Gypsy

If you want to see what could be classed as the 'stage' version of GYPSY this is the film for you.

If you enjoy(ed) listing to the MERMAN recording of GYPSY then you really enjoy watching MIDLER as Gypsy's mother, ROSE. It's my opinion that Midler has the volume, vibrato and presents that Merman once had.

It's not often these days, when listening to update versions of musicals, that I get that tingling sensation that makes the hair on my neck tingle but Bette Midler certainly shows her talents in this movie -see how you like them apples.....

I know you may not like it, but for me Ms. Midler is the definitive "Gypsy".

The '90s was such a wasteland for musicals--with Disney animation at least restoring some luster by way of BEAUTY AND THE BEAST, THE LION KING etc. But live-action? Not a prayer. Yet with GYPSY, a modestly budgeted TV-movie version of the Broadway show, with a first rate cast and crew, did an exceptional job showing how such things can still happen. Midler was the necessary powerhouse as Mama Rose, and the entire cast held their own just fine. A musical shouldn't have to be bogged down with socio-political baggage to make it relevant nowadays--a production like this shows what sheer showmanship and celebration of music and dance can still be all about, albeit derived from a forty year-old source. To see a renewal of this kind of exuberant entertainment would be a wonderful thing; at least this GYPSY shows how it can still work.

Based on the memoirs of Gypsy Rose Lee, who painted a much more affectionate picture of their mother than did her sister, actress "Baby" June Havoc, in her autobiography, "Early Havoc" on which "They Shoot Horses, Don't They?" was loosely based. I saw Ethyl Merman in the original Broadway production of Gypsy, and she was great as "Mama Rose" but certainly more "Merman" than Rose. I was disappointed with Rosalind Russell's portrayal in the 1962 movie version. An otherwise excellent actress, Russell was a very wooden substitute for Merman. Bette Midler, by contrast, was better and more believable than Merman and I'd recommend her performance as the definitive one.

People will always debate if this movie was better or worse than the one with Natalie Wood. I liked both. But I think the Bob Mackie costumes in this one added to the appeal. My favorite costume is the one with the stripper that lights up. Bette is a good as Mama, but I think I liked Natalie Wood's version of Gypsy is better. I wish I could have seen the original on Broadway with Ethel Merman. I think that this movie is supposed to be closer to the Broadway one than the other movie was. If anyone has some time on their hands I would say to watch both versions of this movie back to back and compare. This version was just shown on the "Movies!" TV channel tonight (12/26/23)

I like the Rosalind Russell version a lot(I perhaps prefer it just a tad) and Russell in it, but this Gypsy has a lot to recommend. It is not quite on par with the musical itself(neither film version is) which is a masterpiece of character and music, but it has its spirit, heart and charm. The spirit is droll and sincere and the story has so much heart to it. The music is wonderful and the lyrics positively delight. The production values are kitsch, bright and colourful. While I prefer Malden and Wood in their respective roles in the 1962 film, Peter Reigert(though his singing leaves a lot to be desired) and Cynthia Gibb are truly charming and entertaining, and Christine Ebersole steals all her scenes. If there are any preferences I have at all over the 1962 film, it is the staging and choreography, which is less clunky and moves more effortlessly, and Bette Midler's singing, Russell's was raspy and off-key sometimes whereas Midler's is big and brassy. Midler is just superb as Mama Rose, although Russell was superb also Midler's Mama Rose is truer to what Mama Rose should be like. Overall, a fine Gypsy. 8/10 Bethany Cox