Les chevaliers du futur

I tuned into this thing one night on a cable channel a few minutes after the credits ran, so I didn't know who had done it at first. The longer I saw it, the more I started thinking, "Jesus, this looks like an Albert Pyun flick." Wasn't quite sure, though, for two main reasons: the photography was quite good (and the Utah desert scenery was beautiful), and Scott Paulin gave an hilarious performance as Simon, a murderous cyborg, but with some style and a sense of humor. Paulin must have ad-libbed the many clever one-liners he shot out, because Albert Pyun hasn't written anything even remotely funny or coherent in his career. Unfortunately, Paulin doesn't have all that much screen time before he's gone, and the movie's the worse for it. Lance Henriksen, playing the evil head cyborg, growls his way through his part, as he's done in countless other movies like this. I don't know what the hell Kris Kristofferson is doing in this thing; maybe he wanted to see what the Utah desert looked like and get paid for it. He goes through the movie looking (and sounding) like he just woke up, and in fact spends most of the last half of the movie on his back in a tent. Kathy Long, the nominal hero, has a great body, is attractive, has a great body, fights extremely well, has a great body, and doesn't have an iota of acting talent, but that doesn't matter in a movie like this. This being an Albert Pyun film, it's full of the trademarks that we've all come to know and love: inane and idiotic dialog, choppy editing, and the impression that they lost a reel in the middle of the picture and figured, "Ah, nobody'll ever notice."

As bad as this movie is, however, it's a shade above most of Pyun's other efforts--this is "Citizen Kane" compared to his brain-numbing "Adrenaline: Feel the Rush", for example. The fights are pretty well done, if repetitive (after she knocks down eight or nine guys one after the other, you find yourself saying, "Alright already, go to something else"), and Long is very athletic (and, as a previous poster has noted, has a great derrière). It's not a good movie by any stretch of the imagination, but it's not anywhere near as incoherent and incompetent as Pyun's usual extravaganzas. You could do worse than rent this movie--not much worse, granted, but worse nonetheless.

It is what it is, but the fight scenes are quite good. Enjoyable to watch.

What a sensational movie. The script-writers obviously have really taken their time here. The plot is fantastic and the director deserves credit for keeping it together so well. The acting is sensational with a lively mix of both well executed humour and a theme which is so very important. It underlines a woman's place in society as being just as important as a man's. It also helps us realise just how important family values are. Lance and Kris have both shown how their talents demand more screen time. The film was so well rounded. Such a complex and engaging beginning combined with well developed middle and truly classic and memorable ending. Of course i approached the film thinking it would be slap-dash tripe but not at all. The many sets (the desert, the outback and the..eh...des..er.t) really caught the eye. The costumes were amazing too. The idea of replacing cars with horses in an age of cyborg's and robots was very eh.....original. But the thing is that Hollywood has been crying out for a kickboxer/robot team taking on evil, blood-sucking cyborgs theme. The movie's lack of success can only be explained by bad timing. The fight sequences are never repetative and the dubbing and editing are obviously the work of a master technician. The dialogue i believe was written by the script people from 'Howard's End'. The original tag-line for this film was 'Poetry in Motion.'Apparently a sequel was cosidered however the film's producers had the old 'Sundance and Butch Cassidy' problem of the first film being too final and not open-ended enough. Probably the film's only major flaw. May i also say that Darth Vader(Star Wars), The Joker(Batman), Mum-Rah(ThunderCats) and Roy Batty(Blade Runner) pale into significance to the ultimate BADDY - 'The Master Creator'. And though we never see it you could just tell that the brilliantly titled 'Cyborg City' would beat the hell out of the 'Death Star'. Hats Off. Pure Genius. Top class. First rate. Numero Uno. Ten out of Ten. Best of the Best. Made in Heaven. All time classic. My A**e. It was $h!t with a capital SSSSSSHHHHHHHEEEEEEEE!

Knights is the third movie in the bafflingly constructed Cyborg franchise which started with the Jean Claude Van Damme movie Cyborg (1989).

It tells the story of a girl who is trained to fight cyborgs who are intent on slaughtering countless humans in order to create an unstoppable army.

The girl in question is played by Kathy Long, for those unfamiliar she's more well known as a professional kick boxer and a stuntwoman than an actress. I guess you could say she was the 1990's Zoe Bell.

Full of high octane action (Mostly melee) this is another weak addition to the franchise which is insanely disjointed and I simply don't get it.

Starring industry veterans Lance Henriksen and Kris Kristofferson it's mediocre stuff and demonstrates that even the greats have blotches on their records. Henriksen inparticular is really quite awful here.

3 movies in, not impressed.

The Good:

Scott Paulin

Some okay choreography

The Bad:

Simply really generic stuff

Things I Learnt From This Movie:

Lance Henriksen has done some absolute stinkers

This is one of the two postapocalyptic fantasy movies that Albert Pyun made in 1993 - and it's the bad one. Apparently all his energy went into "Nemesis" which was an entertaining non-stop action movie, and had a much more expensive look. "Knights" is clunky and cheesy, a bottom-of-the-barrel sci-fi that too often resembles a video game (new opponents pop up all the time and must be exterminated as quickly as possible). The only thing that saves this movie from the trash can is Kathy Long; not a particularly attractive woman, but undeniably a brutally efficient fighting machine. As for Kris Kristofferson, considering his age at the time (58), I hope his stunt double was well paid. (*1/2)