The Chill Factor

Prior to its fancy release on BluRay (thank you, Arrow Video) I had never heard about "The Chill Factor". This can mean two things. Either it's an unjustly obscure and undiscovered masterpiece, OR there is a good reason why it got forgotten over the years; - namely because it's terrible. Usually, it's option #2 and that's also the case for this one. However, this doesn't mean it can't be entertaining and - luckily - that's also the case for "The Chill Factor".

What we have here is a textbook amateur horror flick, thriving on enthusiasm and goodwill rather than on competences. The year is 1993, but everything looks & feels mid-to-late 80s, the plot is ultra-thin, half of the footage is time-filler, the dialogues are embarrassing, the wannabe atmospheric & foreboding voiceover is pointless, and most of the cast and crew members have only this insignificant title on their resumes.

The plot revolves around a group of six twenty-something dimwits, three couples, that get isolated in an abandoned cabin near a frozen lake after a trip on their snowscooters. These scooters appear to be the pivotal gimmicks of the movie. It feels as if someone in the group had the idea of renting snow scooters, and then use them in horror movie because you don't see that often. "What will the movie be about?". "Who knows. Who cares because we got snowmobiles, right!". So, after an endless hour of scootering footage, macho racing contests, and a dumb accident, there comes a silly story about possession by an ancient evil entity that gets unleased via a sort of Ouija board. It turns into a supernatural slasher with a couple of gruesome kills (notably the icicle in the eye), shots of girls in their underwear, and some hysterical screaming. The second half is quite fun and it's over before you know it.

A trio of young couples is on a snowmobiling holiday when one of them is seriously hurt in an accident. Desperate for shelter, they happen upon an abandoned lodge in the middle of nowhere.

After noticing religious artifacts everywhere, they decide to play a "wheel pf fortune"-type game (think: Ouija board) they've found. Bizarre occurrences and deadly "accidents" soon follow.

THE CHILL FACTOR is a slow-moving supernatural horror movie with a few ghoulish set pieces. While the characters are pretty vapid, they're not annoying enough to ruin everything. Gorehounds will find sustenance here, especially during the death-by-icicle sequence!

If you have a taste for the occult and don't mind a bit of gruesomeness, then this might hit the spot...

This capsule review was published - in an actual newspaper, remember those? - on October 15, 1993, when it was first released on home video by AIP Video (not the same as American International Pictures, by the way) four years after being made:

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DEMON POSSESSED (R) - AIP Video: EVIL DEAD's 'spam-in-a-cabin' routine and WITCHBOARD's ouija board antics are mixed to not-bad effect as six snowmobiles (this has to be the world's first snowmobile horror flick) take refuge in an abandoned children's camp where they are systematically chunked up by an in-house shadow demon (or something like that). Shot in 1989 as THE CHILL FACTOR, this ultra-low-budgeter falters a bit in the logic department (especially when an otherwise eerie narration doesn't connect with the film's Twilight Zone ending), but showcases some tame-but-effective gore and a cast and crew of ambitious amateurs.

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Short stuff, for sure. When I reviewed this in '93, my weekly column focused on direct-to-video titles, particularly schlock like this, which could routinely be found filling up shelf space in video stores (especially mom 'n pop shops) but which was rarely reviewed outside of the back pages of horror mags, assuming you had access to them, and big-city fanzines, assuming you had access to those (the internet, still in its infancy, was essentially useless in this regard). Now, 30 years later, I'm tagging this old review to an IMDb listing in which most of the other reviewers have the advantage of Arrow Video's supplements-laden Blu-ray edition of Chill Factor. As they say, things were different back then, but the spirit of stumping for (or dumping on) b-movies hasn't changed much at all. We're just conditioned by the likes of Arrow, Vinegar Syndrome, Severin et al to believe that all of these films - no matter how crappy and opportunistic - are somehow unheralded classics deserving of special editions loaded with supplements and collectors' booklets. It does get to be a bit much, but if it introduces new fans to old junk, what's the harm?

Whoa, whoa, wait a sec, this is actually a really cool movie. Maybe it's because I've seen hundreds of poopy horror flicks and my standards are lower, but if you're a true horror fan, you should have low standards, too! Of all Evil Dead inspired horror fare, this has got to be one of, if not the, best. It's got a good (original, well-thought out) story and compelling characters, two things lacking in most modern horror films. Okay, yes, it has the whole cabin-in-the-woods thing going on, but it uses the set-up well, for twists and turns and flashbacks and all kindsa crazy stuff you don't always find in the demon subgenre. If I was Leonard Maltin, which I am not, I would give this two and a half stars. Fer reals, yo. AIP 4eva!

As far as acting go, this movie was the pits. HOWEVER, the story is slightly original because the characters get around on snowmobiles and are stuck in blizzard-like weather. I am always happy to see snow and freezing, bundled up actors instead of bright sun and greased up, bikini clad actors. There is too much California weather in movies, I must say, so this is a nice change. And you could tell that the snow and northern woods were real and not made up on some California ski slope.

It was also pretty creepy how they added the Christian memorabilia into the plot. A giant statue of Jesus on the cross or a crying face of Jesus are both really creepy. Much more creepy than a made up Satanic demon or something, which most movies usually use when dealing with the occult. Although, I don't understand what Jesus has to do with the occult, but it still added a lot of overall insanity/craziness. When people have Jesus things all over the place, sometimes you feel like they will act without thinking because Jesus told them to or something. This is the feeling I got from the old camp in the woods.

However, the "devil eye" ouiji board thing didn't seem to fit. They should have kept with the Jesus theme instead of entering Haitian voodoo into it. That seemed to come out of nowhere.

Tom, the character that gets in the snowmobile accident, had a funky look about him. When he has sex with the ladies and they show his snarly face, I thought it was pretty gross and hard to watch. Good job with the ugly faces.

Did anyone notice that nearly every person in this movie has giant, oversized front teeth like rabbits?

The waitress at the bar in the beginning was really life-like and typical. I thought she was a neat character, though a bit over-acted.

I could have done without the old lady voice narrating it. That was too much unneeded cheese. It would have been better without it.

Overall, terrible acting but a good story that keeps you wondering what is going to happen and succeeds in using effective props/sets. And they get an extra point for using real snow.