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7.2/10
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While trying to decide what Gregor Samsa wakes up as, Kafka's constantly being interrupted by knife-selling strangers, party noise, girls, fancy dress costumes, and other strange, dreamlike ... Read allWhile trying to decide what Gregor Samsa wakes up as, Kafka's constantly being interrupted by knife-selling strangers, party noise, girls, fancy dress costumes, and other strange, dreamlike visions.While trying to decide what Gregor Samsa wakes up as, Kafka's constantly being interrupted by knife-selling strangers, party noise, girls, fancy dress costumes, and other strange, dreamlike visions.
- Won 1 Oscar
- 4 wins total
Sammy Sheldon
- Party Girl
- (as Samantha Howarth)
- Director
- Writers
- All cast & crew
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Featured reviews
Written and directed by Peter Capaldi, better known as an actor but had aspirations to become a writer and director
This short film (jointly) won an Oscar for the best short film category.
Richard E Grant takes the title role as Franz Kafka trying to write the opening line of 'Metamorphosis' in his dark room while being disturbed by strange and sinister people.
Grant who has in the past given uneven acting performances is more inspired here.
The black and white short is of course surreal and comic, almost Pythonesque.
As the title of the film implies, it splices Kafka with Frank Capra!
This short film (jointly) won an Oscar for the best short film category.
Richard E Grant takes the title role as Franz Kafka trying to write the opening line of 'Metamorphosis' in his dark room while being disturbed by strange and sinister people.
Grant who has in the past given uneven acting performances is more inspired here.
The black and white short is of course surreal and comic, almost Pythonesque.
As the title of the film implies, it splices Kafka with Frank Capra!
10llltdesq
Franz Kafka is probably still spinning over this one almost ten years after the fact. There are echos of suspense in this one, but mostly it resembles Python at its full-bore, full throttle best. In fact, if I'm not mistaken, the costumer here also did costumes for The Python series. Too many moments to pick anything out, but it is absolutely wonderful. The incredibly serious among you will probably gnash teeth and pound thy breasts over the violation of Kafka, but the sufficiently twisted will love this! This won the Academy Award for Live-Action Short (in a tie with Trevor, he noted for accuracy's sake) and it's good to see this in print and available. Most highly recommended.
When I saw this, I was intrigued. I was pleasantly suprised at it's dark, yet light style of wit. It will make you tense, then you will laugh.
To describe it is really to give a lot away. Just check it out if you get a chance.
To describe it is really to give a lot away. Just check it out if you get a chance.
A slip of the tongue by actor Peter Capaldi's wife inspired him to write and make this Oscar winning gem. Richard E. Grant gives wonderful performance as the tortured Franz Kafka who struggles with the opening line of 'Metamorphosis' amid the distractions of his dark and sinister rooming house. Disturbances include a girls party, a lady trying to deliver a giant insect costume' and a psychotic knife sharpener, (another marvellous performance by Ken Stott),who has lost his little friend.
The black and white cutaway sequences showing his various inspirations for Gregor transformations are hilarious. The final scene, where the story strands are tied up and all the characters brought together in a twisted version of the finale of 'It's a Wonderful Life' is funny and moving at the same time.
The perfect Christmas film for the slightly odd.
The black and white cutaway sequences showing his various inspirations for Gregor transformations are hilarious. The final scene, where the story strands are tied up and all the characters brought together in a twisted version of the finale of 'It's a Wonderful Life' is funny and moving at the same time.
The perfect Christmas film for the slightly odd.
Inventive and artistic, this beautiful flight of imagination is one of the greatest ideas ever composed and translated into a delightful cinematic experience. Matching together the creative genius of Franz Kafka with the positive outcomes of Frank Capra's "It's a Wonderful Life" the short tells the difficult process of creating a novel, not in the sense of being something to be read but something to be felt and comprehended by readers of different generations, the greatest testament an artist can give to humanity. And believe it or not, one exact word can make a complete difference in a writing work. This strenuous mind exercise coming from a writer is the problematic basis for this amazing short film.
Peter Capaldi imagines the conception of the now famed masterpiece "The Metamorphosis" with Kafka (played by Richard E. Grant) having a terrible writer's block in the very first sentence, the classical "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect". But here, he doesn't know what Gregor is about to be transformed not only because of his block but that also relates with distractions around him, with his loud neighbors celebrating a Christmas party and interrupting visitors who appear from time to time. What he least expects is that those individuals and the strange situations they're involved may be of help for his book.
The mixture of elements, although strange and sometimes a little inadequate, is a good one. We have Kafka writing Gregor's story, then there's few glimpses of Gregor being transformed into multiple things before his final destination. Opressively, dramatic and spooky moments mixed with some strange humor, very characteristic in the works of the Polish writer. Later on the cheerful and bright conclusion borrowed from Capra's release comes along with a certain moral of the story that was a little off-suiting for this movie. It's one way of seeing things and it might work best with those who know little about the life and work of Franz Kafka, commonly known for sad and darker stories.
I only disagree with the treatment given to the main character played as if being a soft version of Ebenezer Scrooge, far from the timid and repressed view given of Kafka in biographies. But Mr. Grant was good, just as effective as the mysterious man played by Ken Stott. And it's good to know that it all paid off, this Burtonesque film was agraciated with the Oscar as Best Short - Live Action, tied with "Trevor" and one Bafta. And who could have imagined that the hilarious performer of Malcolm Tucker is not only a great actor but also a talented writer and director. This is a solid proof. 9/10
Peter Capaldi imagines the conception of the now famed masterpiece "The Metamorphosis" with Kafka (played by Richard E. Grant) having a terrible writer's block in the very first sentence, the classical "As Gregor Samsa awoke one morning from uneasy dreams he found himself transformed in his bed into a gigantic insect". But here, he doesn't know what Gregor is about to be transformed not only because of his block but that also relates with distractions around him, with his loud neighbors celebrating a Christmas party and interrupting visitors who appear from time to time. What he least expects is that those individuals and the strange situations they're involved may be of help for his book.
The mixture of elements, although strange and sometimes a little inadequate, is a good one. We have Kafka writing Gregor's story, then there's few glimpses of Gregor being transformed into multiple things before his final destination. Opressively, dramatic and spooky moments mixed with some strange humor, very characteristic in the works of the Polish writer. Later on the cheerful and bright conclusion borrowed from Capra's release comes along with a certain moral of the story that was a little off-suiting for this movie. It's one way of seeing things and it might work best with those who know little about the life and work of Franz Kafka, commonly known for sad and darker stories.
I only disagree with the treatment given to the main character played as if being a soft version of Ebenezer Scrooge, far from the timid and repressed view given of Kafka in biographies. But Mr. Grant was good, just as effective as the mysterious man played by Ken Stott. And it's good to know that it all paid off, this Burtonesque film was agraciated with the Oscar as Best Short - Live Action, tied with "Trevor" and one Bafta. And who could have imagined that the hilarious performer of Malcolm Tucker is not only a great actor but also a talented writer and director. This is a solid proof. 9/10
Did you know
- TriviaElaine Collins (Miss Cicely) is the wife of writer and director Peter Capaldi.
- Quotes
Franz Kafka: He gave me inspiration and I gave him death.
- ConnectionsFeatured in No Sleep TV3: Classic Episode #1: "Our All-Time Faves" (2015)
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- Franz Kafka's It's a Wonderful Life
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- See more company credits at IMDbPro
- Runtime
- 23m
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