Le programme: Vaincre à tout prix

The Program may very well be the best film on college football ever done in that it shows its not quite the way it was when Pat O'Brien was playing Knute Rockne or even when Knute Rockne himself was coaching at Notre Dame.

During the Nineties another classic film about professional football was done, Any Given Sunday. The main theme about Any Given Sunday was that sports was now more business than anything else. But pro football has always been a business. What The Program shows is just how much a business college football is, yet it maintains the fiction that this is amateur athletics.

As is so eloquently put, no one is going to pay for a ticket to see a chemistry exam. Football with its ticket revenue, its alumni contributions, it's TV and radio rights, it's memorabilia rights is a very big business. It brings in money for the colleges, hence the colleges have a vested interest in a winning team. And some will do quite a bit more than others.

James Caan does a fine job as the coach of mythical ESU who is a decent man caught up in the system. He operates his program straining the bounds of ethics. He knows full well that some of his kids are being greased right through college without an education, but football is his life and living and Caan operates the best he can.

His players are a cross section of young America. Craig Sheffer is the very talented quarterback from a white trash background trying hard to rise above it. Omar Epps is the inner city ghetto kid who sees football as his ticket out. Andrew Bryniarski is the defensive player that steroids gave us, something Caan pretends not to notice until it really smacks him in the face. By the way Bryniarski was also in Any Given Sunday.

My favorite in the entire film is Duane Davis who is another kid from the ghetto who both really loves the game, can barely read and write, and who also sees it as a way of rising from poverty. He's a nice kid, but a bad influence on Epps who he constantly tells that The Program will grease him through. Davis just lives for that National Football League contract.

I do love the way Davis psyches himself before a scrimmage. You have to see the film to appreciate. Sad to say his is the saddest of all the stories here. You have to be made of stone to not be moved by seeing him at home, leg in a cast, listening to the final championship game with his mother, knowing the future he foresaw for himself is blasted to smithereens.

Halle Berry and Kristy Swanson are there as love interests to both Epps and Sheffer respectively. There characters are quite a bit more than the usual air-headed cheerleaders cast in these parts.

Another good performance is John Maynard Pennell as Sheffer's second string backup. He romances and talks Caan's daughter into taking an exam for him. When she's caught both are expelled. Caan personally kicks him out of the university and then has to swallow his pride and a good deal more to bring Pennell back when Sheffer has to go into rehab. That's also a classic scene.

The Program is one of the finest, if not the finest film on college football ever done. I think more than sports fans will appreciate this finely crafted piece of cinema.

That's the best way to describe 1993's "The Program" in as few words as possible. It's a realistic drama/sports film focusing on a handful of players and their stories as individuals and members of the ESU Timberwolves.

I was well into the second half of the film when it dawned on me that I was into the characters' stories and had forgotten I was watching a movie, which is always a good sign. The characters include the quarterback (Craig Sheffer) who has to deal with the incredible pressure of his position and the fact that his Dad's an aloof drunkard who's given up on life; the linebacker who takes steroids to compete and starts to become a rage-oholic; the black dude from the ghetto who memorizes big words to appear smart; and more. For most of them, their lives and futures hinge on the game and so getting seriously injured can wipe out their very reason for existence. James Caan is notable as the coach.

As for women, there's Halle Berry in her prime and Kristy Swanson, but their roles are too limited and there are essentially no other women to be found, except cheerleaders & students in the background.

People who have played university football have pointed out that "The Program" is realistic in its depiction. It's a really good sports film for sure, but 1999's "Varsity Blues," which focuses on Texas high school football, edges it out. In fact, "Varsity Blues" ranks with my all-time favorite movies; it's got a more compelling story & characters, a funner vibe and better women. But both of them are must-see sports flicks.

The film runs 112 minutes and was shot at Duke University, Durham, North Carolina, and the University of South Carolina, Columbia, SC.

GRADE: B+

I'm not a football fan, although it's not like I haven't enjoyed football films from the past.... such as "North Dallas Forty," "Semi-Tough," and "The Longest Yard." Not that any of those were pure football movies, but maybe that's why I enjoyed them. So I didn't look at "The Program" from the eyes of a football fan, but from the perspective of whether it's a good movie or not. Certainly it's very professionally made and acted, and the football scenes are pretty exciting. (The point-of-view shots with the football helmet's bars in the foreground made you feel like you were there, as in any self-respecting shoot 'em up video game.)

