A widow tries to find out why her daughter's strange behavior, a reaction to her father's death, is progressively worsening.A widow tries to find out why her daughter's strange behavior, a reaction to her father's death, is progressively worsening.A widow tries to find out why her daughter's strange behavior, a reaction to her father's death, is progressively worsening.
- Awards
- 2 wins total
Jacqueline Cassell
- Gloria Miller
- (as Jacqueline Cassel)
Featured reviews
Although there are some parts of the plot where you might say "Yeah, right", those are mostly incidental. It's a really nice story and I actually give Tommy Lee Jones credit for keeping the tone for the most part subtle! Nice score, maybe a little "normal Hollywood tearjerker" style, but still nice.
This film was educational about the problems that autistic children face. The part of the film that stays with me is when Tommy Lee Jones's character states that a lot of autistic children are misdiagnosed as crack babies or something else....even demonic possession. I work with autistic children and the repetition shown by the children in the movie is displayed. If you want to see a healthy environment for autustic children, this movie has it.
I absolutely loved this movie. It is so different than any other movie I've seen (and I've seen plenty!). People who commented on this movie say that its not reality-that they didn't go into certain aspects of the "problems" at hand in the movie...well, that's what movies are all about. They take you to a different dimension that's not of this world. And this movie deals with taking us to a different world of a child going into a different world. And that, everyone, is what it's all about. I highly recommend this movie to anyone who doesn't want to see the same storyline used in 90% of all movies today, with a touch of dreamscape, and a whole lot of heart. Tommy Lee Jones is perfect as usual, as well as Kathleen Turner. WATCH IT!
10rystuff
I found the story engrossing and especially enjoyed how the characters put the pieces together as the movie progressed. I also thought parts of the soundtrack were excellent. There is one scene that has stayed with me years after I saw the flick.
This is not a documentary. One reason I rented the movie is my clinical experience with autistic children. If you are the kind of person who requires movies even tangentally reflect how it is in the real world then don't watch it. If you think Hollywood will educate the public about autism this movie will upset you.
This is a thinking person's movie.
This is not a documentary. One reason I rented the movie is my clinical experience with autistic children. If you are the kind of person who requires movies even tangentally reflect how it is in the real world then don't watch it. If you think Hollywood will educate the public about autism this movie will upset you.
This is a thinking person's movie.
There is no doubt that somewhere out there there is someone who loved this film, who adores it and watches it all the time, fed up by the bad reviews. That person is obviously not me, as I can see how this mind-boggling movie could have a following like that, but I positively hated it.
I rented it because of Tommy Lee Jones and Kathleen Turner, and the movie taught me a valuable lesson: listen to the critics and DON'T rent a movie that looks bad because of two stars in it. Both are given horrible, underdeveloped, unlikeble characters and asked to turn them into lovable, realistic characters. They failed miserable, not because they can't, but because they won't. The film is THAT bad.
Which ever studio exec who green lighted this project must've been high, or drunk. Or both. The story makes no sense whatsoever and is immensely boring. If you are a fan of either Turner or Jones, skip this one and instead see The Fugitive or War of The Roses again.
I rented it because of Tommy Lee Jones and Kathleen Turner, and the movie taught me a valuable lesson: listen to the critics and DON'T rent a movie that looks bad because of two stars in it. Both are given horrible, underdeveloped, unlikeble characters and asked to turn them into lovable, realistic characters. They failed miserable, not because they can't, but because they won't. The film is THAT bad.
Which ever studio exec who green lighted this project must've been high, or drunk. Or both. The story makes no sense whatsoever and is immensely boring. If you are a fan of either Turner or Jones, skip this one and instead see The Fugitive or War of The Roses again.
Did you know
- TriviaJames Horner's original score is based on his score for the film Quand la rivière devient noire (1986) also a film that involves a child in it's storyline. Intrada Records released a limited edition soundtrack which instantly sold out in a record amount of hours, such as their release of Michael Small's unused score for Le syndrome chinois (1979) had done previously.
- GoofsKathleen Turner's character says that all railways in the world have the same gauge which is absolutely not true. Examples: Spain - 5' 6"; Ireland - 5' 3" and 3'; India - 5' 6", 2'6" + 1m; Peru - 3'; Portugal - 5' 5 9/16" (1.1665m) + 1 m; Russia - 5'; East Africa - 1m; Nigeria - 3'6"; Sierra Leone - 2'6"; South Africa - 3'6"; Burma - 1m; Ceylon 5'6" + 2'6".
- Quotes
Ruth Matthews: We all go a little crazy sometimes, Doctor.
Jake Beerlander: Yes, Ms. Matthews, but most of us come back.
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Details
Box office
- Budget
- $10,500,000 (estimated)
- Gross US & Canada
- $322,871
- Opening weekend US & Canada
- $12,753
- Jun 27, 1993
- Gross worldwide
- $322,871
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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