Les gens normaux n'ont rien d'exceptionnel

At first sight, a film about psychic vulnerability of few people. Or, more simple, about madness.

In fact, a nice eulogy of freedom and care about others and love and a form of reguge against not accepted reality.

Three virtues - Valeria Bruni Tedeschi, offering a more than inspired portrait of Martine, a young Melvil Poupaud as eternal teenager and the music of Cesaria Evora. Few drops of well used humor and air of Medieval misteries.

A film about deep loneliness, eccentricity and bitter poetry of life.

A message ? Maybe only its sketch. In fact, a confession about reality as a piece of clay.

How do we really face madness? And what do we do when madness touches us? This is the main dilemma of Martine, the principal character of the movie. After a sentimental crisis and a nervous breakdown, she discovers a new life and spirit in an institute of mental illnesses... I really liked this movie, and I think that the reason is quite simple: the director, Laurence Ferreira Barbosa, fully succeeded in depicting folly without any sociological schematism and with uncommon freedom. But I can't forget to mention the astonishing performance by Valeria Bruni Tedeschi, whose destiny (I hope) is definitely bright. Finally, just an advice: go and see it if you like Cesaria Evora. This fantastic singer gives us two unforgettable moments of authentic joy with her brilliant voice.