The main reason why I was attracted to give "The Program" a peek was that I was in a James Caan state of mind... having recently seen him in "Warden of Red Rock," and rediscovering what a fine actor he can be. My first disappointment is that Caan, as the coach, is present mainly as a vehicle to keep the film moving along. He fixes things when the boys screw up, acts tough, makes appropriate facial expressions... and is basically a one-dimensional character with no depth. Naturally, the film has decided to focus on the lives of the football players, as youth sells.

Basically, we pursue the love lives of two jocks. Joe makes a play for Camille (played by the original Buffy, Kristy Swanson), while Darnell zeroes in on Autumn (Halle Berry... who helps make the movie come alive), after suckering her to tutor him. In both instances, both women are vehemently against dating these guys. (Camille, in fact, flat out states that she does not go out with football players; she ultimately does so by losing a bet.) Now, it's nothing new in movies... as sometimes in real life... for a fellow to court a reluctant girl only to win her over at the end. I know we like to see that sort of thing. However, neither of these young men had the kinds of characteristics that would turn these girls' pretty heads in the manner that they did. Darnell's sweet, but not educated enough to hold a sharp gal like Autumn for long; and Joe can be a smarty-pants, smirking jerk at times, especially for a hard-nosed and demanding sort that Camille is initially established to be.

However, not only do the girls fall for these guys (and, granted, some women have been known to fall in love for no good reason)... but they do so in a totally devoted and nearly altruistic way. I could have bought one of the female characters doing so, but both? How very unrealistic; in real life, unless a woman feels that immediate click... before surrendering so completely... usually she will make a man jump through many more hoops than what these lucky b******s go through. We're just moving the plot along, folks.

This is a great display of how Hollywood movies are made... I can imagine the screenplay being discussed by the marketing whizzes at Disney, where the committee of account executives decided that everything should safely and neatly fall into place. All the predictable cliches have that neat, happy ending... Darnell finally bonds with his rival, for example; Joe's neglectful father is shown tuning into to his son's big game. Yes, the movie pushes the right buttons, but there is no soul within; like in so many Hollywood cookie-cutter films... films that are, too often, hard to distinguish one from the next.

During the course of high school and college, we always come across numerous stereotypes. The 'jock' stereotype is possibly the most recognized. This movie transcended that and only focused on the brotherhood and comradery that arises from playing an organised sport. Not only did I enjoy this movie to a great extent I thought it to be both hilarious and dramatic. I believed the quality of acting in this film to have been superb, as well as the football scenes.

Trips Bunch. The Power I. The Cover 2. If you know what these terms mean, and understand their uses in football strategy, then you'll really enjoy watching David S. Ward's the Program. Ward also wrote and directed Major League, a great movie; however, with The Program, it is obvious how much his sports writing style has evolved.

The movie traces one season of college football for a once dominant, but now struggling Division 1 powerhouse, the fictional ESU Timeberwolves. James Caan is hilarious and well-cast as the Head Coach on the hot seat, and it's really great watching him deal with serious issues both on and off the field. Craig Shaeffer does a solid job at both his role and the QB position. His character is like a young, much more tortured Steve Young: he can throw the long ball, he can buy time with his feet, and he can do it all while battling inner demons. Omar Epps (the Wood) is simply perfectly cast as Darnell Jefferson, the prototype freshman Tailback fighting for his spot on the 1st team (plus the beautiful Halle Berry plays his love interest).

The movie is filled with hilariously awesome lines and performances, and is a classic among people who actually play football. While the editing work could be scrutinized among movie Nazis (the editing job when Kane and his girl are riding his motorcycle is questionable at times), the good far outweighs the bad. Namely, the in-helmet camera work really puts you on the field with them. Overall, David S. Ward does an excellent job of jumping from perspective to perspective, and it quickly builds into this chaotic, early 90s mosaic of Division 1 college football. And surprisingly, the issues explored in the film really resonate with the issues going on in today's sports (i.e. Steroids, Motorcycle death wishes).

Listen, if you haven't seen this movie, and you love football, and are of mild intelligence, then you are either really young or really lucky that you missed it because I wish i could watch it again for the first time. However, if you have no appreciation for the game of football, you're better off going elsewhere. Football idealists, be warned as well. This movie is the anti-Rudy. It's the story of one school's fight for a bowl bid, and fighting for that bid at all costs.

PS- My vote is very biased. I love to quote this movie with friends. I love to watch football on both Saturday and Sunday. I play fantasy football. I play Madden. I played Division 3 football in college. You have been warned.