Fiorile

The Taviani brothers have a definite place in the history of Italian cinema. They were highly regarded in the 70s and 80s, but lately their creative power and success seems to have diminished. 'Fiorile' is one of the later films, and the rust begins to be visible. It is a romantic story, spread over almost two hundred years and several generations, a story of love, lust, money and damnation. It is well filmed, and well told, but it is too conventional, and the message - if there is any - gets lost in the multitude of the characters, none really catching the eye or due to resist in the long term memory. We are left with a film in the good European tradition, good acting, nice filming, but still not a great achievement. Worth seeing in any case. 8/10 on my personal scale.

Fiorile (1993) was co-written and co-directed by Paolo and Vittorio Taviani. The Taviani brothers are great directors, and their genius comes through in this unusual film. The plot starts off innocuously enough, with a young couple and their two children traveling in Italy to meet the husband's father. The family apparently live in France, and the husband has not seen his father for over ten years. The children are both under ten years old, so they don't know what to expect of their grandfather.

The father tells his children about a curse placed on their family because of an incident during the Napoleonic wars in Italy 200 years earlier. Gold is involved, and the subject of gold and the curse continues throughout the film. There's another episode in the early 20th Century, and a third during World War II.

Galatea Ranzi plays two roles--Elisabette in the Napoleonic episode, and Elisa in the early 20th Century episode. The two characters are quite different in temperament, but Ranzi is a good actor, and you believe her in both roles. (She is also very, very beautiful. You can see how a young French officer would forget his official military obligations in her presence.)

We saw this film on VHS, and it worked well on the small screen. Most of the action takes place indoors, or in small outdoor spaces, so a large screen isn't really required. This isn't a movie that you must seek out and see at all costs. However, if you can find it, it's worth watching.

Like all the Taviani Brothers films, this one looks great, but it is rotten to the core with false romanticism, and coincidences heap upon each other in some facsimile of a "story". In actuality, this is really just a sentimentally cheap tear jerker posing as an intellectually distinguished art film.

When you have several hundred films in your queue, sometimes you forget just why it is there. I am not familiar with the work of Paolo and Vittorio Taviani, and I don't recognize any of the stars. I haven't even seen Chiara Caselli before. She gives us a glimpse of her beauty late in the film, but I am told there are better films to see her.

So, did I just make a mistake and now regret it? No, the film was a beautiful fantasy drama that told how money can come to be looked upon as a curse. Even knowing that, the curse lives on in the children. Once you touch gold, you cannot let go.

It was a nice film, with brilliant cinematography, and not a waste of time.

I really enjoyed this movie, and am ever so happy I taped it at the time it ran on TV. The great thing about this movie is that it is so normal. A family driving to granny and telling the kids a story on the way. And then later how the kids are playing and weaving the story their parents told them in their play. I far prefer European films like this to the ones we get here from the states. Why, you wonder, well if this was made in Hollywood, an escaped gangster would have come along to steal the treasure and father would have taken revenge or something like that... No, the only thing that is a petty is that movies like this are not distributed main stream, but only in arty farty circles. So most movies like this will never reach main stream audience, or even will be distributed outside their originating country. I am pretty sure there are a lot of movies that are great, brilliant movies, but I will never get to see them, because of the distribution.

Pieter