Beaucoup de bruit pour rien

The arrival of Don Pedro and his men at the home of Seigneur Leonato in Messina brings about much celebration. The spirit of love and happiness is alive in the party and Count Claudio and Leonato's daughter Hero make woo and engage to marry within a week. To pass the time Don Pedro makes a pledge to engage confirmed bachelor Benedick and the bickering Beatrice together in a tower of affection. However Claudio's brother, Don John, conspires to break up the wedding by making accusations against young Hero. Will it all be much ado about nothing?

If anyone has done more to bring Shakespeare to a modern audience of multiplex dwellers, I'd like to meet them. Here Branagh yet again adapts a Shakespeare play to good effect, trimming the dialogue of some important sections with the aim of creating a lighter feel worthy of the title. I make no mention of the plot suffice to say that Branagh has done well to keep the essence and feel of the work very true but without forcing the tools that Shakespeare readily used but may not work on modern audiences easily (i.e. not being able to recognise someone easily when they wear a mask, veil or moustache!).

The dialogue is very sparky as you'd expect and Branagh has done well to interpret the humour from the words on the page. I think of the dialogue around the police officer. Reading it from the page I never realised how much humour could be drawn form this characters scenes in terms of how the other characters view in. Of course the praise of lies with Shakespeare but Branagh knows the Bard well.

The cast is international and all-star (probably to a greater extent than it needed or deserved). Branagh is pure wonder in the lead and really brings out the whimsy in many of his scenes. Thompson too is wonderful and the two play off each other well. The film lost a little when the two begin to woo, but it is still enjoyable. Briers is excellent and Blessed is a bit hammy and underused (forcing big background laughs). Reeves is OK in a small role – the lack of significant dialogue helped him. Washingon fits in very well, Leonard is good but straight. Of the Hollywood stars I think Keaton does the best. When he is onscreen he is a little OTT but he is simply hilarious as the fool of the piece, and Ben Elton is an interesting sidekick. Beckinsdale is good but again is not given much meat to work with outside of her perfect love for Claudio.

Overall this is a very enjoyable version of the play. Those who find Shakespeare difficult could do well to start here with something light and bubbly. Those who enjoy Shakespeare will enjoy it as another version. Only those who feel that the Bard should not be put onscreen for the masses (and there are some who think this way – I have met them, they laughably call themselves purists – elitists I think) will find fault here, because this clearly has mass appeal.

I saw this one or two years ago, and I loved it utterly. Not only has it a great cast including shakesperian actors Kenneth Brannagh and Emma Thompson, it also has a lovely, warm feel to it; set in the sunny countryside of Italy; perfect to watch on a summer's evening. Although I am a dedicated admirer of Laurence Olivier, the legend who's reputation Brannagh is often set up against; I must admit that nobody would ever suit the role of Benedick as Brannagh does He was perfect; fun, natural and wittily amusing to watch. As for Emma Thompson; she gave a fantastically fiery performance as Beatrice of the untamed tongue; watching she and Brannagh go for each other in their satirical arguments was fantastic.

Then there was Kate Beckindsale; one who I really would not have expected in a film such as this, but she did an exemplary and satisfying job as the fair Hero; although put completely in the shade by Emma Thompson. Keanu Reeves, the film star who I reckon NOBODY would have expected in a film such as this was surprisingly very good as the schemingly dark Don Jon, he suited the hiss-hiss villain's role deliciously. One who I thought could have been cast better was Robert Sean Leonard, as Claudio; who, although fine in scenes of wit and amusement; became forced in scenes of anger and sadness. Despite this, I thought he too suited the part well. I highly recommend this film to all who enjoy shakespeare, great English actors, or just good fun.

I love this movie! Great story, wonderful cast, good photography. Kenneth Branaugh is the funniest as a witty, likable guy. His facial expressions and vocal streachs are the best! I think he is one of the best Shakespearian actors of today. Emma Thompson is great. Denzel Washington very cool, I felt so sorry for him when Beatrice refused him, though he is a little too good for her. I love his character though, how he likes to fix everybody up and make them happy. Robert Sean Lenord was a little sappy, but it was pretty fitting for who he was. He needs more roles like this and Dead Poets Society. Micheal Keaton and his little side-kick (poor guy!) stole the show! Hilarious! Hero didn't do anything for me though. She was pretty, but didn't have much to say, it seemed like she was watching the others most of the time. The best part of this movie is when Benidick and Beatrice hear about the other's love and realise they love each other. The photography is best when Beatrice is swinging and Benedick is splashing in the fountain! I'm hooked on Shakespheare now, I'm planning to watch the version of "A Midsummer Night's Dream" coming out with Michelle Pfeiffer, not to mention any Shakespeare movies I see with Kenneth Branaugh in them!

Kenneth Branagh has done so much for Shakespeare...I've almost become a complete zealot of his work. This screen adaptation of one of Shakespeare's lesser-known comedies is absolutely divine. The lovers Claudio and Hero are completely and wonderfully upstaged by Benedick and Beatrice, the most perfectly mismatched pair in the history of love, exactly as they were meant to be. The chemistry between Ken and Emma is so believable (after all, this was filmed before their marriage ended), the lines are so cunningly delivered, and the plot is so beautifully twisted and resolved that this movie is at the very top of my list of favorites. The setting is absolutely gorgeous--Italy in all its Summer glory. You can fairly taste the sunshine. Each part is completely delightful (Michael Keaton is perfect in one of the most bizarrely comedic roles I've ever seen, and as far as Keanu Reeves' performance, all I can say is that the part was written to be played in that manner. Don John was a bad guy of necessity--every comedy must have a foil). I found the entire production to be beautifully done and quite up to the professional standards that I've come to expect under Branagh's excellent direction. The wit sparkles and cracks between Beatrice and Benedick; a direct counter to the more traditional and borderline sappy form of Elizabethan love exhibited between Hero and Claudio. *This* is how the wise woo, and no, it is never peaceably! A smart, funny and visually stunning gem of a film to add to Branagh's already distinguished repertoire. I'm waiting for his MacBeth.

Personally I loved the movie, from the opening credits to the last brilliant tracking shot. What I do not understand is the dissing of Keanu Reeves' performance. I can just imagine Ken sitting around his kitchen table with his casting director saying "okay we have this brilliant ensemble cast, the movie is going to be great, what can we do to completely screw it up? I know let's cast Keanu Reeves as Don John and completely snarl up the whole thing" Personally I think Keanu made a great villain, and I trust Ken's ability in casting to choose the perfect actor for the part. I do not think that in reality that Ken would cast someone so hopelessly inept as others have posted in a part that is so essential to the plot. (and don't give me the star power excuse cause they already had Denzel Washington)..., I have always said that Shakespere done right is brilliant.. (done poorly it is pathetic) and this is Shakespere done right in the purest sense of the term. To listen to Ken and Em deliver Shakespere's lines is to listen to them as they would have been spoken and acted when they were written. It is a revelation and pure joy.