Lifepod

Claustrophobic talkathon. Characters are thrown together and then attempt to talk each other to death. It's the well worn crisis of the minute formula. If someone isn't dying, they are talking. It's pretty difficult to maintain interest when most of the conversations are sleep inducing drivel. Crawling around the escape pod with a constantly shaking camera adds nausea to the mix. Make no mistake, this is not "Lifeboat" in outer space. What it is, is a mini budget time waster for the cable networks to endlessly play. Admirers of Ron Silver and Robert Loggia should definitely look elsewhere, as this film gives them nothing to work with. Special mention must be made of the special effects, which are not even of video game caliber. Avoid. - MERK

Ron Silver directed this unfortunately for television film which has some entertaining value that mostly cause the basic script,story line,and acting,I have to say this film was not bad at all,this is a remake,but as stand alone film this is very watchable.

Ron Silver also plays a role in this modern version of an old movie,and he plays really good he's character.

Just that would be good to don't see the(television)sign next to the title,but this film is enough familiar to be entertaining,against our heroes sometimes should be more human,but we know they are rather honest,if we are the same While this film still has the problems of television movies,I rather recommend this like Shrooms.

6/10

This futuristic adaptation of Alfred Hitchcock's classic Lifeboat packs intense action and thrilling suspense into a human drama of courage and heroism. Lifepod features a top-notch cast including Academy Award nominee Robert Loggia and Emmy nominee Ron Silver in the dual roak of star and director. Alone Lifepod drifts helplessly through space light years from the nearest support station. With scarce food water oxygen and communications, nine survivors on this ill-equipped spacecraft fight for their lives. Deadly meteors and asteroids threaten from outside, but the real enemy will come from within. In the dangerously damaged confines of the lifepod, it's come down to survival of the fittest. Supplies are dwindeling, tensions are mounting, and people are dying. Suspicions grow that one of them is responsible for their disastrous predicament. Trapped with a killer, a new battle for survival begins.

I watched this because I figured Robert Loggia and CCH Pounder were pretty cool and could elevate almost anything to a watchable level. Ron Silver is a recognizable name, but I've never really been a big fan of his. The plot sounded pretty decent -- essentially, just a scifi remake of an Hitchcock bit of wartime propaganda by way of Steinbeck.

What I didn't realize was that this was very low budget and given to some really amusing melodrama, with the requisite whooping alarms, shaking camera, and people yelling and panicking. Some of the characters were interesting, and the acting was generally pretty good, but it was really quite full of clichés, such as the fiery revolutionary, the penny-pinching bureaucrat, the feisty pilot, the grief-stricken mother, etc. It's not so much that I hate film archetypes; rather, these weren't really given all that much time to develop into real people and capture your interest. They had somewhat interesting backgrounds that hinted at a familiar, somewhat derivative scifi universe where evil corporations and authoritarian politicians have caused each of the passengers to have at least some degree of motive for sabotaging their ship. Yet we never learn anything about any of the characters beyond which allows him or her to become a red herring. I'm sure that the actors did their best, given the rather two-dimensional writing, but it's somewhat unfortunate that they weren't given more to work with.

If you're a fan of CCH Pounder (and I know that this talented actress must have more fans than just me), you'll be disappointed to know that she doesn't have a prominent role in this movie despite being one of the stars. Robert Loggia has a meatier role, and Ron Silver cast himself in a more supporting role. I really liked Ed Gale's character, a cybernetic mechanic, but his character, too, suffered from a lack of depth.

In the end, this is actually pretty enjoyable as far as mainstream scifi movies go. I would have preferred to have seen more characterization, a faster pace, and a bigger budget (the special effects were quite laughable, unfortunately), but, for a TV movie, I suppose it could have been much worse. There were a few good lines, some good actors, and a decent-enough ending, but everything was so derivative and clichéd that I felt as though I'd seen it all before a hundred times. An extra ten minutes of dialogue and characterization would have probably helped.

It's truly unfortunate that Ron Silver died, but I'm still not a fan.

Far better than I expected, after it began like a Babylon 5 episode. The judge from Ghostbusters 2 is always great. My favorite is "definitely not Keith David" and the little guy. The pixie haired girl is evoking Katherine Waterston in Alien Covenant twenty years earlier. Note a way to present scale with limited means is through eclectic characters. It's a shorthand that goes a long way. Meanwhile I can't remember a single character in Danny Boyle's Sunshine, who are more Silicon Valley techies; I will take these circus freaks instead, even down to the blind mystic.

Ron Silver directing this, the idea you direct a movie and decide to play this character... basically is its ace up its sleeve to just get to his big scenes, and it will read like those blockbusters who cast him.

This is the skill of the movie is it is always finding that one angle to go beyond the mediocre TV movie it is budgeted as, it is always at work painting the process of its failing. When any one angle falters it quickly goes to the next in the bag of tricks. This to me represents inventive filmmaking, for what they all sort of know is a doomed production.

Such as the cinematography. The director understands to do space everyone needs to be sweating and in gritty shadows. A small statement but I swear that is the power of those James Cameron 80s films. I think Interstellar could have learned those old school cinematography conventions read big on screen.

It's cinematic, it's never cheap. The script. The concept of Lifeboat in space is inspired already but this is putting real attempts at science fiction world building and character arcs, and I am like wait, why is this interesting me intellectually too? It's like a good writer's b-sides. Seriously this film punches way above its weight. Even some of the space shots are kind of cool for a 1993 TV movie.