor Nunez has created a wonderful work of art, and Ashley Judd is an amazing actor. This movie has tremendous substance in so many ways, I'm mesmerized each time I see it. I would recommend this movie to anyone interested in substantive films.

Victor Nunez imbues this unsentimental tale of a young woman's emotional journey with a sense of poetry seldom seen in cinema. By poetry I mean the sense in which the literary and the cinematic come into play. There is something very literary about the film, almost as if a novel has been adapted page by page to screen. In this sense, the film achieves depths many cannot; but it is also rather slow at other times, undercutting the depths it once achieved in favor of ennui. The film's star Ashley Judd has not yet made a better film than her debut here. She fits the role of lead Ruby like a glove, almost as if she didn't have to act. She has true movie star presence in the film, and hasn't really managed to convey the same allure in her later films, although she was impressive in Normal Life.